Ellen Datlow - Tails of Wonder and Imagination

He bent to pick up the red cat, which had appeared out of nowhere to rub against the filthy hem of Ukon’s kimono. “Where have you been?”

He held the cat to his breast and looked at Ukon. “She ran off after I saw you—she’s been out all night! But please, come in.”

And he stood aside so that Ukon could enter.

They did not marry immediately, and for a while there was some mild scandal over the fact that the inkmaker’s stepdaughter had found a home in the poor poet’s rooms. But the tongues of that quarter soon enough found other tales to wag about, and by the time Ukon and Ga-sho were wed and had a baby due, the red cat had given birth to a litter of kittens of her own.

And, while the strange woman who had saved Ukon was never seen again in that district, for years afterward the descendants of the cat called Cleanears—red-furred, black-pawed, gray-eyed like their mother—were said to be lucky. Because how otherwise to account for the success the poet had, and the long and happy marriage he and Ukon endured? Such things did not come often to the poor people of that time, any more than they do to us today!

In medieval Japan, red bobtailed cats were known as Kinkwa-neko, “Golden Flower.” They were thought to assume the forms of beautiful young women, and to help young girls in distress.

Stephen King needs little introduction. Since the publication of his first novel, Carrie , King has been entertaining readers by writing exactly what he wants to write, when he wants to write it. And this includes the occasional short story published in such varied venues as OMNI , Playboy , The Magazine of Fantasy & Science Fiction , Cemetery Dance , and The New Yorker . He won the O. Henry Award and the World Fantasy Award in 1995 for his story “The Man in the Black Suit.”

“Night of the Tiger” is an early and relatively obscure work from the master of horror. With its circus traveling around small town America, the story has a Ray Bradbury feel to it, but with a harder edge.

I first saw Mr. Legere when the circus swung through Steubenville, but I’d only been with the show for two weeks; he might have been making his irregular visits indefinitely. No one much wanted to talk about Mr. Legere, not even that last night when it seemed that the world was coming to an end—the night that Mr. Indrasil disappeared.

But if I’m going to tell it to you from the beginning, I should start by saying that I’m Eddie Johnston, and I was born and raised in Sauk City. Went to school there, had my first girl there, and worked in Mr. Lillie’s five-and-dime there for a while after I graduated from high school. That was a few years back… more than I like to count, sometimes. Not that Sauk City’s such a bad place; hot, lazy summer nights sitting on the front porch is all right for some folks, but it just seemed to itch me, like sitting in the same chair too long. So I quit the five-and-dime and joined Farnum & Williams’ All-American 3-Ring Circus and Side Show. I did it in a moment of giddiness when the calliope music kind of fogged my judgment, I guess.

So I became a roustabout, helping put up tents and take them down, spreading sawdust, cleaning cages, and sometimes selling cotton candy when the regular salesman had to go away and bark for Chips Baily, who had malaria and sometimes had to go someplace far away, and holler. Mostly things that kids do for free passes—things I used to do when I was a kid. But times change. They don’t seem to come around like they used to.

We swung through Illinois and Indiana that hot summer, and the crowds were good and everyone was happy. Everyone except Mr. Indrasil. Mr. Indrasil was never happy. He was the lion tamer, and he looked like old pictures I’ve seen of Rudolph Valentino. He was tall, with handsome, arrogant features and a shock of wild black hair. And strange, mad eyes—the maddest eyes I’ve ever seen. He was silent most of the time; two syllables from Mr. Indrasil was a sermon. All the circus people kept a mental as well as a physical distance, because his rages were legend. There was a whispered story about coffee spilled on his hands after a particularly difficult performance and a murder that was almost done to a young roustabout before Mr. Indrasil could be hauled off him. I don’t know about that. I do know that I grew to fear him worse than I had cold-eyed Mr. Edmont, my high school principal, Mr. Lillie, or even my father, who was capable of cold dressing-downs that would leave the recipient quivering with shame and dismay.

When I cleaned the big cats’ cages, they were always spotless. The memory of the few times I had the vituperative wrath of Mr. Indrasil called down on me still have the power to turn my knees watery in retrospect.

Mostly it was his eyes—large and dark and totally blank. The eyes, and the feeling that a man capable of controlling seven watchful cats in a small cage must be part savage himself.

And the only two things he was afraid of were Mr. Legere and the circus’s one tiger, a huge beast called Green Terror.

As I said, I first saw Mr. Legere in Steubenville, and he was staring into Green Terror’s cage as if the tiger knew all the secrets of life and death.

He was lean, dark, quiet. His deep, recessed eyes held an expression of pain and brooding violence in their green-flecked depths, and his hands were always crossed behind his back as he stared moodily in at the tiger.

Green Terror was a beast to be stared at. He was a huge, beautiful specimen with a flawless striped coat, emerald eyes, and heavy fangs like ivory spikes. His roars usually filled the circus grounds—fierce, angry, and utterly savage. He seemed to scream defiance and frustration at the whole world.

Chips Baily, who had been with Farnum & Williams since Lord knew when, told me that Mr. Indrasil used to use Green Terror in his act, until one night when the tiger leaped suddenly from its perch and almost ripped his head from his shoulders before he could get out of the cage. I noticed that Mr. Indrasil always wore his hair long down the back of his neck.

I can still remember the tableau that day in Steubenville. It was hot, sweatingly hot, and we had a shirtsleeve crowd. That was why Mr. Legere and Mr. Indrasil stood out. Mr. Legere, standing silently by the tiger cage, was fully dressed in a suit and vest, his face unmarked by perspiration. And Mr. Indrasil, clad in one of his beautiful silk shirts and white whipcord breeches, was staring at them both, his face dead-white, his eyes bulging in lunatic anger, hate, and fear. He was carrying a currycomb and brush, and his hands were trembling as they clenched on them spasmodically.

Suddenly he saw me, and his anger found vent. “You!” He shouted. “Johnston!”

“Yes, sir?” I felt a crawling in the pit of my stomach. I knew I was about to have the wrath of Indrasil vented on me, and the thought turned me weak with fear. I like to think I’m as brave as the next, and if it had been anyone else, I think I would have been fully determined to stand up for myself. But it wasn’t anyone else. It was Mr. Indrasil, and his eyes were mad.

“These cages, Johnston. Are they supposed to be clean?” He pointed a finger, and I followed it. I saw four errant wisps of straw and an incriminating puddle of hose water in the far corner of one.

“Y-yes, sir,” I said, and what was intended to be firmness became palsied bravado.

Silence, like the electric pause before a downpour. People were beginning to look, and I was dimly aware that Mr. Legere was staring at us with his bottomless eyes.