Дэн Симмонс - The Fall of Hyperion

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In the stunning continuation of the epic adventure begun in “Hyperion”, Simmons returns us to a far future resplendent with drama and invention. On the world of Hyperion, the mysterious Time Tombs are opening. And the secrets they contain mean that nothing—nothing anywhere in the universe—will ever be the same.

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The first shot had come from the Poets’ City, more than four klicks to the southwest. The second shot, less than ten seconds later, came from the Crystal Monolith, almost a full klick down the valley to the northeast. Logic dictates that there have to be two snipers. Kassad is sure that there is only one. He refines the display scale. The second shot had come from high on the Monolith, at least thirty meters up on the sheer face.

Kassad swings out, raises amplification, and peers through night and the last vestiges of the sand and snowstorm toward the huge structure.

Nothing. No windows, no slits, no openings of any sort.

Only the billions of colloidal particles left in the air from the storm allow the laser to be visible for a split second. Kassad sees the green beam after it strikes him in the chest. He rolls back into the entrance of the Jade Tomb, wondering if the green walls will help deter a green light lance, while superconductors in his combat armor radiate heat in every direction and his tactical visor tells him what he already knows: the shot has come from high on the Crystal Monolith.

Kassad feels pain sting his chest, and he looks down in time to see a five-centimeter circle of invulnarmor drip molten fibers onto the floor.

Only the last layer has saved him. As it is, his body drips with sweat inside the suit, and he can see the walls of the tomb literally glowing with the heat his suit has discarded. Biomonitors clamor for attention but hold no serious news, his suit sensors report some circuit damage but describe nothing irreplaceable, and his weapon is still charged, loaded, and operative.

Kassad thinks about it. All of the Tombs are priceless archaeological treasures, preserved for centuries as a gift to future generations, even if they are moving backward in time. It would be a crime on an interplanetary scale if Colonel Fedmahn Kassad were to put his own life above the preservation of such priceless artifacts.

“Oh fuck it,” whispers Kassad and rolls into firing position.

He sprays laser fire across the face of the Monolith until crystal slags and runs. He pumps high-explosive pulse bolts into the thing at ten-meter intervals, starting with the top levels. Thousands of shards of mirrored material fly out into the night, tumbling in slow motion toward the valley floor, leaving gaps as ugly as missing teeth in the building’s face. Kassad switches back to wide-beam coherent light and sweeps the interior through the gaps, grinning behind his visor when something bursts into flames on several floors. Kassad fires bhees—beams of high-energy electrons—which rip through the Monolith and plow perfectly cylindrical fourteen-centimeter-wide tunnels for half a kilometer through the rock of the valley wall. He fires cannister grenades, which explode into tens of thousands of needle flechettes after passing through the crystal face of the Monolith. He triggers random pulse-laser swaths, which will blind anyone or anything looking in his direction from the structure. He fires body-heat-seeking darts into every orifice the shattered structure offers him.

Kassad rolls back into the Jade Tomb’s doorway and flips up his visor.

Flames from the burning tower are reflected in thousands of crystal shards scattered up and down the valley. Smoke rises into a night suddenly without wind. Vermilion dunes glow from the flames. The air is suddenly filled with the sound of wind chimes as more pieces of crystal break and fall away, some dangling by long tethers of melted glass.

Kassad ejects drained power clips and ammo bands, replaces them from his belt, and rolls on his back, breathing in the cooler air that comes through the open doorway. He is under no illusion that he has killed the sniper.

“Moneta,” whispers Fedmahn Kassad. He closes his eyes a second before going on.

Moneta had first come to Kassad at Agincourt on a late-October morning in A.D. 1415. The fields had been strewn with French and English dead, the forest alive with the menace of a single enemy, but that enemy would have been the victor if not for the help of the tall woman with short hair, and eyes he would never forget. After their shared victory, still dappled with the blood of their vanquished knight, Kassad and the woman made love in the forest.

The Olympus Command School Historical Tactical Network was a stimsim experience closer to reality than anything civilians would ever experience, but the phantom lover named Moneta was not an artifact of the stimsim. Over the years, when Kassad was a cadet at FORCE Olympus Command School and later, in the fatigue-drugged postcathartic dreams that inevitably followed actual combat, she had come to him.

Fedmahn Kassad and the shadow named Moneta had made love in the quiet corners of battlefields ranging from Antietam to QomRiyadh.

Unknown to anyone, unseen by other stimsim cadets, Moneta had come to him in tropical nights on watch and during frozen days while under siege on the Russian steppes. They had whispered their passion in Kassad’s dreams after nights of real victory on the island battlefields of Maui Covenant and during the agony of physical reconstruction after his near-death on South Bressia. And always Moneta had been his single love—an overpowering passion mixed with the scent of blood and gunpowder, the taste of napalm and soft lips and ionized flesh.

Then came Hyperion.

Colonel Fedmahn Kassad’s hospital ship was attacked by Ouster torchships while returning from the Bressia system. Only Kassad had survived, stealing an Ouster shuttle and crash-landing it on Hyperion.

On the continent of Equus. In the high deserts and barren wastelands of the sequestered lands beyond the Bridle Range. In the valley of the Time Tombs. In the realm of the Shrike.

And Moneta had been waiting for him. They made love… and when the Ousters landed in force to reclaim their prisoner, Kassad and Moneta and the half-sensed presence of the Shrike had laid waste to Ouster ships, destroyed their landing parties, and slaughtered their troops. For a brief time, Colonel Fedmahn Kassad from the Tharsis slums, child and grandchild and great-grandchild of refugees, citizen of Mars in every sense, had known the pure ecstasy of using time as a weapon, of moving unseen amongst one’s enemies, of being a god of destruction in ways not dreamt of by mortal warriors.

But then, even while making love after the carnage of battle, Moneta had changed. Had become a monster. Or the Shrike had replaced her.

Kassad could not remember the details; would not remember them if he did not have to in order to survive.

But he knew that he had returned to find the Shrike and to kill it.

To find Moneta and to kill her. To kill her? He did not know. Colonel Fedmahn Kassad knew only that all the great passions of a passionate life had led him to this place and to this moment, and if death awaited him here, then so be it. And if love and glory and a victory that would make Valhalla quake awaited, then so be it.

Kassad slaps down his visor, rises to his feet, and rushes from the Jade Tomb, screaming as he goes. His weapon launches smoke grenades and chaff toward the Monolith, but these offer little cover for the distance he must cross. Someone is still alive and firing from the tower; bullets and pulse charges explode along his path as he dodges and dives from dune to dune, from one heap of rubble to the next.

Flechettes strike his helmet and legs. His visor cracks, and warning telltales blink. Kassad blinks away the tactical displays, leaving only the night-vision aids. High-velocity solid slugs strike his shoulder and knee.

Kassad goes down, is driven down. The impact armor goes rigid, relaxes, and he is up and running again, feeling the deep bruises already forming.

His chameleon polymer works desperately to mirror the no-man’s-land he is crossing: night, flame, sand, melted crystal, and burning stone.

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