Sam Shepard - The god of hell - a play
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- Название:The god of hell: a play
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- Год:неизвестен
- ISBN:нет данных
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: Yes. This house—our house.
FRANK
: Well, what’d you tell him?
EMMA
: Five, I said. Then he corrected me.
FRANK
: He corrected you?
EMMA
: Yeah. He said there was six—including the basement.
FRANK
: Well, that’s true enough, I guess. If you call the basement a room.
EMMA
: Now you’re taking his side.
FRANK
: I don’t even know this guy.
(FRANK gets up and crosses to stove in his stocking feet, moves the bacon around with fork .)
EMMA
: Why would he care about the house? How many rooms there are.
FRANK
: You got me.
EMMA
: Maybe he wants to buy it.
FRANK
: This bacon looks burnt.
EMMA
: You didn’t see him go by on your way back up?
FRANK
: Nope.
EMMA
: I don’t see how you could have missed him. You didn’t see any car?
FRANK
: Yeah, I saw a car.
EMMA
: You did?
FRANK
: (
forking bacon
) Yeah—I saw a couple cars.
EMMA
: Two?
FRANK
: Is Graig up yet?
EMMA
: No—no, I don’t think so. I yelled down to him but—
(FRANK crosses to top of basement stairs and yells down .)
FRANK
: Graig! Graig, get your sorry ass up here if you want some breakfast! This isn’t a boardinghouse! Rise and shine!
(FRANK returns to stove and bacon .)
How’d you manage to burn this bacon, anyway?
EMMA
: Frank—there were two cars?
FRANK
: What?
EMMA
: Two cars out there?
FRANK
: I don’t know, Emma. Two or three. What difference does it make?
EMMA
: Three?
FRANK
: I wasn’t counting!
EMMA
: Where were they?
FRANK
: On the road.
EMMA
: Out front?
FRANK
: Yes! On the road, out front. What’s the matter with you? That’s what cars do. They go up and down on the road, out front. Where else would they go?
EMMA
: Well, so they could’ve just been plain old ordinary everyday cars then, couldn’t they? Just passersby
FRANK
: As opposed to what?
EMMA
: Government cars.
FRANK
: Government cars?
EMMA
: Dark cars. Suspicious. Tinted windows. Unmarked Chevys. Black antennas bowed over. That kind of thing.
FRANK
: Where do you get this stuff?
EMMA
: I know, Frank. I’m not uninformed. I know about this stuff.
FRANK
: I was feeding my heifers. I didn’t notice what cars they were or if their antennas were bowed over.
EMMA
: Did you catch their license plates?
FRANK
: When I’m feeding the heifers, time stands still for me. Nothing else exists.
(HAYNES, their guest, is suddenly standing at the top of the basement stair landing in a plaid bathrobe, rubbing the morning crust out of his eyes .)
HAYNES
: Morning—
(EMMA jumps slightly, turns toward him .)
FRANK
: Get enough sleep?
HAYNES
: Was somebody ringing a bell up here?
(EMMA crosses to HAYNES, enthusiastically .)
EMMA
: Oh, yes, that was me. We have a bell—Frank’s told me so much about you. I was asleep when you came in last night. I’m so sorry I didn’t stay up to meet you.
HAYNES
: Oh, that’s all right.
EMMA
: I’m Emma—
( As EMMA gets closer to HAYNES, he backs up slightly, holding his hand out timidly, and as soon as EMMA touches his hand to shake it, a bright blue flash of light emanates from HAYNES ’s fingers . EMMA screams and jumps back . HAYNES shakes his hand violently as though it were severely burned .)
What was that! ( to FRANK) Did you see that? What the heck was that?
HAYNES
: Static shock. I’m sorry. I apologize. I never know quite how to explain this.
EMMA
: Static shock?
HAYNES
: Yes. That’s what it is. It gets worse and worse each year. Especially in the winter. Maybe it’s the ozone or something.
EMMA
: Ozone?
HAYNES
: I don’t know. I’m very sorry.
EMMA
: Oh, you don’t have to apologize. You can’t help it, I guess. I’m assuming—
HAYNES
: No, it’s true—I can’t.
EMMA
: I’ve just never seen anything quite like that. I mean, I’ve had static shock before, but—rugs and doorknobs and stuff, but—
FRANK
: Yeah, that’s pretty impressive, Graig. You pick that up out there in Colorado or something?
(FRANK crosses to couch, chewing bacon and carrying coffee .)
EMMA
: Would you like some bacon, Mr. Haynes? And coffee—there’s coffee too. Help yourself.
HAYNES
: Thanks.
(EMMA crosses to stove . FRANK sits on couch with bacon and coffee . FRANK sings a short snatch from an old song .)
FRANK
: (
singing
) “My baby loves bacon
And that’s what I’m makin’
When I’m cookin’ breakfast for the one I love.
I don’t like oatmeal …”
EMMA
: Oh, don’t sing that, Frank. We’ve got company. (
to
HAYNES
) He always sings that when we have company.
FRANK
: We never have company.
EMMA
: That’s not entirely true.
(HAYNES shivers, rubs his arms .)
HAYNES
: How cold is it out there, anyway?
EMMA
: Oh, it’s plenty cold.
FRANK
: Cold enough to stick your tongue to a mailbox.
EMMA
: How cold was it back there in Colorado, Mr. Haynes?
HAYNES
: Graig.
EMMA
: What?
HAYNES
: Call me Graig.
EMMA
: Craig? Oh—all right—Craig.
HAYNES
: No, Graig—with a G.
EMMA
: What?
HAYNES
: Never mind.
EMMA
: Would you like a cup of coffee, Craig?
HAYNES
: Please—yes.
( She pours him a cup )
EMMA
: So, how cold was it back there in Colorado, Craig?
(FRANK stands suddenly from the couch, throwing down his coffee cup. Violent .)
FRANK
: GRAIG! His name is Graig! Didn’t you hear him? Graig with a G, not Craig with a C! GRAIG!!
EMMA
: (
flatly
) Oh, my God.
(EMMA slams down coffeepot and exits out through kitchen archway, stage left. Pause . FRANK picks up his cup off the floor and takes it to the sink. Pause .)
HAYNES
: I didn’t mean to upset her.
FRANK
: You didn’t.
HAYNES
: She seemed upset.
FRANK
: She was, but you weren’t the cause of it.
HAYNES
: Oh—
FRANK
: Some man came by, evidently—some stranger. I guess that’s it. Got her shook up.
HAYNES
: A stranger?
FRANK
: That’s what she said. She gets nervous. We hardly ever see anyone out here.
HAYNES
: Well—what did he want?
FRANK
: Who?
HAYNES
: The stranger.
FRANK
: You got me. I didn’t see him. I was down feeding my heifers.
HAYNES
: She didn’t say?
FRANK
: Not really. Just asked her a bunch of strange questions about the house.
HAYNES
: What kind of questions?
FRANK
: Nothing, really. I mean—how many rooms there were. Stuff like that.
HAYNES
: That’s strange, isn’t it?
FRANK
: What?
HAYNES
: A stranger coming by.
FRANK
: Not really. We’re out here in the boondocks. Sitting ducks for solicitors.
HAYNES
: Oh, really?
FRANK
: Yeah, sure. All kinds. They see the house from the road, all exposed like this. They come up. We’re vulnerable.
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