Дэймон Найт - Orbit 3

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Orbit 3: краткое содержание, описание и аннотация

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“This, the third edition of Mr. Knight’s Orbit series, features original science fiction stories which have not appeared previously anywhere. The material has been chosen with an eye to both variety and originality. A novelette by John Jakes, ‘Here Is Thy Sting,’ manages to make death both rousing and quite amusing—a tour de force indeed. The lead story, ‘Mother to the World,’ by Richard Wilson, is a moving variation on the Last Man theme. The late Richard McKenna, author of ‘The Sand Pebbles,’ has a story, ‘Bramble Bush,’ which is good enough to indicate he could have been a top s-f writer had he lived to write more of the same. Perhaps the strongest story is Kate Wilhelm’s ‘The Planners’ in which science fiction remains in its own metier, yet becomes disturbingly real.
“A must for discerning science fiction buffs, this is possibly the best of the Orbit series yet, a high rating indeed.”
—Publishers’ Weekly

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“Take care!” he gasped.

“Why?” she said. “Lest you kill me?”

“There are other ways,” he said, and he drew himself up, but here the picklock spat in his face. He let out a strangled wheeze and lurched backwards, stumbling against the curtains. Behind her Alyx heard a faint cry; she whirled about to see the governor’s nurse sitting up in bed, her eyes wide open.

“Madam, quietly, quietly,” said Alyx, “for God’s sake!”

The governor’s nurse opened her mouth.

“I have done no harm,” said Alyx passionately, “I swear it!” but the governor’s nurse took a breath with the clear intention to scream, a hearty, healthy, full-bodied scream like the sort picklocks hear in nightmares. In the second of the governor’s nurse’s shuddering inhalation— in that split second that would mean unmentionably unpleasant things for Alyx, as Ourdh was not a kind city— Alyx considered launching herself at the woman, but the cradle was between. It would be too late. The house would be roused in twenty seconds. She could never make it to a door—<>r a window—not even to the garden, where the governor’s hounds could drag down a stranger in two steps. All these thoughts flashed through the picklock’s mind as she saw the governor’s nurse inhale with that familiar, hideous violence; her knife was still in her hand; with the smooth simplicity of habit it slid through her fingers and sped across the room to bury itself in the governor’s nurse’s neck, just above the collarbone in that tender hollow Ourdhian poets love to sing of. The woman’s open-mouthed expression froze on her face; with an “uh!” of surprise she fell forward, her arms hanging limp over the edge of the couch. A noise came from her throat. The knife had opened a major pulse, and in the blood’s slow, powerful, rhythmic tides across sheet and slippers and floor Alyx could discern a horrid similarity to the posture and appearance of the black slave. One was hers, one was the fat man’s. She turned and hurried through the curtains into the anteroom, only noting that the soldier blindfolded and bound in the corner had managed patiently to work loose the thongs around two of his fingers with his teeth. He must have been at it all this time. Outside in the hall the darkness of the house was as undisturbed as if the nursery were that very Well of Peace whence the gods first drew (as the saying is) the dawn and the color—but nothing else—for the eyes of women. On the wall someone had written in faintly shining stuff, like snail-slime, the single word Fever.

But the fat man was gone.

Her man was raving and laughing on the floor when she got home. She could not control him—she could only sit with her hands over her face and shudder—so at length she locked him in and gave the key to the old woman who owned the house, saying, “My husband drinks too much. He was perfectly sober when I left earlier this evening and now look at him. Don’t let him out.”

Then she stood stock-still for a moment, trembling and thinking: of the fat man’s distaste for walking, of his wheezing, his breathlessness, of his vanity that surely would have led him to show her any magic vehicle he had that took him to whatever he called home. He must have walked. She had seen him go out the north gate a hundred times.

She began to run.

To the south Ourdh is built above marshes that will engulf anyone or anything unwary enough to try to cross them, but to the north the city peters out into sand dunes fringing the seacoast and a fine monotony of rocky hills that rise to a countryside of sandy scrub, stunted trees and what must surely be the poorest farms in the world. Ourdh believes that these farmers dream incessantly of robbing travelers, so nobody goes there, all the fashionable world frequenting the great north road that loops a good fifty miles to avoid this region. Even without its stories the world would have no reason to go here; there is nothing to see but dunes and weeds and now and then a shack (or more properly speaking, a hut) resting on an outcropping of rock or nesting right on the sand like a toy boat in a basin. There is only one landmark in the whole place—an old tower hardly even fit for a wizard —and that was abandoned nobody knows how long ago, though it is only twenty minutes’ walk from the city gates. Thus it was natural that Alyx (as she ran, her heart pounding in her side) did not notice the stars, or the warm night-wind that stirred the leaves of the trees, or indeed the very path under her feet; though she knew all the paths for twenty-five miles around. Her whole mind was on that tower. She felt its stones stick in her throat. On her right and left the country flew by, but she seemed not to move; at last, panting and trembling, she crept through a nest of tree-trunks no thicker than her wrist (they were very old and very tough) and sure enough, there it was. There was a light shining halfway between bottom and top. Then someone looked out, like a cautious householder out of an attic, and the light went out.

Ah! thought she, and moved into the cover of the trees. The light—which had Vanished—now reappeared a story higher and so on, higher and higher, until it reached the top. It wobbled a little, as if held in the hand. So this was his country seat! Silently and with great care, she made her way from one pool of shadow to another. One hundred feet from the tower she circled it and approached it from the northern side. A finger of the sea cut in very close to the base of the building (it had been slowly falling into the water for many years) and in this she first waded and then swam, disturbing the faint, cold radiance of the starlight in the placid ripples. There was no moon. Under the very walls of the tower she stopped and listened; in the darkness under the sea she felt along the rocks; then, expelling her breath and kicking upwards, she rushed head-down; the water closed round, the stone rushed past and she struggled up into the air. She was inside the walls.

And so is he, she thought. For somebody had cleaned the place up. What she remembered as choked with stone rubbish (she had used the place for purposes of her own a few years back) was bare and neat and clean; all was square, all was orderly, and someone had cut stone steps from the level of the water to the most beautifully precise archway in the world. But of course she should not have been able to see any of this at all. The place should have been in absolute darkness. Instead, on either side of the arch was a dim glow, with a narrow beam of light going between them; she could see dancing in it the dust-motes that are never absent from this earth, not even from air that has lain quiet within the rock of a wizard’s mansion for uncountable years. Up to her neck in the ocean, this barbarian woman then stood very quietly and thoughtfully for several minutes. Then she dove down into the sea again, and when she came up her knotted cloak was full of the tiny crabs that cling to the rocks along the seacoast of Ourdh. One she killed and the others she suspended captive in the sea; bits of the blood and flesh of the first she smeared carefully below the two sources of that narrow beam of light; then she crept back into the sea and loosed the others at the very bottom step, diving underwater as the first of the hurrying little creatures reached the arch. There was a brilliant flash of light, then another, and then darkness. Alyx waited. Hoisting herself out of the water, she walked through the arch—not quickly, but not without nervousness. The crabs were pushing and quarreling over their dead cousin. Several climbed over the sources of the beam, pulling, she thought, the crabs over his eyes. However he saw, he had seen nothing. The first alarm had been sprung.

Wizards’ castles—and their country residences—have every right to be infested with all manner of horrors, but Alyx saw nothing. The passage wound on, going fairly constantly upward, and as it rose it grew fighter until every now and then she could see a kind of lighter shape against the blackness and a few stars. These were windows. There was no sound but her own breathing and once in a while the complaining rustle of one or two little creatures she had inadvertently carried with her in a corner of her cloak. When she stopped she heard nothing. The fat man was either very quiet or very far away. She hoped it was quietness. She slung the cloak over her shoulder and began the climb again.

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