Ursula Le Guin - Five Ways to Forgiveness

The horse-race course, the only flat area of any size anywhere near the city, was thronged, vendors calling, banners waving; the Royal motorcars drove straight into the crowd, which parted like water and closed behind. Some rickety-looking bleachers had been erected for lords and owners, with a curtained section for ladies. She saw a motorcar drive up to the bleachers; a figure swathed in red cloth was bundled out of it and hurried between the curtains, vanishing. Were there peepholes for them to watch the ceremony through? There were women in the crowds, but bondswomen only, assets. She realised that she, too, would be kept hidden until her moment of the ceremony arrived: a red tent awaited her, alongside the bleachers, not far from the roped enclosure where priests were chanting. She was rushed out of the car and into the tent by obsequious and determined courtiers.

Bondswomen in the tent offered her tea, sweets, mirrors, makeup, and hair oil, and helped her put on the complex swathing of fine red-and-yellow cloth, her costume for her brief enactment of Lady Tual. Nobody had told her very clearly what she was to do, and to her questions the women said, “The priests will show you, Lady, you just go with them. You just light the fire. They have it all ready.” She had the impression that they knew no more than she did; they were pretty girls, court assets, excited at being part of the show, indifferent to the religion. She knew the symbolism of the fire she was to light: into it faults and transgressions could be cast and burnt up, forgotten. It was a nice idea.

The priests were whooping it up out there; she peeked out—there were indeed peepholes in the tent fabric—and saw the crowd had thickened. Nobody except in the bleachers and right against the enclosure ropes could possibly see anything, but everybody was waving red-and-yellow banners, munching fried food, and making a day of it, while the priests kept up their deep chanting. In the far right of the little, blurred field of vision through the peephole was a familiar arm: the Major’s, of course. They had not let him get into the motorcar with her. He must have been furious. He had got here, though, and stationed himself on guard. “Lady, Lady,” the court girls were saying, “here come the priests now,” and they buzzed around her making sure her headdress was on straight and the damnable, hobbling skirts fell in the right folds. They were still plucking and patting as she stepped out of the tent, dazzled by the daylight, smiling and trying to hold herself very straight and dignified as a Goddess ought to do. She really didn’t want to fuck up their ceremony.

Two men in priestly regalia were waiting for her right outside the tent door. They stepped forward immediately, taking her by the elbows and saying, “This way, this way, Lady.” Evidently she really wouldn’t have to figure out what to do. No doubt they considered women incapable of it, but in the circumstances it was a relief. The priests hurried her along faster than she could comfortably walk in the tight-drawn skirt. They were behind the bleachers now; wasn’t the enclosure in the other direction? A car was coming straight at them, scattering the few people who were in its way. Somebody was shouting; the priests suddenly began yanking her, trying to run; one of them yelled and let go her arm, felled by a flying darkness that had hit him with a jolt—she was in the middle of a melee, unable to break the iron hold on her arm, her legs imprisoned in the skirt, and there was a noise, an enormous noise, that hit her head and bent it down, she couldn’t see or hear, blinded, struggling, shoved face first into some dark place with her face pressed into a stifling, scratchy darkness and her arms held locked behind her.

A car, moving. A long time. Men, talking low. They talked in Gatayan. It was very hard to breathe. She did not struggle; it was no use. They had taped her arms and legs, bagged her head. After a long time she was hauled out like a corpse and carried quickly, indoors, down stairs, set down on a bed or couch, not roughly though with the same desperate haste. She lay still. The men talked, still almost in whispers. It made no sense to her. Her head was still hearing that enormous noise, had it been real? had she been struck? She felt deaf, as if inside a wall of cotton. The cloth of the bag kept getting stuck on her mouth, sucked against her nostrils as she tried to breathe.

It was plucked off; a man stooping over her turned her so he could untape her arms, then her legs, murmuring as he did so, “Don’t to be scared, Lady, we don’t to hurt you,” in Voe Dean. He backed away from her quickly. There were four or five of them; it was hard to see, there was very little light. “To wait here,” another said, “everything all right. Just to keep happy.” She was trying to sit up, and it made her dizzy. When her head stopped spinning, they were all gone. As if by magic. Just to keep happy.

A small very high room. Dark brick walls, earthy air. The light was from a little biolume plaque stuck on the ceiling, a weak, shadowless glow. Probably quite sufficient for Werelian eyes. Just to keep happy. I have been kidnapped. How about that. She inventoried: the thick mattress she was on; a blanket; a door; a small pitcher and a cup; a drainhole, was it, over in the corner? She swung her legs off the mattress and her feet struck something lying on the floor at the foot of it—she coiled up, peered at the dark mass, the body lying there. A man. The uniform, the skin so black she could not see the features, but she knew him. Even here, even here, the Major was with her.

She stood up unsteadily and went to investigate the drainhole, which was simply that, a cement-lined hole in the floor, smelling slightly chemical, slightly foul. Her head hurt, and she sat down on the bed again to massage her arms and ankles, easing the tension and pain and getting herself back into herself by touching and confirming herself, rhythmically, methodically. I have been kidnapped. How about that. Just to keep happy. What about him?

Suddenly knowing that he was dead, she shuddered and held still.

After a while she leaned over slowly, trying to see his face, listening. Again she had the sense of being deaf. She heard no breath. She reached out, sick and shaking, and put the back of her hand against his face. It was cool, cold. But warmth breathed across her fingers, once, again. She crouched on the mattress and studied him. He lay absolutely still, but when she put her hand on his chest she felt the slow heartbeat.

“Teyeo,” she said in a whisper. Her voice would not go above a whisper.

She put her hand on his chest again. She wanted to feel that slow, steady beat, the faint warmth; it was reassuring. Just to keep happy.

What else had they said? Just to wait. Yes. That seemed to be the program. Maybe she could sleep. Maybe she could sleep and when she woke up the ransom would have come. Or whatever it was they wanted.

She woke up with the thought that she still had her watch, and after sleepily studying the tiny silver readout for a while decided she had slept three hours; it was still the day of the Festival, too soon for ransom probably, and she wouldn’t be able to go to the theater to see the makils tonight. Her eyes had grown accustomed to the low light and when she looked she could see, now, that there was dried blood all over one side of the man’s head. Exploring, she found a hot lump like a fist above his temple, and her fingers came away smeared. He had got himself crowned. That must have been him, launching himself at the priest, the fake priest, all she could remember was a flying shadow and a hard thump and an ooof! like an aiji attack, and then there had been the huge noise that confused everything. She clicked her tongue, tapped the wall, to check her hearing. It seemed to be all right; the wall of cotton had disappeared. Maybe she had been crowned herself? She felt her head, but found no lumps. The man must have a concussion, if he was still out after three hours. How bad? When would the men come back?