John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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"I'd really like to know," she told MacDonald.

He looked at her, not unkindly, then looked away, seeming embarrassed. I simply report the fact; I have no idea why he might have been embarrassed.

"I only work with survivors," he said, quietly. Before either of us had a chance to reply he was on his feet. He limped slightly as he went to the door and held it open for us.

I got up and jammed my hat on my head. I was almost out the door when I heard Brenda.

"I don't understand," she was saying. "What makes you think I'm not a survivor?"

"I didn't say you weren't," he said.

I turned on him.

"Brenda," I said, slowly. "Correct me if I'm wrong. Did I just hear myself accused of not being a survivor by a man who risks his life in a game ?"

She didn't say anything. I think she realized that, whatever was going on here, it was between him and me. I wished I knew what it was, and why it had made me so angry.

"Risks can be calculated," he said. "I'm still alive. I plan to stay that way."

Nothing good lasts forever. Brenda piped up again.

"What is it about Hildy that makes you-"

"That's none of my business," he interrupted, still looking at me. "I see something in Hildy. If I were to join you two, I'd have to make it my business."

"What you see, pal, is a man who takes care of his own business, and doesn't let some gal with a knife do it for him."

Somehow that didn't come out like I'd intended. He smiled faintly. I turned and stomped out the door, not waiting to see if Brenda followed.

***

I lifted my head from the bar. Everything was too bright, too noisy. I seemed to be on a carousel, but what was that bottle doing in my hand?

I kept tightly focused on the bottle and things slowly stopped spinning. There was a puddle of whiskey under the bottle, and under my arm, and the side of my face was wet. I'd been lying in the puddle.

"If you throw up on my bar," the man said, "I'll beat you bloody."

Swinging my gaze toward him was a major project. It was the bartender, and I told him I wasn't going to throw up, then I almost choked and staggered toward the swinging doors and made a mess in the middle of Congress Street.

When I was done I sat down there in the road. Traffic was no problem. There were a few horses and wagons tied up behind me, but nothing moved on the dark streets of New Austin. Behind me were the sounds of revelry, piano music, the occasional gunshot as the tourists sampled life in the old west.

Somebody was holding a drink before my face. I followed the arm up to bare shoulders, a long neck, a pretty face surrounded by curly black hair. Her lipstick was black in the dim light. She wore a corset, garters, stockings, high heels. I took the drink and made it vanish. I patted the ground beside me and she sat, folding her arms on her knees.

"I'll remember your name in a minute," I said.

"Dora."

"Adorable Dora. I want to rip off your clothes and throw you into bed and make passionate love to your virginal body."

"We already did that. Sorry about the virginal part."

"I want you to have my babies."

She kissed my forehead.

"Marry me, and make me the happiest man in the moon."

"We did that, too, sweetheart. It's a shame you don't remember it." She held her hand out to me and I saw a gold wedding ring with a little diamond chip. I squinted at her face again. There was some kind of filmy aura around it…

"That's a bridal veil!" I shouted. She was looking dreamy, smiling up at the stars.

"We had to sober the parson up, then go bang on the jeweler's door and send somebody around to find Silas to open the general store for my gown, but we got it done. The service was right there in the Alamo, Cissy was my maid of honor and old Doc stood up for you. All the girls cried."

I must have looked dubious, because she laughed and patted me on the back.

"The tourists loved it," she said. "It's not every night we get as colorful as that." She twisted the ring off her finger and handed it to me. "But I'm too much of a lady to hold you to vows you made while not in your right mind." She peered closer at me. "Are you back in your right mind?"

I was back enough to remember that any marriage performed by the "parson" in "Texas" was not legally binding in King City. But to get an idea of how far gone I'd been, I'd really been worried for a moment there.

"A whore with a heart of gold," I said.

"We all have our parts to play. I've never seen the 'town drunk' done better. Most people omit the vomit."

"I strive for authenticity. Did I do anything disgraceful?"

"You mean aside from marrying me? I don't mean to be unkind, but your fourth consummation of our marriage was pretty disgraceful. I won't spread it around; the first three were rather special."

"What do you mean?"

"Well, the tongue work was some of the best I've-"

"No, I mean… "

"I know what you mean. I know there's a word for it. Inability, immobility… a limp cock."

"Impotence."

"That's it. My grandmother told me about it, but I never expected to see it."

"Stick with me, honey, and I'll show you even more wonders."

"You were pretty drunk."

"You've finally said something boring."

She shrugged. "I can't swap repartee with a cynic like you forever."

"Is that what I am? A Cynic?":

She shrugged again, but I thought I saw some concern in her expression. It was hard to tell, with just moonlight and swimming eyeballs.

She helped me to my feet, brushed me off, kissed me. I promised to call on her when I was in town. I don't think she believed me. I had her point me toward the edge of town, and started home.

***

Morning was smearing up the sky like pale pink lipstick. I'd been hearing the rippling of the river for some time.

My efforts at reconstructing the day had brought back some broad outlines. I recalled taking the tube from the Arena to Texas, and I knew I'd spent some time working on the cabin. In there somewhere I saw myself throwing finished lumber into a ravine. I remembered seriously thinking of burning the cabin to the ground. The next thing I knew I was sitting at the bar in the Alamo Saloon, tossing down one drink after another. Then the clouds rolled in and the memory transcription ended. I had a hazy picture of the Parson swaying slightly as he pronounced us man and wife. What a curious phrase. I supposed it was historically accurate.

I heard a sound, and looked up from the rocky path.

A pronghorn antelope was standing not ten feet in front of me. He held his head high, alert and proud, but not frightened of me. His chest was snowy white and his eyes were moist and brown and wise. He was the most beautiful thing I had ever seen.

On his worst day he was ten times better than I had ever been. I sat down on the path and cried for a while. When I looked up, he was gone.

I felt calm for the first time in many years. I found the cliff face, located the climbing rope, and hoisted myself to the top. The sun was still below the horizon but there was a lot of yellow in the sky now. My hands toyed with the rope. How did it go… the rabbit goes in the hole, the dog chases the rabbit around the tree, two, three, four…

After several tries, I got it right. I slipped it around my neck and looked down the cliff. Your acceleration is low in Luna, but your body mass is constant. You need a big drop, six times what would do on Earth. I tried to do the calculations in my head but kept losing track.

To be on the safe side, I picked up a large rock and held it tightly to my chest. Then I jumped. You get plenty of time for regrets, but I had none. I remember looking up and seeing Andrew MacDonald looking down at me.

Then came the jerk.

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