John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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And there was a rough sort of poetry about dinosaur mating, particularly brontosaurs.

Tyrannosaurs went about it as you might expect, full of sound and fury. Two bulls would butt heads over a prospective mate until one staggered away like a dusted-up nerg addict to nurse an epic headache. I don't suppose the victor fared a lot better except for the chance to grapple the tiny claw of his lady fair.

Brontosaurs were more dainty. The male would spend three or four days doing his dance, when he remembered to. These creatures had short attention spans, even when in heat. He would rear up on his hind legs and do a comical samba around and around the female. She typically showed minimal interest for the first two days. Then the seduction moved to the love-bite stage, with the male nipping her around the base of the tail while she placidly chewed her cud. When she finally began rearing up with him, it was time to bring them into the mating pen to pitch some serious woo.

That was going on now. The two of them were facing each other on their hind legs, doing a little neck-weaving, a little foreleg pawing. It could still be another hour before they were ready, a condition signaled by the emergence of one of the bull's two hemi-penes.

Nobody ever told me why a reptile needs two penises. Come to think of it, I never asked. There are limits to curiosity.

"So how long were you involved with Callie?"

"What's that?" Brenda had drawn me out of my reverie, as she had a habit of doing.

"She said thirty years. That's a long time. You must have been real serious about her."

All right, so I'm dense. But I finally got it. I looked out at the primal scene: two Mesozoic monsters, here through the grace of modern genetic science, and a thin brown woman, likewise.

"She's not my lover. She's my mother. Why don't you go down there with her? She'll see you don't get hurt, and I'm sure she'll be happy to tell you more than you ever wanted to know about brontosaurs. I'm going to take a break."

I noticed as we climbed down the gate on opposite sides that Brenda looked happier than I'd seen her all day.

***

I assume the mating went off without any trouble. It usually does when Callie's in charge. I imagine the mating that produced me was equally well-planned and carried out. Sex was never a big deal to Callie. Having me was her nod in the direction of duty. But I have no siblings, despite powerful societal pressure toward large families at the time of my birth. Once was apparently enough.

Paradoxically, I know I didn't spend any time in a Petri dish, though it would have made the whole process much easier for her if she'd availed herself of any of the medical advances that could, today, make procreation, gestation, and parturition about as personally involving as a wrong number on the telephone. Callie had conceived me the old-fashioned way: a random spermatozoan hitting the jackpot at the right time of the month. She had carried me to full term, and had borne me in pain, just like God promised Eve. And she had hated every minute of it. How do I know that? She told me, and anyone else who would listen. She told me an average of three times a day throughout my childhood.

It wasn't so much the pain that had bothered her. For a woman who could shoulder a reproductive organ almost as big as she was and guide it into a cloaca of a filthiness that had to be seen to be disbelieved, while standing knee-deep in dinosaur droppings, Callie had an amazing streak of prissiness. She had hated the bloodiness of childbirth, the smells and sensations of it.

***

Callie's office was cool. That's what I'd had in mind when I went up there, simply to cool off. But it wasn't working. All that had happened was that the sweat on my body had turned clammy. I was breathing hard, and my hands weren't steady. I felt on the edge of an anxiety attack, and I didn't know why. On top of all that, my neck was hurting again.

And why hadn't I mentioned the purpose of our visit? I'd told myself it was because she was too busy, but there had been plenty of time while the three of us stood on the gate. Instead, I'd let her prattle on about the good old days. It would have been a perfect opportunity to brace her about taking the job as the Earth-born member of our little team of time-travelers. After holding forth about the generational gap she would have looked silly turning us down. And I knew Callie. She would love the job, would never admit loving it, and would only accept it if she could be tricked into making it look as if she had come up with the idea herself, as a favor to me and Brenda.

I got up and moved to the windows. That didn't help, so I walked to the opposite wall. No improvement. After I'd done that three or four times I realized I was pacing. I rubbed the back of my neck, drifted over to the windows again, and looked out and down.

Callie's office windows overlook the barn interior from just beneath the roof. There's a stairway leading to a verandah "outside"-actually, within the small disneyland that is her ranch. I was looking out over the breeding pens I had just left. Callie was there, pointing something out to Brenda, who stood beside her watching the spectacle of two mating brontosaurs. Standing just behind them was someone who looked familiar. I squinted, but it didn't help, so I grabbed the pair of binoculars on a hook beside the window.

I focused in on the tall, red-headed figure of Andrew MacDonald.

CHAPTER SIX

I remembered leaving Callie's ranch. I recalled wandering for a while, taking endless downscalators until there were no more; I had reached the bottom level. That struck me as entirely too metaphorical, so I took an infinite number of upscalators and found my way to the Blind Pig. I don't recall what I was thinking all those hours, but in retrospect, it couldn't have been pretty.

You might say the next thing I recall is waking up, or coming to, but that wouldn't be strictly accurate. It wouldn't convey the nature of the experience. It felt more like I reconstructed myself from far-flung bits-no, that implies some effort on my part. The bits reconstructed themselves, and I became self-aware in quantum stages. There was no dividing line, but eventually I knew I was in a back room of the Pig. This was considerable progress, and here my own will took over and I looked around to learn more about my surroundings. I was facing downward, so that's where I first turned my attention. What I saw there was a woman's face.

"We'll never solve the problem of the head shot until an entirely new technology comes along," she said. I had no idea what this meant. Her hair was spread out on a pillow. There were outspread hands on each side of her face. There was something odd about her eyes, but I couldn't put my finger on it. I suppose I was in a literal frame of mind, because having thought that, I touched one of her eyeballs with the tip of my finger. It didn't seem to bother her much. She blinked, and I took my finger away.

There was an important discovery: when I touched her eye, one of the hands had moved. Putting these data together, I concluded that the hands bracketing her face were my hands. I wiggled a finger, testing this hypothesis. One of the fingers down there wiggled. Not the one I had intended, but how much exactitude could I expect? I smiled, proud of myself.

"You can encase the brain in metal," she said. "Put a blood bag on the anti-camera side of the head, fire a bullet from the camera's pee-oh-vee. And ka-chow ! The bullet goes whanging off the metal cover, ka-blooey , the blood bag explodes, and if you're lucky it looks like the bullet went through the head and spread tomato sauce all over the wall in back of the guy."

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