John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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If you met her on the street, you would know immediately that she was Earth-born. During her childhood, humans had been separable into many "races," based on skin color, facial features, and type of hair. Post-Invasion eugenics had largely succeeded in blending these so that racial types were now very rare. Callie had been one of the white, or Caucasian race, which dominated much of human history since the days of colonization and industrialization. Caucasian was a pretty slippery term. Callie's imperious nose would have looked right at home on an old Roman coin. One of Herr Hitler's "Aryans" would have sneered at her. The important racial concept then was "white," which meant not-black, not-brown.

Which was a laugh, because Callie's skin was burned a deep, reddish-brown from head to toe, and looked as leathery as some of her reptiles. It was startling to touch it and find it actually quite soft and supple.

She was tall-not like Brenda, but certainly tall for her age-and willowy, with an unkept mane of black hair streaked with white. Her most startling feature was her pale blue eyes, a gift from her Nordic father.

She released Brenda's hand and gave me a playful shove.

"Mario, you never come see me anymore," she chided.

"The name is Hildy now," I said. "It has been for thirty years."

"You prove my point. I guess that means you're still working for that bird-cage liner."

I shrugged, and noticed Brenda's uncomprehending expression.

"Newspads used to be printed out on paper, then they'd sell the paper," I explained. "When people were through reading it, they'd use it on the bottoms of their birdcages. Callie never abandons a clich, no matter how dated."

"And why should I? The clich business has suffered a radical decline since the Invasion. What we need are new and better clichs, but nobody seems to be writing them. Present company excepted, of course."

"From Callie, that's almost a compliment," I told Brenda. "And nobody would line a birdcage with the Nipple , Callie. The stories would put the birds right off their food."

She considered it. "I don't think so, Mario. If we had electronic birds, your newspad would be the perfect liner.

"Could be. I do find it useful for wrapping my electronic fish."

Most of this had gone right over Brenda's head, of course. But she had never been one to let a little ignorance bother her.

"To catch the shit?" she said.

We both looked at her.

"At the bottom of the birdcage," she explained.

"I think I like her," Callie said.

"Of course you do. She's an empty vessel, waiting to be filled with your tall tales of the old days."

"That's one reason. You've been using her as your own personal birdcage liner. She needs my help."

"She doesn't seem to mind."

"But I do," Brenda said, unexpectedly. Callie and I looked at her again.

"I know I don't know much about ancient history." She saw Callie's expression, and squirmed. "Sorry. But how much do you expect me to know about things that happened hundreds of years ago? Or care?"

"It's okay," Callie said. "I may not have used the word 'ancient'-I still think of the Roman Empire when that word comes up-but I can see it must seem ancient to you. I said the same thing to my parents when they talked about things that happened before I was born. The difference is, when I was young the old eventually had the good manners to die. A new generation took over. Your generation faces a different situation. Hildy seems very old to you, but I'm more than twice his age, and I don't have any plans to die. Maybe that's not fair to your generation, but it's a fact ."

"The gospel according to Calamari," I said.

"Shut up, Mario. Brenda, it's never going to be your world. Your generation will never take over from us. It's not my world anymore, either, because of you. All of us, from both generational extremes, have to run this world together, which means we have to make the effort to understand each other's viewpoints. It's hard for me, and I know it must be hard for you. It's as if I had to live with my great-great-great-great-grandparents, who grew up during the industrial revolution and were ruled by kings. We'd barely even have a language in common."

"That's okay with me," Brenda said. "I do make the effort. Why doesn't he ?"

"Don't worry about him. He's always been like that."

"Sometimes he makes me so mad."

"It's just his way."

"Yoo-hoo, ladies. I'm here."

"Shut up, Mario. I can read him like a book, and I can tell he likes you. It's just that, the more he likes you, the worse he tends to treat you. It's his way of distancing himself from affection, which he's not sure he's able to return."

I could see the wheels turning in Brenda's head and, since she was not stupid, just ignorant, she eventually followed that statement out to its logical-if you believed the premise in the first place-conclusion, which was that I must love her madly, because I treated her very badly. I looked ostentatiously around at the walls of the barn.

"It must be hanging in your office," I said.

"What's that?"

"Your degree in psychology. I didn't even know you went back to school."

"I've been in school every day of my life, jerk. And I sure wouldn't need a degree to see through you. I spent thirty years learning how to do that." There was more, something about how just because I was a hundred years old now, I shouldn't think I'd changed so much. But it was all in Italian, so I only got the gist.

Callie gets a modest yearly stipend from the Antiquities Preservation Board for staying fluent in Italian-something she would have done anyway, since it was her native language and she had firm ideas about the extinction of human knowledge. She had tried to teach it to me but I had no aptitude beyond a few kitchen words. And what was the point? The Central Computer stored hundreds of languages no one spoke anymore, from Cheyenne to Tasmanian, including all the languages that had suffered a drastic drop in popularity because they never got established on Luna before the Invasion. I spoke English and German, like most everybody else, with a little Japanese thrown in. There were sizable groups of Chinese speakers, and Swahili, and Russian. Other than that, languages were preserved by study groups of a few hundred fanatics like Callie.

I doubt Brenda even knew there was an Italian language, so she listened to Callie's tirade with a certain wariness. Ah, yes, Italian is a fine language for tirades.

"I guess you've known each other a long time," Brenda said to me.

"We go way back."

She nodded, unhappy about something. Callie shouted, and I turned to see her jump down into the breeding pen and stride toward the crew of helpers, who were chivying the two brutes into final mating position.

"Not yet, you idiots," she shouted. "Give them time ." She reached the group of people and started handing out orders right and left. Callie had never been able to find good help. I had been part of that help for a great many years, so I know what I'm talking about. It took me a long time to realize that no one would ever be good enough for her; she was one of those people who never believed anyone could do a job as well as she could do it herself. The maddening thing was, she was usually right.

"Back off, they're not ready yet. Don't rush them. They'll know when it's time. Our job is to facilitate , not initiate."If I have any skills as a lover," I told Brenda, "it's because of that."

"Because of her?"

"'Give them time. We're not on a schedule here. Show a little finesse.' I heard that so many times I guess I took it to heart."

And it did take me back, watching Callie working the stock again. Of the major brontosaur ranchers in Luna, she was the only one who didn't use artificial insemination at breeding time. "If you think helping a pair copulate is tough," she always said, "try getting a semen sample from a brontosaur bull."

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