John Varley - Steel Beach

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Steel Beach: краткое содержание, описание и аннотация

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John Varley's Steel Beach is a daring, well-conceived work of science fiction. Humanity has been ejected from Earth by enigmatic aliens trying to save cetaceans. Homo sapiens finds itself exiled to strongholds throughout the solar system, foremost of which is Luna. There, human beings live in great comfort with almost all of their needs met and very little to worry about. As a result, they are losing their minds.
Through the unremarkable antagonist Hildy, Varley asks what happens to human beings who lack challenges and who lack any real direction. Comforts there are aplenty in Luna. Technology makes sex changes routine and has all but defeated death itself. So now what? Humanity has slumped into a self-absorbed torpor that would be bad enough if the unimaginably complex supercomputer that controls every aspect of Lunar life weren't on the edge of a catastrophic breakdown. Hildy gains an increasing awareness of this problem as the narrative progresses; and he (later she) manages to struggle out of the cocoon of smothering comfort that threatens to make humanity incapable of responding to the imminent central computer breakdown.
As with much good science fiction, Varley uses Steel Beach to ask what humanity ought to do with its capabilities. He suggests that it is human nature to use awesome abilities for small-minded diversions. We are our own greatest limitation, though we are also our own greatest resource.
The story is overlong, though. The pace drags a bit. More ruthless editing would have yielded a story that was better-paced but still covered the important points.
Though it can be uncomfortable to read (or perhaps because), Steel Beach is quite worthy of the reading.

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A red light went on over the Cyclone's corner. It made the crowd murmur excitedly.

"Why do they call it a corner?" I asked.

"Huh?"

"It's a round ring. It doesn't have any corners."

She shrugged. "It's traditional, I guess." Then she smiled maliciously. "You can research it before you write this up for Walter."

"Don't be ridiculous."

"Why the hell not? 'Sports, Then and Now.' It's a natural."

She was right, of course, but that didn't make it any harder to swallow. I wasn't particularly enjoying this role reversal. She was supposed to be the ignorant one.

"What about that red light? What's it mean?"

"Each of the fighters gets ten liters of blood for transfusions. See that gauge on the scoreboard? The Cyclone just used his last liter. Dervish has seven liters left."

"So it's just about over."

"He'll never last another round."

And he didn't.

The last round was an artless affair. No more fancy spins, no flying leaps. The crowd shouted a little at first, then settled down to watch the kill. People began drifting out of the arena to get refreshments before the main bout of the evening. The Dervish moved constantly away as the dazed Cyclone lumbered after him, striking out from time to time, opening more wounds. Bleeding his opponent to death. Soon the Cyclone could only stand there, dumb and inert with loss of blood. A few people in the crowd were booing. The Dervish slashed the Cyclone's throat. Arterial blood spurted into the air, and the Cyclone crashed to the mat. The Dervish bent over his fallen foe, worked briefly, and then held the head high. There was sporadic applause and the handlers moved in, hustling the Dervish down to the locker rooms and hauling away both pieces of the Cyclone. The zamboni appeared and began mopping up the blood.

"You want some popcorn?" Brenda asked me.

"Just something to drink," I told her. She joined the throngs moving toward the refreshment center.

I turned back toward the ring, savoring a feeling that had been all too rare of late: the urge to write. I raised my left hand and snapped my fingers. I snapped them again before I remembered the damn handwriter was not working. It hadn't been working for five days, since Brenda's visit to Texas. The problem seemed to be in the readout skin. I could type on the keyboard on the heel of my hand, but nothing appeared on the readout. The data was going into the memory and could later be downloaded, but I can't work that way. I have to see the words as they're being formed.

Necessity is the mother of invention. I slipped through the program book Brenda had left on her chair, found a blank page. Then I rummaged through my purse and found a blue pen I kept for hand corrections to hard copy.

***

(File Hildy*next avail.*)(code Bloodsport)

(headline to come)

***

There may be no evidence of it, but you can bet cave men had sporting events. We still have them today, and if we ever reach the stars, we'll have sports out there, too.

Sports are rooted in violence. They usually contain the threat of injury. Or at least they did until about a hundred and fifty years ago.

Sports today, of course, are totally non-violent.

The modern sports fan would be shocked at the violence of sports as it existed on Earth. Take for example one of the least violent sports, one we still practice today, the simple foot race. Runners rarely completed a career without numerous injuries to knees, ankles, muscles, or spine. Sometimes these injuries could be repaired, and sometimes they couldn't. Every time a runner competed, he faced the possibility of injury that would plague him for the rest of his life .

In the days of the Romans, athletes fought each other with swords and other deadly weapons-not always voluntarily. Crippling injury or death was certain, in every match.

Even in later, more "enlightened" days, many sports were little more than organized mayhem. Teams of athletes crashed into each other with amazing disregard for the imperfect skills of contemporary healers. People strapped themselves into ground vehicles or flying machines and raced at speeds that would turn them into jelly in the event of a sudden stop. Crash helmets, fist pads, shoulder, groin, knee, rib, and nose protectors tried to temper the carnage but by their mere presence were testimony to the violent potential in all these games.

Did I hear someone protesting out there? Did someone say our modern sports are much more violent than those of the past?

What a ridiculous idea.

Modern athletes typically compete in the nude. No protection is needed or wanted. In most sports, bodily damage is expected, sometimes even desired, as in slash boxing. A modern athlete just after a competition would surely be a shocking sight to a citizen of any Earth society. But modern sports produce no cripples.

It would be nice to think this universal non-violence was the result of some great moral revolution. It just ain't so. It is a purely technological revolution. There is no injury today that can't be fixed.

The fact is, "violence" is a word that no longer means what it used to. Which is the more violent: a limb being torn off and quickly re-attached with no ill effects, or a crushed spinal disc that causes its owner pain every second of his life and cannot be repaired ?

I know which injury I'd prefer.

That kind of violence is no longer something to fear, because

(discuss Olympic games, influence of local gravity in venues)

(mention Deathmatches)

(Tie to old medicine article?)(ask Brenda)

***

I hastily scribbled the last few lines, because I saw Brenda returning with the popcorn.

"What're you doing?" she asked, resuming her seat. I handed her the page. She scanned it quickly.

"Seems a little dry," was her only comment.

"You'll hype it up some," I told her. "This is your field." I reached over and took a kernel of popcorn from her, then took a big bite out of it. She had bought the large bag: a dozen fist-sized puffs, white and crunchy, dripping with butter. It tasted great, washed down with the big bottle of beer she handed me.

While I was writing there had been an exhibition from some children's slash-boxing school. The children were filing out now, most of them cross-hatched with slashes of red ink from the training knives they used. Medical costs for children were high enough without letting them practice with real knives.

The ringmaster appeared and began hyping the main event of the evening, a Deathmatch between the champion Manhattan Mugger and a challenger known as One Mean Bitch.

Brenda leaned toward me and spoke out of the side of her mouth.

"Put your money on the Bitch," she said.

"If she's gonna win, what the hell are we doing here?"

"Ask Walter. This was his idea."

The purpose of our visit to the fights was to interview the Manhattan Mugger-also known as Andrew MacDonald-with an eye toward hiring him as our Earth-born consultant on the bicentennial series. MacDonald was well over two hundred years old. The trouble was, he had elected to fight to the death. If he lost, his next interview would be with St. Peter. But Walter had assured us there was no way his man was going to lose.

"I was talking to a friend out at the concessions," Brenda went on. "There's no question the Mugger is the better fighter. This is his tenth Deathmatch in the last two years. What this guy was saying is, ten is too much for anybody. He said the Mugger was dogging it in the last match. He won't get away with that against the Bitch. He says the Mugger doesn't want to win anymore. He just wants to die."

The contestants had entered the ring, were strutting around, showing off, as holo pictures of their past bouts appeared high in the air and the announcer continued to make it sound as if this would be the fight of the century.

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