Kurt Vonnegut - Jailbird

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Jailbird: краткое содержание, описание и аннотация

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No one can make America into childlike myth like Vonnegut can. Here he takes capitalism, labor history, Sacco-Vanzetti, McCarthyism, and Watergate, and puts them all into the slender memoirs of Walter F. Starbuck - a chauffeur's son who was mentored by the scion of a great and ruthless corporation, was sent to Harvard, but was abandoned when he was caught dabbling in the 1930s left-wing; which meant that Walter had to make his own way as a WW II soldier, Washington civil servant, unintentional stoolie in a Hiss/Chambers-type case, unemployed husband (his concentration-camp-survivor wife supported them with interior decorating), and finally Nixon's token "advisor for youth affairs" and a very minor Watergate convict. So now old Walter is getting out of minimum-security prison (where he has met Vonnegut's Kilgore Trout), without a friend in the world - his wife is dead and his son is "a very unpleasant person. . . a book reviewer for The New York Times" - and with hopes of becoming a bartender somewhere in Manhattan. All this is told in Vonnegut's customary fatless, detail-rich, musical prose (with the usual ironic asides: "And on and on," "Peace," "Strong stuff"), and it's strangely touching, occasionally boldly funny. But as good as he is at building a haunted, hilariously compressed myth out of our shared past, Vonnegut can't keep it from collapsing into silliness when he tries to propel it into the future; Walter's post-prison adventures are so fairy-tale-ish and theme-heavy that they lose that precariously balanced aura of truer-than-true. Once in Manhattan, he meets the major people from his past in one coincidence after another, including his old flame and fellow left-winger Mary Kathleen O'Looney, who is now a N.Y. shopping-bag lady living beneath Grand Central Station - but is she really a bag lady? No! She's really "the legendary Mrs. Jack Graham," neverseen majority stockholder in the all-powerful RAMJAC Corporation. So Walter is suddenly made a corporate bigwig, and, when Mary Kathleen secretly dies, he illegally (but well-meaningly) keeps the company going. . . and winds up a jailbird again. Rich/poor, honest/criminal, management/labor - Vonnegut is playfully exploring the ease with which an American Everyman can alternate between these ostensible extremes. But he has covered much of that ground before - principally in God Bless You, Mr. Rosewater - and he himself seems to become bored and mechanical halfway through. Not top-drawer Vonnegut, then, but guilty/innocent Walter is a fine creation, and there's enough of the author's narrative zip to keep fans happy even while the novel fizzles into foolishness. (Kirkus Reviews)

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I coaxed her into the backseat of my Mercedes and I questioned her there. I learned that she had been freed from a concentration camp in springtime, about four months before — and had since eluded every agency that might have liked to help her. She should by now have been in a hospital for displaced persons. She was uninterested in ever trusting anybody with her destiny anymore. Her plan was to roam alone and out-of-doors forever, from nowhere to nowhere in a demented sort of religious ecstasy. "No one ever touches me," she said, "and I never touch anyone. I am like a bird in flight. It is so beautiful. There is only God — and me."

I thought this of her: that she resembled gentle Ophelia in Hamlet, who became fey and lyrical when life was too cruel to bear. I have a copy of Hamlet at hand, and refresh my memory as to the nonsense Ophelia sang when she would no longer respond intelligently to those who asked how she was.

This was the song:

How should I your true love know

From another one?

By his cockle hat and staff,

And his sandal shoon.

He is dead and gone, lady,

He is dead and gone;

At his head a grass-green turf,

At his heels a stone —

And on and on.

Ruth, one of millions of Europe's Ophelias after the Second World War, fainted in my motorcar.

I took her to a twenty-bed hospital in the Kaiserburg, the imperial castle, which wasn't even officially operating yet. It was being set up exclusively for persons associated with the War Crimes Trials. The head of it was a Harvard classmate of mine, Dr. Ben Shapiro, who had also been a communist in student days. He was now a lieutenant colonel in the Army Medical Corps. Jews were not numerous at Harvard in my day. There was a strict quota, and a low one, as to how many Jews were let in each year.

"What have we here, Walter?" he said to me in Nuremberg. I was carrying the unconscious Ruth in my arm. She weighed no more than a handkerchief. "It's a girl," 1 said. "She's breathing. She speaks many languages. She fainted. That's all I know."

He had an idle staff of nurses, cooks, technicians, and so on, and the finest food and medicines that the Army could give him, since he was likely to have high-ranking persons for patients by and by. So Ruth received, and for nothing, the finest care available on the planet. Why? Mostly because, I think, Shapiro and I were both Harvard men.

One year later, more or less, on October fifteenth of Nineteen-hundred and Forty-six, Ruth would become my wife. The War Crimes Trials were over. On the day we were married, and probably conceived our only child as well, Reichsmarschall Hermann Goring cheated the hangman by swallowing cyanide.

It was vitamins and minerals and protein and, of course, tender, loving care, that made all the difference to Ruth. After only three weeks in the hospital she was a sane and witty Viennese intellectual. I hired her as my personal interpreter and took her everywhere with me. Through another Harvard acquaintance, a shady colonel in the Quartermaster Corps in Wiesbaden — a black marketeer, I'm sure — I was able to get her a suitable wardrobe, for which, mysteriously, I was never asked to pay anyone. The woolens were from Scotland, the cottons from Egypt — the silks from China, I suppose. The shoes were French — and prewar. One pair, I remember, was alligator, and came with a bag to match. The goods were priceless, since no store in Europe, or in North America, for that matter, had offered anything like them for years. The sizes, moreover, were exactly right for Ruth. These black-market treasures were delivered to my office in cartons claiming to contain mimeograph paper belonging to the Royal Canadian Air Force. Two taciturn young male civilians delivered them in what had once been a Wehrmacht ambulance. Ruth guessed that one was Belgian and the other, like my mother, Lithuanian.

My accepting those goods was surely my most corrupt act as a public servant, and my only corrupt act — until Watergate. I did it for love.

I began to speak to Ruth of love almost as soon as she got out of the hospital and went to work for me. Her replies were kind and funny and perceptive — but above all pessimistic. She believed, and was entitled to believe, I must say, that all human beings were evil by nature, whether tormentors or victims, or idle standers-by. They could only create meaningless tragedies, she said, since they weren't nearly intelligent enough to accomplish all the good they meant to do. We were a disease, she said, which had evolved on one tiny cinder in the universe, but could spread and spread.

"How can you speak of love to a woman," she asked me early in our courtship, "who feels that it would be just as well if nobody had babies anymore, if the human race did not go on?"

"Because I know you don't really believe that," I replied. "Ruth — look at how full of life you are!" It was true. There was no movement or sound she made that was; not at least accidentally flirtatious — and what is flirtatiousness but an argument that life must go on and on and on?

What a charmer she was! Oh, I got the credit for how smoothly things ran. My own country gave me a Distinguished Service Medal, and France made me a chevalier in the L?gion d'honneur, and Great Britain and the Soviet Union sent me letters of commendation and thanks. Bui; it was Ruth who worked all the miracles, who kept each gusst in a state of delighted forgivingness, no matter what went wrong.

"How can you dislike life and still be so lively?" I asked her.

"I couldn't have a child, even if I wanted to," she said. "That's how lively I am."

She was wrong about that, of course. She was only guessing. She would give birth to a son by and by, a very unpleasant person, who, as I have already said, is now a book reviewer for The New York Times.

That conversation with Ruth in Nuremberg went on. We were in Saint Martha's Church, close to where fate had first brought us together. It was not yet operating as a church again. The roof had been put back on — but there was a canvas flap where the rose window used to be. The window and the altar, an old custodian told us, had been demolished by a single cannon shell from a British fighter plane. To him, judging from his solemnity, this was yet another religious miracle. And I must say that I seldom met a male German who was saddened by all the destruction in his own country. It was always the ballistics of whatever had done the wrecking that he wished to talk about.

"There is more to life than having babies, Ruth," I said.

"If I had one, it would be a monster," she said. And it came to pass.

"Never mind babies," I said. "Think of the new era that is being born. The world has learned its lesson at last, at last. The closing chapter to ten thousand years of madness and greed is being written right here and now — in Nuremberg. Books will be written about it. Movies will be made about it. It's the most important turning point in history." I believed it.

"Walter," she said, "sometimes I think you are only eight years old."

"It's the only age to be," I said, "when a new era is being born."

Clocks struck six all over town. A new voice joined the chorus of public chimes and bells. It was in fact an old voice in Nuremberg, but Ruth and I had never heard it before. It was the deep banging of the M?nnleinlaufen, the bizarre clock of the distant Frauenkirche. That clock was built more than four hundred years ago. My ancestors, both Lithuanian and Polish, would have been fighting Ivan the Terrible back then.

The visible part of the clock consisted of seven robots, which represented seven fourteenth-century electors. They were designed to circle an eighth robot, which represented the Holy Roman Emperor Charles the Fourth, and to celebrate his exclusion, in Thirteen-hundred and Fifty-six, of the Papacy from the selection of German rulers. The clock had been knocked out by bombing. American soldiers who were clever with machinery had begun on their own time to tinker with it as soon as they occupied the city. Most Germans I had talked to were so demoralized that they did not care if the

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