Kurt Vonnegut - Jailbird

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Jailbird: краткое содержание, описание и аннотация

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No one can make America into childlike myth like Vonnegut can. Here he takes capitalism, labor history, Sacco-Vanzetti, McCarthyism, and Watergate, and puts them all into the slender memoirs of Walter F. Starbuck - a chauffeur's son who was mentored by the scion of a great and ruthless corporation, was sent to Harvard, but was abandoned when he was caught dabbling in the 1930s left-wing; which meant that Walter had to make his own way as a WW II soldier, Washington civil servant, unintentional stoolie in a Hiss/Chambers-type case, unemployed husband (his concentration-camp-survivor wife supported them with interior decorating), and finally Nixon's token "advisor for youth affairs" and a very minor Watergate convict. So now old Walter is getting out of minimum-security prison (where he has met Vonnegut's Kilgore Trout), without a friend in the world - his wife is dead and his son is "a very unpleasant person. . . a book reviewer for The New York Times" - and with hopes of becoming a bartender somewhere in Manhattan. All this is told in Vonnegut's customary fatless, detail-rich, musical prose (with the usual ironic asides: "And on and on," "Peace," "Strong stuff"), and it's strangely touching, occasionally boldly funny. But as good as he is at building a haunted, hilariously compressed myth out of our shared past, Vonnegut can't keep it from collapsing into silliness when he tries to propel it into the future; Walter's post-prison adventures are so fairy-tale-ish and theme-heavy that they lose that precariously balanced aura of truer-than-true. Once in Manhattan, he meets the major people from his past in one coincidence after another, including his old flame and fellow left-winger Mary Kathleen O'Looney, who is now a N.Y. shopping-bag lady living beneath Grand Central Station - but is she really a bag lady? No! She's really "the legendary Mrs. Jack Graham," neverseen majority stockholder in the all-powerful RAMJAC Corporation. So Walter is suddenly made a corporate bigwig, and, when Mary Kathleen secretly dies, he illegally (but well-meaningly) keeps the company going. . . and winds up a jailbird again. Rich/poor, honest/criminal, management/labor - Vonnegut is playfully exploring the ease with which an American Everyman can alternate between these ostensible extremes. But he has covered much of that ground before - principally in God Bless You, Mr. Rosewater - and he himself seems to become bored and mechanical halfway through. Not top-drawer Vonnegut, then, but guilty/innocent Walter is a fine creation, and there's enough of the author's narrative zip to keep fans happy even while the novel fizzles into foolishness. (Kirkus Reviews)

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At least I gave ten thousand dollars to Harvard before the lawyers came and took away all my money again.

* * *

It was time for me now at the party to respond to all the toasts that had been offered to me. I stood. I had not had a drop of alcohol.

"I am a recidivist," I said. I denned the word as describing a person who habitually relapsed into crime or antisocial behavior.

"A good word to know," said Leland Clewes.

There was laughter all around.

"Our lovely hostess has promised two more surprises before the evening is over," I said. These would turn out to be the trooping in of my son and his little human family from upstairs, and the playing of a phonograph recording of part of my testimony before Congressman Richard M. Nixon of California and others so long ago. It had to be played at seventy-eight revolutions per minute. Imagine that. "As though I hadn't had surprises enough!" I said.

"Not enough nice ones, old man," said Cleveland Lawes.

"Say it in Chinese," I said. He had, of course, been a prisoner of war of the Chinese for a while.

Lawes said something that certainly sounded like Chinese,

"How do we know he wasn't ordering sweet-and-sour pork?" said Sarah.

"You don't," said Lawes.

We had begun our feast with oysters, so I announced that oysters were not the aphrodisiacs many people imagined them to be.

There were boos, and then Sarah Clewes beat me to the punch line of that particular joke "Walter ate twelve of them the other night," she said, "and only four of them worked!"

She had lost another patient the day before.

There was more laughter all around.

And I was suddenly offended and depressed by how silly we were. The news, after all, could hardly have been worse. Foreigners and criminals and other endlessly greedy conglomerates were gobbling up RAMJAC. Mary Kathleen's legacy to the people was being converted to mountains of rapidly deteriorating currency, which were being squandered in turn on a huge new bureaucracy and on legal fees and consultants' fees, and on and on. What was left, it was said by the politicians, would help to pay the interest on the people's national debt, and would buy them more of the highways and public buildings and advanced weaponry they so richly deserved.

Also: I was about to go to jail again.

So I elected to complain about our levity. "You know what is finally going to kill this planet?" I said.

"Cholesterol!" said Frank Ubriaco.

"A total lack of seriousness," I said. "Nobody gives a damn anymore about what's really going on, what's going to happen next, or how we ever got into such a mess in the first place."

Israel Edel, with his doctor's degree in history, took this to be a suggestion that we become even sillier, if possible. So he began to make booping and beeping sounds. Others chimed in with their own beeps and boops. They were all imitating supposedly intelligent signals from outer space, which had been received by radio telescopes only the week before. They were the latest news sensation, and had in fact driven the RAMJAC story off the front pages. People were beeping and booping and laughing, not just at my party, but everywhere.

Nobody was prepared to guess what the signals meant. Scientists did say, though, that if the signals were coming from whence they appeared to come, they had to be a million years old or more. If Earth were to make a reply, it would be the start of a very slow conversation, indeed.

* * *

So I gave up on saying anything serious. I told another joke, and I sat down.

The party ended, as I say, with the arrival of my son and daughter-in-law and their two children, and with the playing of a phonograph recording of the closing minutes of my testimony before a congressional committee in Nineteen-hundred and Forty-nine.

My daughter-in-law and my grandchildren found it natural and easy, seemingly, to accord me the honors due a grandfather who, when all was said and done, was a clean and dapper and kindly old man. The model for what the children found to love in me, I suppose, was Santa Claus.

My son was a shock. He was such a homely and unhealthy and unhappy-looking young man. He was short like me, and nearly as fat as his poor mother had become toward the end. I still had most of my hair, but he was bald. The baldness must have been inherited from the Jewish side of his family.

He was a chain-smoker of unfiltered cigarettes. He coughed a lot. His suit was riddled with cigarette holes. I glanced at him while the record was playing, and I saw that he was so nervous that he had three cigarettes all going at one time.

He had shaken my hand with the correct wretchedness of a German general surrendering at Stalingrad, say. I was still a monster to him. He had been cajoled into coming against his better judgment — by his wife and Sarah Clewes.

Too bad.

The record changed nothing. The children, kept up long after their bedtime, squirmed and dozed.

The record was meant to honor me, to let people who might not know about it hear for themselves what an idealistic young man I had been. The part in which I accidentally betrayed Leland Clewes as a former communist was on another record, I presume. It was not played.

Only my very last sentences were of much interest to me I had forgotten them.

Congressman Nixon had asked me why, as the son of immigrants who had been treated so well by Americans, as a man who had been treated like a son and been sent to Harvard by an American capitalist, I had been so ungrateful to the American economic system.

The answer I gave him was not original. Nothing about me has ever been original. I repeated what my one-time hero, Kenneth Whistler, had said in reply to the same general sort of question long, long ago. Whistler had been a witness at a trial of strikers accused of violence. The judge had become curious about him, had asked him why such a well-educated man from such a good family would so immerse himself in the working class.

My stolen answer to Nixon was this: "Why? The Sermon on the Mount, sir."

There was polite applause when the people at the party realized that the phonograph record had ended.

Good-bye.

— W.F. S.

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