Kurt Vonnegut - Jailbird

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Jailbird: краткое содержание, описание и аннотация

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No one can make America into childlike myth like Vonnegut can. Here he takes capitalism, labor history, Sacco-Vanzetti, McCarthyism, and Watergate, and puts them all into the slender memoirs of Walter F. Starbuck - a chauffeur's son who was mentored by the scion of a great and ruthless corporation, was sent to Harvard, but was abandoned when he was caught dabbling in the 1930s left-wing; which meant that Walter had to make his own way as a WW II soldier, Washington civil servant, unintentional stoolie in a Hiss/Chambers-type case, unemployed husband (his concentration-camp-survivor wife supported them with interior decorating), and finally Nixon's token "advisor for youth affairs" and a very minor Watergate convict. So now old Walter is getting out of minimum-security prison (where he has met Vonnegut's Kilgore Trout), without a friend in the world - his wife is dead and his son is "a very unpleasant person. . . a book reviewer for The New York Times" - and with hopes of becoming a bartender somewhere in Manhattan. All this is told in Vonnegut's customary fatless, detail-rich, musical prose (with the usual ironic asides: "And on and on," "Peace," "Strong stuff"), and it's strangely touching, occasionally boldly funny. But as good as he is at building a haunted, hilariously compressed myth out of our shared past, Vonnegut can't keep it from collapsing into silliness when he tries to propel it into the future; Walter's post-prison adventures are so fairy-tale-ish and theme-heavy that they lose that precariously balanced aura of truer-than-true. Once in Manhattan, he meets the major people from his past in one coincidence after another, including his old flame and fellow left-winger Mary Kathleen O'Looney, who is now a N.Y. shopping-bag lady living beneath Grand Central Station - but is she really a bag lady? No! She's really "the legendary Mrs. Jack Graham," neverseen majority stockholder in the all-powerful RAMJAC Corporation. So Walter is suddenly made a corporate bigwig, and, when Mary Kathleen secretly dies, he illegally (but well-meaningly) keeps the company going. . . and winds up a jailbird again. Rich/poor, honest/criminal, management/labor - Vonnegut is playfully exploring the ease with which an American Everyman can alternate between these ostensible extremes. But he has covered much of that ground before - principally in God Bless You, Mr. Rosewater - and he himself seems to become bored and mechanical halfway through. Not top-drawer Vonnegut, then, but guilty/innocent Walter is a fine creation, and there's enough of the author's narrative zip to keep fans happy even while the novel fizzles into foolishness. (Kirkus Reviews)

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"Which one?" she said. "There are so many now."

I expected it to be a moment of high drama when I told her that I knew she was the majority stockholder in RAMJAC. It was a fizzle, of course. She had told me that already, and I had failed to hear.

"Are you going deaf, Walter?" she said.

"I hear you all right, now," I said.

"On top of everything else," she said, "am I going to have to yell my last words?"

"No," I said. "But I don't want to listen to any more talk about last words. You're so rich, Mary Kathleen! You can take over a whole hospital, if you want to — and make them make you well again!"

"I hate this life," she said. "I've done everything I can to make it better for everybody, but there probably isn't that much that anybody can do. I've had enough of trying. I want to go to sleep now."

"But you don't have to live this way!" I said. "That's what I came here to tell you. I'll protect you, Mary Kathleen. We'll hire people we can trust absolutely. Howard Hughes hired Mormons — because they have such high moral standards. We'll hire Mormons, too."

"Oh Lord, Walter," she said, "you think I haven't tried Mormons?"

"You have?" I said.

"I was up to my ears in Mormons one time," she said, and she told me as gruesome a tale as I ever expect to hear.

It happened when she was still living expensively, still trying to find ways to enjoy her great wealth at least a little bit. She was a freak that many people would have liked to photograph or capture or torment in some way — or kill. People would have liked to kill her for her hands or her money, but also for revenge. RAMJAC had stolen or ruined many other businesses and had even had a hand in the toppling of governments in countries that were small and weak.

So she dared not reveal her true identity to anyone but her faithful Mormons, and she had to keep moving all the time. And so it came to pass that she was staying on the top floor of a RAMJAC hotel in Managua, Nicaragua. There were twenty luxury suites on the floor, and she hired them all. The two stairways from the floor below were blocked with brutal masonry, like the archway in the lobby of the Arapahoe. The controls on the elevators were set so that only one could reach the top, and that one was manned by a Mormon.

Not even the manager of the hotel, supposedly, knew who she really was. But everyone in Managua, surely, must have suspected who she really was.

Be that as it may: She rashly resolved to go out into the city alone one day, to taste however briefly what she had not tasted for years — what it was like to be just another human being in the world. So out she went in a wig and dark glasses.

She befriended a middle-aged American woman whom she found weeping on a bench in a park. The woman was from St. Louis. Her husband was a brewmaster in the Anheuser-Busch Division of RAMJAC. They had come to Nicaragua for a second honeymoon on the advice: of a travel agent. The husband had died that morning of amoebic dysentery.

So Mary Kathleen took her back to the hotel and put her into one of the many unused suites she had, and told some of her Mormons to arrange to have the body and the widow flown to St. Louis on a RAMJAC plane.

When Mary Kathleen went to tell her about the arrangements, she found the woman strangled with a cord from the draperies. This was the really horrible part, though: Whoever had done it had obviously believed the woman was Mary Kathleen. Her hands were cut off. They were never found.

Mary Kathleen went to New York City soon after that. She began to watch shopping-bag ladies through field glasses from her suite in the Waldorf Towers. General of the Armies Douglas MacArthur lived on the floor above her, incidentally.

She never went out, never had visitors, never called anyone. No hotel people were allowed in. The Mormons brought the food from downstairs, and made the beds, and did all the cleaning. But one day she received a threatening note, anyway. It was in a pink, scented envelope atop her most intimate lingerie. It said that the author knew who she was and held her responsible for the overthrow of the legitimate government of Guatemala. He was going to blow up the hotel.

Mary Kathleen could take it no more. She walked out on her Mormons, who were surely loyal, but unable to protect her. She began to protect herself with layers and layers of clothing she found in garbage cans.

"If your money made you so unhappy," I said, "why didn't you give it away?"

"I am!" she said. "After I die, you look in my left shoe, Walter. You will find my will in there. I leave The RAMJAC Corporation to its rightful owners, the American people." She smiled. It was harrowing to see such cosmic happiness expressed by gums and a rotten tooth or two.

I thought she had died. She had not.

"Mary Kathleen — ?" I said.

"I'm not dead yet," she said.

"I really am going to get help now," I said.

"If you do, I'll die," she said. "I can promise that now. I can die when I want to now. I can pick the time."

"Nobody can do that," I said.

"Shopping-bag ladies can," she said. "It's our special dispensation. We can't say when we will start dying. But once we do start, Walter, we can pick the exact time. Would you like me to die right now, at the count of ten?"

"Not now, not ever," I said.

"Then stay here," she said.

So I did. What else could I do?

"I want to thank you for hugging me," she said.

"Any time," I said.

"Once a day is enough," she said. "I've had my hug today."

"You were the first woman I ever really made love to," I said. "Do you remember that?"

"I remember the hugs," she said. "I remember you said you loved me. No man had ever said that to me before. My mother used to say it to me a lot — before she died."

I was starting to cry again.

"I know you never meant it,' she said.

"I did, I did," I protested. "Oh, my God — I did."

"It's all right," she said. "You couldn't help it that you were born without a heart. At least you tried to believe what the people with hearts believed — so you were a good man just the same."

She stopped breathing. She stopping blinking. She was dead.

EPILOGUE

There was more. There is always more.

It was nine o'clock in the evening of my first full day of freedom. I still had three hours to go. I went upstairs and told a policeman that there was a dead shopping-bag lady in the basement.

His duties had made him cynical. He said to me, "So what else is new?"

So I stood by the body of my old friend in the basement until the ambulance attendants came, just as any other faithful animal would have done. It took a while, since it was known that she was dead. She was stiffening up when they got there.

They commented on that. I had to ask them what they had just said, since they did not speak in English. It turned out that their first language was Urdu. They were both from Pakistan. Their English was primitive. If Mary Kathleen had died in their presence instead of mine, they would have said, I am sure, that she spoke gibberish at the end.

I inquired of them, in order to calm the sobs that were welling up inside me, to tell me a little about Urdu. They said it had a literature as great as any in the world, but that it had begun as a spare and ugly artificial language invented in the court of Ghenghis Khan. Its purpose in the beginning was military. It allowed his captains to give orders that were understood in every part of the Mongol Empire. Poets would later make it beautiful.

Live and learn.

I gave the police Mary Kathleen's maiden name. I gave them my true name as well. I was not about to be cute with the police. Neither was I ready to have anyone learn yet that Mrs. Jack Graham was dead. The consequences of that announcement would surely be an avalanche of some kind.

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