China Mieville - The Scar

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Amazon.com ReviewIn the third book in an astounding, genre-breaking run, China Mieville expands the horizon beyond the boundaries of New Crobuzon, setting sail on the high seas of his ever-growing world of Bas Lag.The Scar begins with Mieville's frantic heroine, Bellis Coldwine, fleeing her beloved New Crobuzon in the peripheral wake of events relayed in Perdidio Street Station. But her voyage to the colony of Nova Esperium is cut short when she is shanghaied and stranded on Armada, a legendary floating pirate city. Bellis becomes the reader's unbelieving eyes as she reluctantly learns to live on the gargantuan flotilla of stolen ships populated by a rabble of pirates, mercenaries, and press-ganged refugees. Meanwhile, Armada and Bellis's future is skippered by the "Lovers," an enigmatic couple whose mirror-image scarring belies the twisted depth of their passion. To give up any more of Mieville’s masterful plot here would only ruin the voyage through dangerous straits, political uprisings, watery nightmares, mutinous revenge, monstrous power plays, and grand aspirations.Mieville's skill in articulating brilliantly macabre and involving descriptions is paralleled only by his ability to set up world-moving plot twists that continually blow away the reader's expectations. Man-made mutations, amphibious aliens, transdimensional beings, human mosquitoes, and even vampires are merely neighbors, coworkers, friends, and enemies coexisting in the dizzying tapestry of diversity that is Armada. The Scar proves Mieville has the muscle and talent to become a defining force as he effortlessly transcends the usual cliches of the genre. --Jeremy Pugh --This text refers to the Paperback edition.From Publishers WeeklyIn this stand-alone novel set in the same monster-haunted universe as last year's much-praised Perdido Street Station, British author Mieville, one of the most talented new writers in the field, takes us on a gripping hunt to capture a magical sea-creature so large that it could snack on Moby Dick, and that's just for starters. Armada, a floating city made up of the hulls of thousands of captured vessels, travels slowly across the world of Bas-Lag, sending out its pirate ships to prey on the unwary, gradually assembling the supplies and captive personnel it needs to create a stupendous work of dark magic. Bellis Coldwine, an embittered, lonely woman, exiled from the great city of New Crobuzon, is merely one of a host of people accidentally trapped in Armada's far-flung net, but she soon finds herself playing a vital role in the byzantine plans of the city's half-mad rulers. The author creates a marvelously detailed floating civilization filled with dark, eccentric characters worthy of Mervyn Peake or Charles Dickens, including the aptly named Coldwine, a translator who has devoted much of her life to dead languages; Uther Doul, the superhuman soldier/scholar who refuses to do anything more than follow orders; and Silas Fennec, the secret agent whose perverse magic has made him something more and less than human. Together they sail through treacherous, magic-ridden seas, on a quest for the Scar, a place where reality mutates and all things become possible. This is state-of-the-art dark fantasy and a likely candidate for any number of award nominations. (July 2). Forecast: Perdido Street Station won the Arthur C. Clarke Award and the British Fantasy Award. A major publicity push including a six-city author tour should help win new readers in the U.S.

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She picked up another handful of machine-sand, let it dissipate. She could smell the metal.

This is the flotsam Hedrigall meant , she realized. This is a graveyard of dead devices. There must be millions of secrets moldering here into rust-dust. They must sift through it, and scrub it clean, and offer the most promising bits for trade-two or three pieces picked randomly from a thousand-piece puzzle. Opaque and impenetrable, but if you could put it together, if you could make sense of it, what might you have?

She stumbled away from the rope ladder, listening to the crunch of ancient engines underfoot.

As the last of the passengers descended, the guards kept careful watch on the horizon, muttering. A little way from Bellis, the pen of livestock had been winched to the ground. It stank like a farmyard, and its inhabitants sounded noisily and stupidly into the still air.

“Close together and listen to me,” said the Lover harshly, and she was surrounded. The engineers and scientists had been scattering, dumbly running their fingers through the metal shale. A few, like Tanner Sack, had gone to the sea. (He had submerged briefly, with a sigh of pleasure.) For a moment, there was no sound except little breakers foaming on the rust shore.

“Now listen, if you want to live,” the Lover went on. People shifted, uneasy. “It’s a mile or two to the village, up those rocks overlooking this place.” They gazed up at them; the hillside looked empty. “Keep together. Take the weapon issued to you, but don’t use it unless you’re in immediate danger of your life. There are too many of us here, and too many untrained, and we don’t want to start shooting each other in panic. We’ll be flanked by cactacae and scabmettler guards, and they know how to use what they’re carrying, so hold fire wherever possible.

“The anophelii are fast,” she said. “Famined, and dangerous. You remember the briefings, I hope, so you know what we face. The menfolk are somewhere in that village, and we have to find them. A little way over there are the swamplands, and the waters. Where the women live. And if they hear or smell us, they’ll come. So move quickly. Is everybody ready?”

She indicated with her arms, and cactacae guards corralled them. They unlocked the animal pen, still attached like an anchor to the Trident by its chains. Bellis raised her eyebrow on seeing that the pigs and sheep wore collars and strained against leashes. The muscular cactacae held them in check.

“Then let’s go.”

It was a nightmarish journey from Machinery Beach to the hillside township. When it was done, and she thought back on it, days or weeks later, Bellis found it impossible to distinguish events into any coherent stream. There was no sense of time in her memories, nothing but snippets of images pieced into something like a dream.

There is the heat, which clots the air around her and stops up her pores and her eyes and ears, and the rich smell of rot and sap; insects in relentless profusion, stinging and licking. Bellis has been given a flintlock, and ( she remembered ) holds it away from herself as if it stinks.

She is herded, shuffling with the other passengers-the solitary hotchi’s spines bristling and relaxing in nervous alternation, the khepri headlegs squirming-surrounded by those whose physiognomy makes them safe: the cactacae and the scabmettlers, who drag the livestock after them. The one group is bloodless, the other full of blood so sensitive it protects them. They carry guns and rivebows. Uther Doul is the only human guard. He holds weapons in each hand, and Bellis would swear that whenever she looks at him they have changed: knife and knife; gun and knife; gun and gun.

Looking out over the vine-smothered rocks and into clearings, down inland, over slopes of dense foliage and pools that look as thick as snot. Hearing sounds. Bursts of motion in the leaves, at first; nothing more offensive. But then the start of a horrible keening, impossible to pinpoint, as if the air itself is in pain.

The proliferation of that sound, all around them.

Bellis and her neighbors bump into each other, clumsy with terror and exhaustion and the wet heat, trying to watch all sides at once, and seeing the first signs of movement, shapes zigzagging through the trees like buffeted dust motes, always getting closer, an unstable mix of random motion and malign intent.

And then the first of the she-anophelii breaks the cover of the trees, running.

Like a woman bent double and then bent again against the grain of her bones, crooked and knotted into a stance subtly wrong. Her neck twisted too far and hard, her long bony shoulders thrown back, her flesh worm-white and her huge eyes open very wide, utterly emaciated, her breasts empty skin rags, her arms outstretched like twists of wire. Her legs judder insanely fast as she runs until she falls forward but does not hit the ground, continues toward them, just above the earth, her arms and legs dangling ungainly and predatory, as ( Gods and Jabber and fuck ) wings open on her back and take her weight, giant mosquito wings, nacreous paddles shudder into motion with that sudden vibrato whine, moving so fast they cannot be seen, and the terrible woman seems borne toward them below a patch of unclear air.

What happened next came back to Bellis again and again in memories and dreams.

Gazing hungrily, the mosquito-woman stretches her mouth open, spewing slaver, lips peeled back from toothless gums. She retches, and with a shocking motion a jag snaps from her mouth. A spit-wet proboscis, jutting a foot from her lips.

It extrudes from her in an organic movement, something like vomiting, but unmistakably and unsettlingly sexual. It seems to come from nowhere: her throat and head do not look long enough to contain it. She veers toward them on screaming wings, and from the undergrowth come others.

Memories were blurry. Bellis remained sure of the heat, and of what she had seen, but the immediacy of the images shocked her whenever she thought back. The landing party almost breaks up in sudden terror, and random shots are fired in dangerous, chaotic directions (Doul barking angrily hold fire ).

Bellis sees the first of the flitting mosquito-women skirting the cactacae, uninterested in them. They fly instead for the scabmettler guards, alighting on them (the muscular men moving only slightly under the weight of the fatless winged women), stabbing mindlessly at them with their lancelike mouthparts, unable to penetrate the scabs that armor them. Bellis hears the snap of cut leashes as the terrified pigs and sheep scatter in a trail of shit and dust.

There are ten or twelve of the mosquito-women now ( so many so quickly ), and as the livestock bolt they turn instantly to that easier prey. They rise on those thin wings, their heads hunkered, their hips and limbs loose beneath them, dangling in the air like puppets suspended from their elongated shoulderblades, their dark proboscises still wet and extended; and they descend on the petrified animals. They overtake them easily, descending with their half-random motion to block their paths and intercept them, their arms outstretched, their fingers wide, tugging hold of hair and skin. Bellis watches ( she remembered moving backward inexpertly, constantly, stumbling over the feet of those around her but staying upright through force of horror ), aghast and hypnotized, as the first of the she-anophelii moves in to feed.

The woman-thing straddles a huge sow, pulling herself out of the air and wrapping her limbs around it as if it is a loved toy. Her head draws back, and the long mouth-jag extends a few inches extra, as smooth as a crossbow quarrel. Then the mosquito-woman jerks her face forward, her stretched-open mouth twisting, and she slams the proboscis into the body of the animal.

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