China Mieville - The Scar

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Amazon.com ReviewIn the third book in an astounding, genre-breaking run, China Mieville expands the horizon beyond the boundaries of New Crobuzon, setting sail on the high seas of his ever-growing world of Bas Lag.The Scar begins with Mieville's frantic heroine, Bellis Coldwine, fleeing her beloved New Crobuzon in the peripheral wake of events relayed in Perdidio Street Station. But her voyage to the colony of Nova Esperium is cut short when she is shanghaied and stranded on Armada, a legendary floating pirate city. Bellis becomes the reader's unbelieving eyes as she reluctantly learns to live on the gargantuan flotilla of stolen ships populated by a rabble of pirates, mercenaries, and press-ganged refugees. Meanwhile, Armada and Bellis's future is skippered by the "Lovers," an enigmatic couple whose mirror-image scarring belies the twisted depth of their passion. To give up any more of Mieville’s masterful plot here would only ruin the voyage through dangerous straits, political uprisings, watery nightmares, mutinous revenge, monstrous power plays, and grand aspirations.Mieville's skill in articulating brilliantly macabre and involving descriptions is paralleled only by his ability to set up world-moving plot twists that continually blow away the reader's expectations. Man-made mutations, amphibious aliens, transdimensional beings, human mosquitoes, and even vampires are merely neighbors, coworkers, friends, and enemies coexisting in the dizzying tapestry of diversity that is Armada. The Scar proves Mieville has the muscle and talent to become a defining force as he effortlessly transcends the usual cliches of the genre. --Jeremy Pugh --This text refers to the Paperback edition.From Publishers WeeklyIn this stand-alone novel set in the same monster-haunted universe as last year's much-praised Perdido Street Station, British author Mieville, one of the most talented new writers in the field, takes us on a gripping hunt to capture a magical sea-creature so large that it could snack on Moby Dick, and that's just for starters. Armada, a floating city made up of the hulls of thousands of captured vessels, travels slowly across the world of Bas-Lag, sending out its pirate ships to prey on the unwary, gradually assembling the supplies and captive personnel it needs to create a stupendous work of dark magic. Bellis Coldwine, an embittered, lonely woman, exiled from the great city of New Crobuzon, is merely one of a host of people accidentally trapped in Armada's far-flung net, but she soon finds herself playing a vital role in the byzantine plans of the city's half-mad rulers. The author creates a marvelously detailed floating civilization filled with dark, eccentric characters worthy of Mervyn Peake or Charles Dickens, including the aptly named Coldwine, a translator who has devoted much of her life to dead languages; Uther Doul, the superhuman soldier/scholar who refuses to do anything more than follow orders; and Silas Fennec, the secret agent whose perverse magic has made him something more and less than human. Together they sail through treacherous, magic-ridden seas, on a quest for the Scar, a place where reality mutates and all things become possible. This is state-of-the-art dark fantasy and a likely candidate for any number of award nominations. (July 2). Forecast: Perdido Street Station won the Arthur C. Clarke Award and the British Fantasy Award. A major publicity push including a six-city author tour should help win new readers in the U.S.

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“The Summoning would be a triumph of science,” read the editorial in The Flag , “but there are questions. More motive power for the city can only be good, but what will be the cost?”

It was not long before their objections became more strident.

But with Armada still in the swell of thrill from Garwater’s extraordinary declaration, voices of caution and outright rejection were a small minority. In the pubs-even those of Curhouse and Dry Fall-there was massive excitement. The scale of the undertaking, the promised capturing of an avanc , for gods’ sakes, was giddying.

Still, through a few journals, through pamphlets and posters, sceptics voiced their ignored opposition.

Recruitment began.

A special meeting was convened at the Basilio docks. Tanner Sack rubbed his tentacles and waited. Eventually the yeoman-sergeant stepped forward.

“I’ve a list here,” he shouted, “of engineers and others who’ve been requested for special duty by the Lovers.” The whispers and murmurs swelled briefly, then subsided. No one was in any doubt as to what the special duty was.

As each name was read out, there was audible excitement from its bearer and those nearby. Those named came as no surprise to Tanner. He recognized the best of his colleagues: the fastest workers, the most skillful engineers who had most recently been in contact with cutting-edge technology. Several were relatively recently press-ganged-a disproportion came from New Crobuzon, and more than a handful were Remade from the Terpsichoria itself.

He only realized that he himself had been called as he felt his back pounded by some enthusiastic mate. A tension that he had not known was built up inside him broke, and he relaxed. He realized that he had been waiting for this. He deserved this.

There were others already assembled at the Grand Easterly , workers from the industrial districts, from foundries and laboratories. There were interviews. Metallurgists were separated from engineers and from chymical workers. They were quizzed, their expertise judged. Persuasion was used, but not coercion. At the first (unclear) mention of the anophelii, the first hint of the nature of the island, several men and women refused to be part of the project. Tanner was troubled. But there’s no way you’ll say no to this , he admitted to himself, come what may .

After dark, when the tests and questions were completed, Tanner and the others were taken to one of the Grand Easterly ’s staterooms. The chamber was huge and exquisite, picked out in brass and black wood. There were about thirty people left. We’ve been whittled down , Tanner thought.

What noises there were died immediately when the Lovers entered. As on that very first day, they were flanked by Tintinnabulum and Uther Doul.

What will you tell me this time? thought Tanner slowly. More wonders? More changes?

When the Lovers spoke, they told the full story of the island, and their plans, and everyone in the room was committed.

Tanner leaned back against a wall and listened. He tried to cultivate scepticism-the plans were so absurd, there were so many ways they could fail!-but he found that he could not. He listened, his heart rate increasing, as the Lovers and Tintinnabulum told him and his new companions how they would go to the home of the mosquito people, how they would search for a scientist who might not still be alive, and consult and build machines for containing the most extraordinary creature ever to swim in Bas-Lag’s seas.

Elsewhere, the hidden side of the campaign against the Summoning was convening.

At the heart of Dry Fall riding was the Uroc . It was a huge old vessel, fat and glowering, five hundred feet long and more than a hundred wide at the middle of its main deck. Its dimensions, silhouette, and specifications were unique. No one in Armada was certain how old it was, or from where it originally came.

There were rumors, in fact, that the Uroc was as counterfeit as a pinchbeck ring. It was not a clipper or a barque or a chariot ship or any other known design, after all: nothing of its peculiar shape could ever have sailed, was the claim. The Uroc had been built in Armada, said the cynics, already hemmed in by its surroundings. It was not a found and reappropriated vessel, they said: it was nothing more than wood and iron mimicking a stilled ship.

Some knew better. There were still a very few in Armada who remembered the Uroc ’s arrival.

They included the Brucolac, who had been sailing it, alone, at the time.

Every night, when the sun set, he would rouse himself. Safe from daylight’s rays he would climb the Uroc ’s baroque mast-towers. He would reach out from the slit windows and caress the tines and scales that draped from the irregular crossbars. With fingertips of suprahuman sensitivity, he could feel the little pulses of power below those slats of thin metal and ceramic and wood, like blood through capillaries. He knew that the Uroc could still sail, if need be.

It had been built before his ab-death or his first birth. It had been constructed thousands of miles away, somewhere that no one alive in Armada had ever seen. It had been generations since the floating city had visited that place, and the Brucolac hoped passionately that it would never return.

The Uroc was a moonship. It tacked and sailed on gusts of lunar light.

Weird decks jutted like land formations on the vessel’s body. The intricate segments of its multilayered bridge, the chasm that was constructed in the center of its body, the twisted architecture of its portholes and chambers marked it out. Spires broke its wide body, some doubling as masts, some tapering randomly into nothing. Like the Grand Easterly , the Uroc was not built upon at all, despite the crowded brick rookeries on the vessels to either side. But where the Grand Easterly was kept pristine as a matter of policy, no one had ever suggested building on the moonship. Its topography would not allow it.

By day it looked bleached and sickly. It was not pleasant to see. But as the light failed its surface would shimmer with a subtle nacre, as if it were haunted by ghost-colors. It became awesome then. That was when the Brucolac would walk its decks.

Sometimes he held meetings in its unsettling chambers. He would summon his ab-dead lieutenants to discuss riding business like the goretax, Dry Fall’s tithing. It is what makes us unique , he would tell them. It is what gives us our strength and makes our citizens loyal.

That night, while Tanner Sack and the others inducted into Garwater’s scheme slept, or reflected on what they would have to do, the Brucolac welcomed visitors aboard the Uroc : a delegation from the Curhouse Council, naive enough to believe that they traveled and met in secret (the Brucolac had no such illusions: he picked one set of footsteps out of the palimpsest he could hear on the surrounding boats, and idly attributed them to a Garwater spy).

The Curhouse councilors were nervous in the moonship. They followed the Brucolac in a huddle, trying not to show discomfort as they scurried after him. Conscious of his guests’ requirements for light, the Brucolac had lit torches in the corridors. He had chosen not to use gaslights, taking a small malicious pleasure in the ostentation, and in the knowledge that the shadows the torches cast would flutter as unpredictable and predatory as bats in the ship’s narrow passages.

The circular meeting room was set in the ship’s broadest mast-tower, looking out over the deck fifty feet up. It was opulent and unwelcoming, inlaid with jet and pewter and finely worked lead. There were no candles or flames here, but an icy light picked out the interior with scientific clarity: moon- and starlight were gathered on the ship’s masts, amplified, and sent through mirrored shafts like veins to bleed out into the chamber. The strange illumination stripped the scene of any color.

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