China Mieville - The Scar

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Amazon.com ReviewIn the third book in an astounding, genre-breaking run, China Mieville expands the horizon beyond the boundaries of New Crobuzon, setting sail on the high seas of his ever-growing world of Bas Lag.The Scar begins with Mieville's frantic heroine, Bellis Coldwine, fleeing her beloved New Crobuzon in the peripheral wake of events relayed in Perdidio Street Station. But her voyage to the colony of Nova Esperium is cut short when she is shanghaied and stranded on Armada, a legendary floating pirate city. Bellis becomes the reader's unbelieving eyes as she reluctantly learns to live on the gargantuan flotilla of stolen ships populated by a rabble of pirates, mercenaries, and press-ganged refugees. Meanwhile, Armada and Bellis's future is skippered by the "Lovers," an enigmatic couple whose mirror-image scarring belies the twisted depth of their passion. To give up any more of Mieville’s masterful plot here would only ruin the voyage through dangerous straits, political uprisings, watery nightmares, mutinous revenge, monstrous power plays, and grand aspirations.Mieville's skill in articulating brilliantly macabre and involving descriptions is paralleled only by his ability to set up world-moving plot twists that continually blow away the reader's expectations. Man-made mutations, amphibious aliens, transdimensional beings, human mosquitoes, and even vampires are merely neighbors, coworkers, friends, and enemies coexisting in the dizzying tapestry of diversity that is Armada. The Scar proves Mieville has the muscle and talent to become a defining force as he effortlessly transcends the usual cliches of the genre. --Jeremy Pugh --This text refers to the Paperback edition.From Publishers WeeklyIn this stand-alone novel set in the same monster-haunted universe as last year's much-praised Perdido Street Station, British author Mieville, one of the most talented new writers in the field, takes us on a gripping hunt to capture a magical sea-creature so large that it could snack on Moby Dick, and that's just for starters. Armada, a floating city made up of the hulls of thousands of captured vessels, travels slowly across the world of Bas-Lag, sending out its pirate ships to prey on the unwary, gradually assembling the supplies and captive personnel it needs to create a stupendous work of dark magic. Bellis Coldwine, an embittered, lonely woman, exiled from the great city of New Crobuzon, is merely one of a host of people accidentally trapped in Armada's far-flung net, but she soon finds herself playing a vital role in the byzantine plans of the city's half-mad rulers. The author creates a marvelously detailed floating civilization filled with dark, eccentric characters worthy of Mervyn Peake or Charles Dickens, including the aptly named Coldwine, a translator who has devoted much of her life to dead languages; Uther Doul, the superhuman soldier/scholar who refuses to do anything more than follow orders; and Silas Fennec, the secret agent whose perverse magic has made him something more and less than human. Together they sail through treacherous, magic-ridden seas, on a quest for the Scar, a place where reality mutates and all things become possible. This is state-of-the-art dark fantasy and a likely candidate for any number of award nominations. (July 2). Forecast: Perdido Street Station won the Arthur C. Clarke Award and the British Fantasy Award. A major publicity push including a six-city author tour should help win new readers in the U.S.

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As days passed, Salt came to Tanner more easily, and he began to spend more time with his workmates. They would carouse in the pubs and gambling halls on the aft edge of Basilio Harbor. Shekel came too, sometimes, happy in the company of the men, but more often he took himself off, alone, to the Castor .

Tanner knew that he went to see the woman Angevine, whom Tanner had not met, a servant or bodyguard for Captain Tintinnabulum. Shekel had told him about her, in faltering adolescent terms, and Tanner had started off amused and indulgent. Nostalgic for himself at that age.

Shekel spent more and more time with the strange studious hunters who lived on the Castor . Once, Tanner came looking for him.

Belowdecks, Tanner had passed into a clean, dark corridor of cabins, each with a name stamped upon it: Modist, he had read, and Faber, and Argentarius. The berths of Tintinnabulum’s companions.

Shekel was in the mess, with Angevine.

Tanner had been shocked.

Angevine was in her thirties, he estimated, and she was Remade.

Shekel had not told him that.

Just below her thighs, Angevine’s legs ended. She jutted like some strange figurehead from the front of a little steam-driven cart, a heavy contraption with caterpillar treads, filled with coke and wood.

She could not be city-born, Tanner had realized. That kind of Remaking was too harsh, too capricious and inefficient and cruel to have been effected for anything other than punishment.

He thought well of her for putting up with the lad’s bothering. Then he saw how intensely she spoke to Shekel, how she leaned in to him (at a bizarre angle, anchored by the heavy vehicle below her), how she held his eyes. And Tanner had stopped, shocked again.

Tanner left Shekel to his Angevine. He did not ask what was happening. Shekel, forced into a sudden new conjuncture of feelings, behaved like a hybrid of child and man, now boastful and preening, now subdued and caught up with intense emotions. In what little information he gave out, Tanner learned that Angevine had been press-ganged ten years ago. Like the Terpsichoria , her ship had been stolen on its way to Nova Esperium. She, too, was from New Crobuzon.

When Shekel came home to the little rooms on the portmost edge of an old factory ship, Tanner was jealous, and then contrite. He determined to keep ahold of Shekel as best as he could, but to let him go as he needed.

Tanner tried to fill a vacuum by making friends. He spent more time with his workmates. There was a strong camaraderie among the dockworkers. He took part in their lewd jokes and games.

They opened to him, brought him in by telling tales.

As a newcomer he was an excuse for them to trot out stories and rumors they had all heard a mass of times before. One of them would mention dead seas, or boiltides, or the moray king, and would turn to Tanner. You’ve probably not heard of the dead seas, Tanner, he or she would say. Let me tell you…

Tanner Sack heard the weirdest stories of the Bas-Lag seas, and the legends of the pirate city and Garwater itself. He heard of the monstrous storms that Armada had survived; the reason for the scars on the Lovers’ faces; how Uther Doul had cracked the possibility code and found his puissant sword.

He joined in celebrations for this or that happy occurrence-a marriage, a birth, luck at cards. And somber things too. When a dockside accident took off half a cactus-woman’s hand with a jag of glass, Tanner gave what eyes and flags he could spare to the whip-round. Another time, the riding was plunged into depression by the news that a Garwater ship, the Magda’s Threat , had gone down near the Firewater Straits. Tanner shared the loss, and his sadness was not feigned.

But although he liked his workmates, and the taverns and convivials were a pleasant way of spending evenings-and one that improved his Salt in great gouts-there was a constant odd ambience of half-acknowledged secrecy. He could not make sense of it.

There were certain mysteries that the work of the underwater engineers threw up. What manner of things were those shadows he sometimes glimpsed, behind the tightly tethered guard sharks, unclear through what must be adumbrating glamours? What were the purposes of the repairs that he and his colleagues daily carried out? What was it that the Sorghum , the stolen rig that they tended carefully, sucked up from the base of the sea, thousands of feet below? Tanner had followed its fat, segmented pipe down with his eyes many times, growing giddy as it dwindled.

What was the nature of this project that was hinted at in nods and cryptic remarks? The plan that underpinned all their efforts? That no one would talk openly about, but that many seemed to know a little of, and a few pretended by omission, or hint, to understand?

Something big and important lay behind Garwater’s industry, and Tanner Sack did not yet know what it was. He suspected that none of his fellows did, either, but still he felt excluded from some community: one based on lies, cant, and bullshit.

Stories occasionally reached him about the other Terpsichoria passengers or crew or prisoners.

Shekel had told him about Coldwine in the library. The man Johannes Tearfly he had seen himself, visiting the docks with a secretive group, all notepads and murmured discussion. A part of Tanner had thought tartly that it didn’t take long for ranks to reestablish themselves, that while he worked his arse off below, the gentleman watched and ticked his little charts and fumbled with his waistcoat.

Hedrigall, the impassive cactus-man who piloted the Arrogance , told Tanner about a man called Fench, also from the Terpsichoria , who was visiting the docks quite often ( Do you know him? Hedrigall had asked, and Tanner had shaken his head: it was too dull to explain that he had known no one above the decks). Fench was a good man, Hedrigall said, whom you could talk to, who seemed already to know everyone on the ship, who spoke on knowledgeable terms about people like King Friedrich and the Brucolac.

There was a distracted air to Hedrigall when he talked about these things, which reminded Tanner of Tintinnabulum. Hedrigall was one of those who always seemed to know something about something that he would not discuss. It would have felt to Tanner a breach of their embryonic friendship to ask him outright.

Tanner took to walking the city at night.

He would wander, surrounded by the sounds of water and ships, the sea smell in him. Under the moon and her glowing daughters, diffused through faint cloud, Tanner walked steadily around the edge of the bay containing the now-silent Sorghum . He trod past a cray dwelling: a suspended, half-sunk clipper, its prow and bows jutting like an iceberg. He walked up the covered bridge to the rear of the enormous Grand Easterly , his head down as he passed the few other insomniacs and night workers.

By rope bridge to the starboard side of Garwater. An illuminated dirigible skidded slowly overhead, and a klaxon sounded nearby while a steamhammer pounded ( some late shift ), and the sound for a moment was so reminiscent of New Crobuzon that he felt a strong, nameless emotion.

Tanner lost himself in a maze of old ships and bricks.

In the water below he thought he saw fleeting and random patches of light: the anxiety of bioluminescent plankton. The city’s snarls seemed to be answered sometimes, miles away, by something big and very distant and alive.

He wound in the direction of Curhouse and Urchinspine Harbor. Below him was surf, to either side decaying brickwork damp with mildew and salt-stained. High walls and windows, many broken, and alleyways between main streets, winding between old bulkheads and cowls. Rubbish on deserted dhows. Balustrades and taffrails buffeted in the cold wind by the ragged remnants of posters; politics and entertainment advertised in garish colors rendered from squid and shellfish and stolen ink.

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