China Mieville - The Scar

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Amazon.com ReviewIn the third book in an astounding, genre-breaking run, China Mieville expands the horizon beyond the boundaries of New Crobuzon, setting sail on the high seas of his ever-growing world of Bas Lag.The Scar begins with Mieville's frantic heroine, Bellis Coldwine, fleeing her beloved New Crobuzon in the peripheral wake of events relayed in Perdidio Street Station. But her voyage to the colony of Nova Esperium is cut short when she is shanghaied and stranded on Armada, a legendary floating pirate city. Bellis becomes the reader's unbelieving eyes as she reluctantly learns to live on the gargantuan flotilla of stolen ships populated by a rabble of pirates, mercenaries, and press-ganged refugees. Meanwhile, Armada and Bellis's future is skippered by the "Lovers," an enigmatic couple whose mirror-image scarring belies the twisted depth of their passion. To give up any more of Mieville’s masterful plot here would only ruin the voyage through dangerous straits, political uprisings, watery nightmares, mutinous revenge, monstrous power plays, and grand aspirations.Mieville's skill in articulating brilliantly macabre and involving descriptions is paralleled only by his ability to set up world-moving plot twists that continually blow away the reader's expectations. Man-made mutations, amphibious aliens, transdimensional beings, human mosquitoes, and even vampires are merely neighbors, coworkers, friends, and enemies coexisting in the dizzying tapestry of diversity that is Armada. The Scar proves Mieville has the muscle and talent to become a defining force as he effortlessly transcends the usual cliches of the genre. --Jeremy Pugh --This text refers to the Paperback edition.From Publishers WeeklyIn this stand-alone novel set in the same monster-haunted universe as last year's much-praised Perdido Street Station, British author Mieville, one of the most talented new writers in the field, takes us on a gripping hunt to capture a magical sea-creature so large that it could snack on Moby Dick, and that's just for starters. Armada, a floating city made up of the hulls of thousands of captured vessels, travels slowly across the world of Bas-Lag, sending out its pirate ships to prey on the unwary, gradually assembling the supplies and captive personnel it needs to create a stupendous work of dark magic. Bellis Coldwine, an embittered, lonely woman, exiled from the great city of New Crobuzon, is merely one of a host of people accidentally trapped in Armada's far-flung net, but she soon finds herself playing a vital role in the byzantine plans of the city's half-mad rulers. The author creates a marvelously detailed floating civilization filled with dark, eccentric characters worthy of Mervyn Peake or Charles Dickens, including the aptly named Coldwine, a translator who has devoted much of her life to dead languages; Uther Doul, the superhuman soldier/scholar who refuses to do anything more than follow orders; and Silas Fennec, the secret agent whose perverse magic has made him something more and less than human. Together they sail through treacherous, magic-ridden seas, on a quest for the Scar, a place where reality mutates and all things become possible. This is state-of-the-art dark fantasy and a likely candidate for any number of award nominations. (July 2). Forecast: Perdido Street Station won the Arthur C. Clarke Award and the British Fantasy Award. A major publicity push including a six-city author tour should help win new readers in the U.S.

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But the ship-city was not the base brutocracy that Bellis had expected. There were other logics at work. There were typed contracts, offices administrating the new arrivals. And officials of some kind: an executive, administrative caste, just as in New Crobuzon.

Alongside Armada’s club law, or supporting it, or an integument around it, was bureaucratic rule. This was not a ship, but a city. She had entered another country as complex and organized as her own.

The officials had taken her to the Chromolith , a long-decaying paddleship, and berthed her in two little round rooms joined by a spiral staircase, built in what had been the vessel’s big chimney. Somewhere far below her, in the ship’s guts, was an engine that had once vented its soot through what was now her home. It had gone cold long before she was born.

The room was hers, they told her, but she must pay for it, weekly, at the Garwater Settlement Office. They had given her an advance on her wages, a handful of notes and change-“ten eyes to a flag, ten flags to a finial.” The currency was rough-cut and crudely printed. The colors of the ink varied from note to note.

And then they had told her, in rudimentary Ragamoll, that she would never leave Armada, and they had left her there alone.

She had waited, but that was all. She was alone in the city, and it was a prison.

Eventually hunger had driven her down to buy greasy street-food from a vendor who jabbered at her in Salt too quick for her easily to understand. She had walked the streets, astonished that she was not accosted. She felt so alien, bowed under culture shock as crippling as migraine, surrounded by the women and men in lush, ragged dress, the street children, the cactacae and khepri, hotchi, llorgiss, massive gessin and vu-murt, and others. Cray lived below the city and walked topside in the day, sluggish on their armored legs.

The streets were narrow little ridges between the houses crammed on decks. Bellis grew used to the city’s yawing, the skyline that shifted and jostled. She was surrounded by catcalls and conversations in Salt.

It was easy for her to learn: its vocabulary was obvious, stolen as it was from other languages, and its syntax was easy. She had to use it-she could not avoid buying food, asking for directions or clarification, speaking to other Armadans-and when she did her accent marked her out as a newcomer, not city-born.

For the most part those she spoke to were patient with her, even crudely good-humored, forgiving her surliness. Perhaps they expected her to relax as she made Armada her home.

She did not.

That morning, as Bellis stepped out of the Chromolith smokestack, the question How did I get here? broke through into her mind again.

She was out in the street in the city of ships, in the sun, enclosed in a press of her kidnappers. Men and women, tough-faced humans and other races, even a few constructs were all around her, bartering, working, jabbering in Salt. Bellis walked on through Armada, a prisoner.

She was heading for The Clockhouse Spur. This riding abutted Garwater, and was more commonly known as Booktown, or the khepri quarter.

It was a little more than a thousand feet from Chromolith Towers to the Grand Gears Library. The walk there took her over at least six vessels.

The sky was full of craft. Gondolas swayed beneath dirigibles, ferrying passengers across the angling architecture, descending between close-quartered housing and letting down rope ladders, cruising past much larger airships that hauled goods and machinery. Those were chaotic. Some were congealed from lashed-together gasbags, extruding cabins and engines randomly, like chance accretions of material. Masts were mooring posts, sprouting aerostats of various shapes, like plump, mutant fruit.

From Chromolith Bellis crossed a steep little bridge to the schooner Jarvee , crowded with little kiosks selling tobacco and sweets. She passed up onto the barquentine Lynx Sejant , its deck full of silk merchants selling offcuts from Armada’s piracy. Right, past a broken llorgiss sea pillar bobbing like some malevolent fishing lure, and Bellis crossed Taffeta Bridge.

She was now on the Severe , a massive clipper, the edge of Booktown riding, where the khepri ruled. Beside carts pulled by Armada’s sickly inbred ox and horses, Bellis passed a team of three khepri guard-sisters.

There were similar trios in Kinken and Creekside, New Crobuzon’s khepri ghettos. It had astonished Bellis the first time she had seen them here. The khepri in Armada, like those in New Crobuzon, must be descendants of refugees from the Mercy Ships, worshipping what was left, what they remembered, of the Bered Kai Nev pantheon. They held traditional weapons. Their lithe humanoid women’s bodies were weatherbeaten, their heads like giant scarabs iridescent in the cold sun.

With so many mute khepri residents, the streets of Booktown were quieter than those of Garwater. Instead, the air was slightly spiced with residue from the chymical mists that were part of khepri communication. It was their equivalent of a boisterous hubbub.

Punctuating the alleyways and squares were khepri-spit sculptures, like those in New Crobuzon’s Plaza of Statues. Figures from myth, abstract forms, sea creatures executed in the opalescent material the khepri metabolized through their headscarabs. The colors were muted, as if colorberries were less plentiful here, or of worse quality.

On an avenue on the Compound Dust , a khepri clockwork ship-a Mercy Ship that had fled the Ravening-Bellis slowed, fascinated by its cogs and architecture. Insects and husks blew fitfully into her path from the gusting deck-field of a farm ship aft, and the distant bleating of livestock sounded through slats in its lower decks.

Then on to the fat factory ship the Aronnax Lab , past metallurgy workshops and refineries, into Krome Plaza, where a great suspended platform reached out across the water onto the deck of the Pinchermarn , the aftmost of the vessels that made up Grand Gears Library.

“Relax… no one cares that you’re late, you know,” said Carrianne, one of the human staff, as Bellis hurried past. “You’re new, you’re press-ganged, so you might as well milk it.” Bellis heard her laughing, but did not respond.

The corridors and converted mess halls were crammed with bookshelves and guttering oil lanterns. Scholars of all races pursed their lips, if they had them, and looked up wistfully in Bellis’ wake. The reading rooms were large and quiet. Their windows were filmed in dust and desiccated insects, and seemed to age the light falling across the communal tables and the volumes in scores of languages. Stifled coughs sounded like apologies as Bellis entered the acquisitions department. Books tottered on cabinets and trolleys and in loose towers on the floor.

She was there for hours, coding methodically. Stacking books written in scripts she could not read, recording the details of the other volumes onto cards. Filing them alphabetically-the Salt alphabet was a slightly variant form of the Ragamoll script-according to author, title, language, themes, and subjects.

A little before she was due to break for her lunch Bellis heard footsteps. It must be Shekel, she thought. He was the only person from the Terpsichoria she saw or spoke to. She smiled at the thought of it: herself consorting with the cabin boy. He had come swaggering in to find her, almost a fortnight previously, all adolescent nerve, excited at their capture and new situation. (Someone had told him about “a scary lofty lady in black with blue lips” working in the library, he explained to her. He grinned when he said that, and she had looked away to avoid smiling back.)

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