Robert Wilson - Julian Comstock - A Story of 22-nd Century America

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Julian Comstock: A Story of 22-nd Century America: краткое содержание, описание и аннотация

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From the Hugo-winning author of
, an exuberant adventure in a post-climate-change America.
In the reign of President Deklan Comstock, a reborn United States is struggling back to prosperity. Over a century after the Efflorescence of Oil, after the Fall of the Cities, after the Plague of Infertility, after the False Tribulation, after the days of the Pious Presidents, the sixty stars and thirteen stripes wave from the plains of Athabaska to the national capital in New York City. In Colorado Springs, the Dominion sees to the nation’s spiritual needs. In Labrador, the Army wages war on the Dutch. America, unified, is rising once again.
Then out of Labrador come tales of a new Ajax—Captain Commongold, the Youthful Hero of the Saguenay. The ordinary people follow his adventures in the popular press. The Army adores him. The President is troubled. Especially when the dashing Captain turns out to be his nephew Julian, son of the falsely accused and executed Bryce.
Treachery and intrigue dog Julian’s footsteps. Hairsbreadth escapes and daring rescues fill his days. Stern resolve and tender sentiment dice for Julian’s soul, while his admiration for the works of the Secular Ancients, and his adherence to the evolutionary doctrines of the heretical Darwin, set him at fatal odds with the hierarchy of the Dominion. Plague and fire swirl around the Presidential palace when at last he arrives with the acclamation of the mob.
As told by Julian’s best friend and faithful companion, a rustic yet observant lad from the west, this tale of the 22nd Century asks—and answers—the age-old question: “Do you want to tell the truth, or do you want to tell a story?”
Nominated for the Hugo Award for Best Novel in 2010.

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“Do you know very much about Mediterranean France?” Calyxa asked me with a certain affected casualness, one September night as we lay in bed.

“Only that Mitteleuropa claims it as a Territory, while it insists it’s an Independent Republic.”

“The weather there is very clement, and Mediterranean France has cordial relations with other parts of the world.”

“I expect that’s so… what about it?”

“Nothing at all, except that we may have to live there one day.”

I didn’t dismiss her assertion out of hand. In fact we had discussed the possibility several times before. In the event of a disaster, such as the collapse of Julian’s presidency and the ascension to the Executive of hostile agencies, all of us (including Julian) might need to flee the country.

But I fervently hoped those conditions would not arise; or, if they did, that it would happen far in the future, when Flaxie was older and better able to travel. I didn’t like to think of taking an infant on a trans-Atlantic journey. I was not even willing to let Flaxie be taken for rides in the streets of Manhattan , especially not now, with a new Pox circulating and half the citizens going about with paper masks over their noses.

“You can’t leave these arrangements to the last hour,” Calyxa said. “Things need to be set up in advance. We decided on Mediterranean France—”

“Wait— who decided?”

“Emily and I, between us. I consulted the local Parmentierists, and they say it’s an ideal refuge. Emily has connections with people in the shipping business—right now she would have no trouble arranging passage for us, though that might change, with a changing situation.”

“I still hope to spend my life in America and write books,” I said.

“You wouldn’t be the only American author in Marseilles. You can send manuscripts by mail.”

“I’m not sure my publisher would agree to that.”

“If things get much worse in Manhattan , Adam, you may not have a publisher.”

Perhaps that observation was true. But it didn’t cheer me up, or help me sleep.

* * *

All the filming of The Life and Adventures of the Great Naturalist Charles Darwin was finished by Thanksgiving of 2175. That wasn’t the end of it, of course. What had been captured on film was only the visual portion of the show; to be presented in a theater it still needed voice-actors, noise-makers, intensive rehearsals, and a suitable venue. But a large part of the hardest work was done, especially for the technicians and screen-actors, and Julian thought it would be appropriate to commemorate the moment by hosting what he called a “wrap party.”

The grounds of the Executive Palace had not been a social magnet during Julian’s reign, especially so after the unannounced beheadings. Julian was not discomfited by this, since he didn’t much care for the companionship of high Eupatridians, including even members of the Senate. Although the Senate had been generous toward his regime in the beginning, there had been friction with that branch of the government as well as with the Dominion. Julian did not enact any radical labor legislation, [Much to Calyxa’s disappointment and disgust.]but he had refused to dispatch troops during the servile insurrection in the thread trades. [In July of 2175 a rebellion among indentured laborers at an Ohio broad-silk mill had spread to neighboring ribbon factories and dye shops. Over one hundred men died in the resulting siege.]

His implied sympathy for the rebels enraged those Senators who had connections with the trade, and strongly-worded protests had been issued from that body.

So we did not have friendly Eupatridians to invite to our Wrap Party; but that wasn’t a drawback, in Julian’s opinion. Increasingly Julian had chosen to surround himself with a crowd of Aesthetes and Philosophers—not just the movie crew, but a motley assortment of well-born radicals, religious reformers, musicians, Parmentierist tract-writers, artists with more ambition than income, and people of that stripe.

The party took place on the last warm evening of the year. The temperature was nearly tropical, though Thanksgiving was almost on us, and after dark the celebration spilled out onto the great lawn of the Executive Palace. The efficiency of the New York City Hydroelectric Dynamo had lately been improved, and Julian had extended the hours of the Illumination of Manhattan, so that the cumulative light shed by the city’s electric lamps gave the clouds overhead an eerie glow. The Pond and the Hunting Grounds were wrapped in shadow and looked very mysterious and romantic, and the guests and film crew were soon giddy with champagne. They strolled or capered about on the lawn, or shared hempen cigarettes in secluded places, and as the evening wore on their behavior became more flagrant and less discreet.

I sat on the marble steps of the Palace watching the revelry from a safe distance. After a time Pastor Magnus Stepney came and joined me. “It’s a cheerful event, Adam,” he said, settling his lanky frame onto the step just to the left of me.

“It’s a spectacle, anyhow,” I said.

“Don’t you like to see people enjoy themselves?”

That was a subtler question than he seemed to realize. I had come to be friendly with many of these revelers, especially the crew who had worked on the filming of Charles Darwin, and I knew them to be good-souled and well-intentioned people, for the most part. But the event was beginning to surpass anything I would have recognized as civilized celebration back in Williams Ford. Men and women not related by marriage were dancing to lewd songs, or chasing one another amidst gales of laughter, or indulging in intimate caresses regardless of the observation of those around them. Some of the crew were so intoxicated that they began to press such intimacies even on members of their own sex; and often enough these attentions were willingly received. [To be fair, many of these same individuals defied expectations in matters of Masculine and Feminine Deportment even when fully sober. It’s a common failing among theater people, I have found.]

“Well,” I said, “that depends. I don’t disapprove of anybody having a good time. And I don’t like to set myself up in judgment. But what about you, Magnus? You being a church pastor and all, even if your church is an eccentric one. Is this how you encourage your congregation to behave?”

“My only God is Conscience, Adam. I put that statement up on a sign, to warn the unwary.”

“Your conscience is happy to sit here and watch your friends debauch by moonlight?”

“The moon’s not up quite yet.”

“That’s a dodge, Pastor.”

“You misunderstand my doctrine. Perhaps I can give you a pamphlet. I encourage people to obey their conscience, and follow the Golden Rule, and so forth. But Conscience isn’t the mean-spirited overseer so many people seem to think it is. Genuine Conscience speaks to all people in all tongues, and it can do so because it has just a few simple things to say. ‘Love your neighbor as your brother,’ and do all that that entails—visit the sick, refrain from beating wives and children, don’t murder people for profit, etc. You know how I think of Conscience, Adam? I think of Conscience as a great green God—literally green, the color of spring leaves. With a garland of laurels, perhaps, or some leafy underwear, as in the Greek paintings. He says: Trust one another, even if you aren’t trusted. He says: Do as I tell you, and you’ll be back in Eden in no time. Do you know anything about Game Theory, Adam Hazzard?”

I said I did not. Magnus Stepney explained that it was an obscure Science of the Secular Ancients, and that it dealt with the mathematics of bargains, and mutually beneficial exchanges, and such matters. “Basically, Adam, Game Theory suggests that there are two ways for human beings to operate. You can be trustworthy and trust others, or you can be untrustworthy to your own advantage. The trustworthy man makes a deal and keeps it; the untrustworthy man makes the same deal but absconds with the cash. Conscience tells us, ‘Be the trustworthy man.’ That’s a tall order, for the trustworthy man is often cheated and exploited; while the untrustworthy man often occupies thrones and pulpits, and revels in his riches. But the untrustworthy man, if we all emulated him, would hasten us into an eternal Hell of mutual predation; while the trustworthy man, if his behavior became general, would throw open the gates of Heaven. That’s what Heaven is, Adam, if it’s anything at all—a place where you can trust others without hesitation, and they can trust you.”

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