Connie Willis - Passage

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Passage: краткое содержание, описание и аннотация

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Dr. Joanna Lander, a psychologist separating the truth from the expected in NDEs, is talked into working with Dr. Richard Wright (pun intended), a neurologist testing his theory that NDEs are a survival mechanism by simulating them with psychoactive drugs. When navigating the maze of the hospital in which the cafeteria is never open, dodging Mr. Mandrake who writes popular books on NDEs and fabricates most of his accounts and finding uncorrupted participants for their experiments becomes too difficult, Joanna herself goes under. What she finds on the Other Side almost drives her and Richard apart, while solving the mystery of what it means almost drives her mad. Joanna holds nothing back as she searches her mind and her experience; readers will be able to puzzle out the answers just as she does.
Nominated for Nebula Award for Best Novel in 2001, Hugo, Campbell, and Clark awards in 2002.

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“How can you tell if it’s on and not just on standby?” she asked.

Vielle looked at it. “It’s on,” she pronounced. “Did you want to call and check on your uncle?”

“No, that’s okay,” Kit said. “Mrs. Gray has your number. I’m just a little nervous. He gets disoriented sometimes when I’m not there.” She turned to Joanna. “Sorry. I know we’re not supposed to discuss things like that at Dish Night. What are we supposed to discuss?”

“Movies,” Joanna said, “or, rather, movie. I had a little difficulty at Blockbuster. They didn’t have Glory. Or Jumpin’ Jack Flash.” She handed the video to Vielle. “It’s a comedy. With Julia Roberts.”

“Runaway Bride,” Vielle said, reading the box.

“Bride?” Kit echoed.

“Have you already seen it?” Vielle asked.

“No,” Kit said, but in a tone that made Joanna wonder if she had and was lying to protect their feelings. Her cheeks had gone very pink. “I haven’t seen any movies at all the last few years, and I loved Julia Roberts in Pretty Woman. And Flatliners.”

“Except that in Flatliners she needlessly risks her life,” Vielle said, looking at Joanna.

“And ends up with Kiefer Sutherland,” Joanna said lightly. “I thought Kevin Bacon was a lot cuter.” She took the video away from Vielle. “This one’s got Richard Gere in it.” She stuck it in the VCR and turned on the TV. “So let’s get this show on the road. Kit doesn’t want to be gone too long,” and the cell phone rang.

Kit dived for it. “Hello?” she said anxiously, and to Joanna and Vielle, “It’s Mrs. Gray.”

“You can take it in the bedroom if you want,” Vielle said, and Kit nodded gratefully. Vielle led her in and shut the door behind her.

“Oh, I hope Mr. Briarley hasn’t gotten so upset she has to go home,” Joanna said. “She was looking forward to this so much.”

“Don’t change the subject,” Vielle said. “You said there was a problem with the session today? Who with?”

“Not me,” Joanna said, and Vielle immediately looked relieved. “And I shouldn’t have said ‘problem.’ Nothing went wrong.” She looked at the bedroom door.

“And what about your sessions?” Vielle asked. “Are you telling me nothing went wrong with them either?”

“What do you mean?”

“I mean, you come racing down to the ER white as a ghost and demand to know whether there’s an engine-stopping scene in Titanic, and then when I find out for you, you’re not even interested, you’re just afraid I might have told somebody. And then Barbara from Peds tells me she saw you in the walkway up on fifth the night before and you looked like you’d just seen a ghost.”

Of course. Good old Gossip General, and this was exactly why she couldn’t tell Vielle. Because there was no such thing as a secret at Mercy General. “Did she also tell you I’d just found out Maisie Nellis had coded again?”

“She told me she was worried about you. I’m worried about you. It’s the project, isn’t it? You’re seeing things in your NDEs. You’re seeing the Titanic, aren’t you?”

No, Joanna thought, apparently not. “No. I’m not seeing the Titanic.”

“Then what are you seeing?”

“I don’t know,” Joanna said. “It’s—”

The door opened, and Kit came out, all smiles. “Mrs. Gray just wanted to call to try the phone out, so I’d know it was working, and to tell me how Uncle Pat was doing.”

“How is he doing?” Joanna asked.

“Not too bad. He keeps looking out the window for me and asking her where I am.”

I would have thought someone so much like Mrs. Troudtheim would have enough sense not to tell her that, Joanna thought. It will only worry her, and it must have shown in her face because Kit said, “If she’d told me everything was fine, I wouldn’t have believed her. I want her to tell me the truth.”

She sounds just like Maisie, Joanna thought, and, as they settled in to watch Runaway Bride, She looks like her, too, with her short blond hair and thin arms and shoulders. But it was more than that. She also had Maisie’s courage, her charm, her earnestness. She watched the movie as attentively as if Mr. Briarley would be giving one of his notorious finals on it.

Joanna, on the other hand, found her mind wandering. If it wasn’t the Titanic, what was it? An amalgam of ships and ship-related images, Richard had said. What ship-related images? She’d grown up in a completely landlocked state. She’d never been on a ship in her life.

She tried to concentrate on the movie. Richard Gere was being introduced to a gaggle of giggling women. “I’m Betty Trout,” one of them said, and Joanna thought, Betty Peterson. She sat next to me in second period. And she had been an A student. She would definitely remember the name of their textbook. She might even remember what it was that Mr. Briarley had said. But it’s not the Titanic, so he isn’t why you’re seeing it.

“It’s not fair,” Vielle said.

“What isn’t?” Joanna said, jolted out of her reverie.

“That,” Vielle said, gesturing at the screen where Richard Gere was kissing Julia Roberts. “She has five gorgeous guys to choose from and I can’t even find one, unless you count Harvey the embalming expert.”

Kit stopped with a handful of popcorn halfway to her mouth. “Embalming expert?”

“Yes, and a scintillating conversationalist,” Vielle said. “Did you know Ajax is the best thing to use to get teeth shiny and white?”

“Ajax?” Kit put the handful of popcorn down on a napkin.

“Rule Number Eighteen,” Joanna said. “No discussing embalming techniques at Dish Night.” She reached for some popcorn. “What about Officer Denzel? This police officer Vielle met who looks like Denzel Washington,” she explained to Kit.

“And who she can’t think of a way to meet again,” Vielle said. “Maybe I’ll get lucky, and another rogue-raver will shoot up the ER,” and immediately looked sorry she’d said it.

“Vielle works in the ER,” Joanna explained to Kit, “the most dangerous place in the hospital. I keep telling her she needs to transfer out—”

“And I keep telling her she has no business playing Flatliners,” Vielle said, pointing at Joanna.

“Flatliners?”

“She means the research project I’m working with Dr. Wright on, but it’s nothing like Flatliners,” Joanna said.

“Except that you’re having near-death experiences,” Vielle said.

“They’re drug-induced hallucinations, and they’re perfectly safe,” Joanna said. “Unlike working in the ER where people get shot and stabbed—”

“Rule Number One,” Vielle said, rewinding to the kissing scene. “No talking about work at Dish Night. Isn’t that right, Joanna?”

“Right. Which of Julia’s wedding dresses do you like the best, Kit?” Joanna asked, changing the subject.

“I don’t know,” Kit said, leaning forward to make sure the cell phone was still on. “They’re all pretty.”

“The one with the train,” Vielle said. “I definitely want a dress with a train. And a big wedding, with all the trimmings. Bridesmaids, flowers, the works. Do police officers get married in their uniforms?”

“You’re thinking of the military,” Kit said.

“And counting your chickens before they’re hatched,” Joanna said. “She hasn’t even found out his name yet, let alone gotten him to the altar, and a lot can happen in between, right, Kit?”

“I think I’d better call and make sure my uncle’s okay,” Kit said, standing up.

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