Connie Willis - Passage

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Passage: краткое содержание, описание и аннотация

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Dr. Joanna Lander, a psychologist separating the truth from the expected in NDEs, is talked into working with Dr. Richard Wright (pun intended), a neurologist testing his theory that NDEs are a survival mechanism by simulating them with psychoactive drugs. When navigating the maze of the hospital in which the cafeteria is never open, dodging Mr. Mandrake who writes popular books on NDEs and fabricates most of his accounts and finding uncorrupted participants for their experiments becomes too difficult, Joanna herself goes under. What she finds on the Other Side almost drives her and Richard apart, while solving the mystery of what it means almost drives her mad. Joanna holds nothing back as she searches her mind and her experience; readers will be able to puzzle out the answers just as she does.
Nominated for Nebula Award for Best Novel in 2001, Hugo, Campbell, and Clark awards in 2002.

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Kit scurried to move the books off one of the chairs and motioned Joanna to sit down. She did, and he sat down opposite her. Kit stood next to his chair, still looking wary.

Now that Joanna had had a chance to look at Kit, she wondered if she were as young as she’d first thought. There were faint bluish shadows under her eyes, and unhappy lines around her mouth. Behind her, on one of the bookcases, was a picture of her carrying a stack of books and standing in front of University Hall at DU, and one of her and a young man. The Kevin Mr. Briarley had thought was at the door? Kit looked twenty pounds healthier in both photos and considerably happier. What had happened since they were taken? Anorexia? Drugs? And was that why she was living here? Somehow she couldn’t see Mr. Briarley as a rehab counselor, but then again, she couldn’t imagine him as being anyone’s uncle, and there had been her odd, sharp reaction when Joanna had said she worked at Mercy General.

“I really appreciate this,” Joanna began. “I would have called but I didn’t have your phone number. I went over to the high school, hoping you still taught there, and they told me you’d retired. When did you retire?”

“Five years ago,” Kit volunteered.

He glared at her. “Kit,” he said, “don’t just stand there. Offer our guest some—”

“Tea,” Kit said, too eagerly. “Ms. Lander, can I get you a cup of tea? Or coffee?”

“Oh, no, nothing,” Joanna said.

“Tea,” Mr. Briarley said firmly. “ ‘And sometimes counsel take,’ ” he quoted, “ ‘and sometimes tea.’ ”

“The Rape of the Lock,” Joanna said, delighted that she remembered. “Alexander Pope. I remember your reading him out loud to us,” Joanna said. “And ‘The Rime of the Ancient Mariner’ by Coleridge. That was my favorite. ‘Water, water everywhere, and all the boards did shrink—’ ” she said and paused, expecting him to say the next two lines.

“Coleridge,” he muttered, “overrated Romantic,” and then turned abruptly to Kit and snapped, “Where’s my tea?”

It was the tone used to a servant. Joanna looked at him, and then at Kit, in surprise, but Kit merely said, “I’ll get it right away,” and started for the door.

“And I want the water boiled,” Mr. Briarley snapped, “not heated to lukewarm in that ridiculous—”

“Microwave,” Kit said. “Yes, Uncle Pat.”

“And don’t take all day, Kit. Kit,” he repeated contemptuously, turning to Joanna. “What sort of a name is that? It’s a label for a box full of first-aid bandages, not a name for a person.”

What was going on here? Joanna wondered. Had she walked in on an argument? She remembered Kit’s reluctance to let her in. She glanced up at her, expecting her to look sullen or angry, but she looked wary, or worried, the way she had when she opened the door, her reactions all wrong for the situation.

“Go on, Kit,” Mr. Briarley said, emphasizing the name nastily. “I want to speak with my student.”

“I’ll only be a minute,” Kit said with a last worried glance at Joanna and disappeared.

I hope that doesn’t mean he’ll turn on me now, Joanna thought, but when she turned back to Mr. Briarley, he was smiling benignly at her. “Now then,” he said. “What can I do for you? You said you’d been to the high school—?”

“Yes, looking for you,” Joanna said.

“I don’t teach there anymore,” he said in an odd, uncertain tone, as if he were trying to convince himself. “ ‘Neither fish nor fowl, neither out nor in.’ ”

He must miss it, she thought. “It looked so different, I hardly recognized it. I don’t know if you remember the class I was in, Ricky Inman was in it, and Candy Simons—”

“Of course I remember,” he said, almost belligerently.

“Good, because I need to ask you about something you said in class about—”

“The tea will only be a minute,” Kit said, appearing in the doorway with a tray. She’d slid her feet into a pair of flip-flops. Joanna cleared a stack of books off the little table, and Kit set the tray down. “I brought the cups and saucers, and the sugar,” she added unnecessarily.

Mr. Briarley looked the tray over irritably. “You didn’t bring any—”

“Spoons,” Kit said, darting out to the kitchen. “I forgot the napkins, too.”

“And the milk,” Mr. Briarley called after her. “How difficult is it to make a cup of tea? I was wrong,” he said to her as she came back, carrying a pitcher and the silverware. “The name Kit suits you admirably. As in mess kit. Don’t you agree?” he asked Joanna.

This was not the way Joanna remembered Mr. Briarley as being at all. He had been sarcastic, yes, and sometimes even cutting, but never spiteful. He would never have humiliated Ricky Inman the way he had just done Kit.

“Here’s the tea,” Kit said, coming in again with a teapot. “You take milk and sugar, don’t you, Uncle Pat?” she asked, already adding them. She handed the cup to him.

Joanna was afraid he would complain about the amount, or, after she’d taken a sip from the cup Kit handed her, the temperature. In spite of Mr. Briarley’s snapped orders, it was obvious Kit had used the microwave. The tea was barely lukewarm. But he seemed to have lost interest in the tea. And in Kit’s shortcomings, and her name. He leaned back in his chair, the cup and saucer on his knee, and gazed pensively at the rows of books.

“It was so nice of you to come visit Uncle Pat,” Kit said, taking the half-drunk cup from her as if the visit were over.

“I didn’t just come to visit,” Joanna said to Mr. Briarley. “I came to ask you about something you talked about in English class, something you taught—”

“I taught a good many things,” he said. “The definition of an adverb, the number of metric feet in blank verse, the difference between assonance and alliteration—” Mr. Briarley said. “You will have to be more specific.”

Joanna smiled. “This was something about the Titanic.”

“The Titanic?” Kit said sharply.

“Yes, I don’t know if you read it out of a book or if it was in a lecture you gave,” Joanna said. “I work at Mercy General Hospital—”

“Hospital?” he said. The teacup clattered on the saucer.

“Yes. I’m working on a project that involves memory, and—” She could tell by the look on his face that she was explaining herself badly. “I’m working with a neurologist who—”

“I have an excellent memory,” Mr. Briarley said, glaring at Kit as if holding her responsible for Joanna’s being here.

“I’m sure it is,” Joanna said. “In fact, that’s what I’m counting on. I’ve forgotten something you taught us or read to us, and I’m hoping you remember what it was. It was about the Titanic. One of the parts I remember was about people standing out on deck after the collision. They were in their nightclothes, and they didn’t know what had happened. They’d been awakened by the engines stopping.” She leaned forward, holding her cup and saucer. “Do you remember talking about that? Or reading something to the class about it?”

“I remember,” he said contemptuously, “that I scarcely had time to teach Dickens and Shakespeare, let alone a book about the Titanic.”

“I don’t know that it was a book,” Joanna said. “It might have been an essay, or a lesson—”

“A lesson? On what? The onomatopoeia of the iceberg scraping along the side? Or an exercise diagramming the passengers’ drowning cries? What on earth does a shipwreck have to do with the teaching of English literature?”

“B-but you talked about it all the time in class,” Joanna stammered, “about the band and Lorraine Allison and the Californian —”

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