Connie Willis - Passage

“And whatever it was,” Joanna said, “when I experienced my first NDE, my subconscious saw a connection, and that’s why I’m here.”

“Instead of in a tunnel with a light at the end of it,” Mr. Briarley said. He stopped and looked bleakly down the long passage and then turned and looked at her. “And you want me to tell you the connection?”

“Yes,” Joanna said.

“Connection. Fascinating word. From the Greek, ‘to send.’ But you must know the connection already,” he said to her, “or how could you have made it?”

“I don’t know it,” she said. “My conscious mind’s forgotten it.”

“Forgotten it? You should have paid more attention in class, Ms. Lander,” he said severely and began walking again. “I suppose you’ve forgotten what onomatopoeia is, too,” he said, “and alliteration. And a metaphor.”

“Mr. Briarley, please! This is important.”

“Indeed it is. Well?” he said and looked out over the passage as if it were a classroom, “What is a metaphor? Anyone?”

“A metaphor is a figure of speech that likens two objects.”

“Wrong, and wrong again,” he said. “The likeness is already there. The metaphor only sees it. And it is not a mere figure of speech. It is the very essence of our minds as we seek to make sense of our surroundings, our experiences, ourselves, seeing similarities, parallels, connections. We cannot help it. Even as the mind fails, it goes on trying to make sense of what is happening to it.”

“That’s what I’m trying to do, Mr. Briarley,” Joanna said. “Make sense of what’s happening to me. And what you said in class is the connection. It was about the Titanic —” she prompted.

“There are so many connections,” he said, frowning. “The Titanic symbolizes so many, many things. Promethean arrogance, for instance,” he said, striding tirelessly along the passage, “man challenging Fate and losing.” Joanna trotted beside him, trying to listen and keep up with him. “Or Frankensteinian hubris, man putting his faith in science and technology and getting his comeuppance from Nature for it.”

The passage was endless. Joanna kept her eyes fixed on the door at the far end. “Or the futility of human endeavor. ‘Look on my works, ye mighty, and despair,’ ” he quoted. “ ‘Ozymandias.’ Percy Bysshe Shelley. Who also ended up at the bottom of the ocean.”

Water, in a harrow, uneven line, was trickling down the middle of the shiny floor from the end of the passage. “Mr. Briarley,” Joanna said, tugging on the sleeve of his shirt, “look. Water.”

“Ah, yes,” he said, not even slackening his pace. “Water is a symbol, too.” The thin line of water was growing wider as they neared the end of the passage, becoming two, then three rivulets. “The crossing of water has been a symbol of death since ancient times,” Mr. Briarley said, stepping easily between the rivulets. “The Egyptians journeyed to the Land of the Dead in a golden boat.”

They were nearly to the end of the passage. He’s going to open the door, Joanna thought, frightened, but at the last minute he turned and went down a dry metal stairway at the side. “Aeneas is rowed across the Styx to the underworld by the boatman Charon,” he said, his voice echoing in the stairwell as Joanna rattled down after him, “and Frodo sets sail for the Blessed Realm.”

He reached the bottom and started off down a passage. Joanna saw with relief that the floor was dry, though how was that possible, when there was water on the deck above? She looked anxiously up at the low ceiling overhead. Mr. Briarley, unconcerned, was discussing “In Memoriam.” “Tennyson’s dead friend sets sail over an unknown sea, to a still more unknown shore.” He opened a door. “And, of course, there’s the River Jordan. After you, Ms. Lander,” he said, bowing, and Joanna stepped across the threshold. And into six inches of water.

The entire floor was awash. Letters, packages, postcards floated in the ankle-deep water, the ink on the addresses blurring, running down the envelopes in streaks like tears. On the far side of the room a mail clerk in a dark blue uniform and cap was bending in front of a wooden rack of pigeonholes, taking letters, already wet, out of the lowest row and moving them up to the top row.

It won’t do any good, Joanna thought. The whole room will be underwater in a few minutes. “Mr. Briarley, we all need to get out of here,” she said, but Mr. Briarley, oblivious, was splashing across the room to the mail clerk, pulling a folded piece of paper from his gray tweed vest pocket, and handing it to him.

The mail clerk shifted the stack of mail to one hand so he could unfold the note. He read it, nodded, and handed Mr. Briarley the sodden mail. Then he reached inside the neck of his uniform and pulled out a ring of iron keys on a chain. He lifted the chain and the keys from over his head and handed them to Mr. Briarley, taking back the mail.

“Which one is it?” Mr. Briarley asked, but the mail clerk had already begun sorting again, putting the unreadable letters into the pigeonholes.

Mr. Briarley waded back across the mail room, out the door, and down the passage, the chain swinging from his hand. He started up the stairs. “Where are we going now?” Joanna asked, clambering after him.

“That is the question,” Mr. Briarley said. “To Hades or heaven? Or to the pharaohs’ Hall of Judgment?” He reached the top of the steps and turned back down Scotland Road, where the water was now a stream flowing down the center of the tiled floor. “And in which boat?” he asked. “Charon’s ferry?” He led her around to the metal stairway and past it, to an elevator with a brass folding grille across it. “Or King Arthur’s funeral barge?”

He pushed the grille open. “After you,” he said, bowing. Joanna stepped in, and he got in after her and pulled the grille across. “Frodo boarded an elven ship at the Grey Havens.” He pushed an ivory button labeled “up.” The elevator rumbled upward. “And the dead in Outward Bound found themselves on an ocean liner much like this one.”

The elevator jerked to a halt, and Mr. Briarley shoved the grille open and strode out ahead of Joanna toward the doors that led out on deck. “And then, of course there’s the Ancient Mariner’s ship. ‘ “There was a ship,” quoth he,’ ” he said, and pushed the doors open. They were on the Boat Deck. She could see the lights from the wireless room and the bridge ahead.

“It’s fitting that that was your favorite poem,” Mr. Briarley said, walking purposefully past the lifeboats toward the wireless room. “It has icebergs in it, you know. ‘And ice, mast-high, came floating by, as green as emerald.’ ”

“Is that the connection?” Joanna asked. “Is that what you were reading that day?”

He didn’t answer. He had stopped outside the wireless room, in front of a padlocked metal locker, and was taking the ring of keys from around his neck. “Is it?” Joanna said, clutching at his sleeve.

He knelt in front of the locker. “No,” he said, trying the long-barreled keys one after the other in the padlock, “though it would be appropriate. Ships figure heavily in it, and water.” He inserted a key. It didn’t fit. He tried another. “And death. ‘Four times fifty living men, they dropped down one by one.’ ” It didn’t fit. He tried another. “The universality of death, is that the symbol you’re looking for?”

The key fit. He opened the locker, pulled out a wooden box, and carried it across to the railing. “Certainly that was the Titanic. Astors and Irish immigrants, stokers and schoolteachers, perishing together in the icy water.”

He opened the box, squatted down, pulled out a cardboard cylinder and stood it against the railing, and then stood up again. “Children and debutantes and professional cardsharps, all equally helpless, equally doomed.”