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Orson Card: Maps in a Mirror: The Short Fiction of Orson Scott Card

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Orson Card Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Название:
    Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Автор:
  • Издательство:
    Tom Doherty Associates
  • Жанр:
  • Год:
    2004
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780765308405, 0-312-85047-6
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    4 / 5
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Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain. THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience. In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs. The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written. MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain. ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“Mark,” she said softly, as if struggling to keep control of herself, “Mark, I couldn’t go on without you.”

She sounded as if she were afraid something terrible was going to happen to him, and her hands were shaking. He took a step toward her. She lifted her hands, came to him, clung to him, and cried in a high whimper into his shoulder. “I couldn’t. I just couldn’t.”

“You don’t have to,” he said, puzzled.

“I’m just not,” she said between gentle sobs, “the kind of person who can live alone.”

“But even if I, even if something happened to me, MaryJo, you’d have the—” He was going to say the children. Something was wrong with that, though, wasn’t there? They loved no one better in the world than their children; no parents had ever been happier than they had been when their two were born. Yet he couldn’t say it.

“I’d have what?” MaryJo asked. “Oh, Mark, I’d have nothing.”

And then Mark remembered again (what’s happening to me!) that they were childless, that to MaryJo, who was old-fashioned enough to regard motherhood as the main purpose for her existence, the fact that they had no hope of children was God’s condemnation of her. The only thing that had pulled her through after the operation was Mark, was her fussing over his meaningless and sometimes invented problems at the office or telling him endlessly the events of her lonely days. It was as if he were her anchor to reality, and only he kept her from going adrift in the eddies of her own fears. No wonder the poor girl (for at such times Mark could not think of her as completely adult) was distraught as she thought of Mark’s death, and the damned coffin in the house did no good at all.

But I’m in no position to cope with this, Mark thought. I’m falling apart, I’m not only forgetting things, I’m remembering things that didn’t happen. And what if I died? What if I suddenly had a stroke like my father had and died on the way to the hospital? What would happen to MaryJo?

She’d never lack for money. Between the business and the insurance, even the house would be paid off, with enough money to live like a queen on the interest. But would the insurance company arrange for someone to hold her patiently while she cried out her fears? Would they provide someone for her to waken in the middle of the night because of the nameless terrors that haunted her?

Her sobs turned into frantic hiccoughs and her fingers dug more deeply into his back through the soft fabric of his robe. See how she clings to me, he thought. She’ll never let me go, he thought, and then the blackness came again and again he was falling backward into nothing and again he did not care about anything. Did not even know there was anything to care about.

Except for the fingers pressing into his back and the weight he held in his arms. I do not mind losing the world, he thought. I do not mind losing even my memories of the past. But these fingers. This woman. I cannot lay this burden down because there is no one who can pick it up again. If I mislay her she is lost.

And yet he longed for the darkness, resented her need that held him. Surely there is a way out of this, he thought. Surely a balance between two hungers that leaves both satisfied. But still the hands held him. All the world was silent and the silence was peace except for the sharp, insistent fingers and he cried out in frustration and the sound was still ringing in the room when he opened his eyes and saw MaryJo standing against a wall, leaning against the wall, looking at him in terror.

“What’s wrong?” she whispered.

“I’m losing,” he answered. But he could not remember what he had thought to win.

And at that moment a door slammed in the house and Amy came running with little loud feet through the kitchen and into the study, flinging herself on her mother and bellowing about the day at school and the dog that chased her for the second time and how the teacher told her she was the best reader in the second grade but Darrel had spilled milk on her and could she have a sandwich because she had dropped hers and stepped on it accidentally at lunch—

MaryJo looked at Mark cheerfully and winked and laughed. “Sounds like Amy’s had a busy day, doesn’t it, Mark?”

Mark could not smile. He just nodded as MaryJo straightened Amy’s disheveled clothing and led her toward the kitchen.

“MaryJo,” Mark said.“There’s something I have to talk to you about.”

“Can it wait?” MaryJo asked, not even pausing. Mark heard the cupboard door opening, heard the lid come off the peanut butter jar, heard Amy giggle and say, “Mommy, not so thick-”

Mark didn’t understand why he was so confused and terrified. Amy had had a sandwich after school ever since she had started going—even as an infant she had had seven meals a day, and never gained an ounce of fat. It wasn’t what was happening in the kitchen that was bothering him, couldn’t be. Yet he could not stop himself from crying out, “MaryJo! MaryJo, come here!”

“Is Daddy mad?” he heard Amy ask softly.

“No,” MaryJo answered, and she bustled back into the room and impatiently said, “What’s wrong, dear?”

“I just need—just need to have you in here for a minute.”

“Really, Mark, that’s not your style, is it? Amy needs to have a lot of attention right after school, it’s the way she is. I wish you wouldn’t stay home from work with nothing to do, Mark, you become quite impossible around the house.” She smiled to show that she was only half serious and left again to go back to Amy.

For a moment Mark felt a terrible stab of jealousy that MaryJo was far more sensitive to Amy’s needs than to his.

But that jealousy passed quickly, like the memory of the pain of MaryJo’s fingers pressing into his back, and with a tremendous feeling of relief Mark didn’t care about anything at all, and he turned around to the coffin, which fascinated him, and he opened the lid again and looked inside. It was as if the poor man had no face at all, Mark realized. As if death stole faces from people and made them anonymous even to themselves.

He ran his fingers back and forth across the satin and it felt cool and inviting. The rest of the room, the rest of the world receded into deep background. Only Mark and the coffin and the corpse remained and Mark felt very tired and very hot, as if life itself were a terrible friction making heat within him, and he took off his robe and pajamas and awkwardly climbed on a chair and stepped over the edge into the coffin and knelt and then lay down. There was no other corpse to share the slight space with him; nothing between his body and the cold satin, and as he lay on it it didn’t get any warmer because at last the friction was slowing, was cooling, and he reached up and pulled down the lid and the world was dark and silent and there was no odor and no taste and no feel but the cold of the sheets.

“Why is the lid closed?” asked little Amy, holding her mother’s hand.

“Because it’s not the body we must remember,” MaryJo said softly, with careful control, “but the way Daddy always was. We must remember him happy and laughing and loving us.”

Amy looked puzzled. “But I remember he spanked me.”

MaryJo nodded, smiling, something she had not done recently. “It’s all right to remember that, too,” MaryJo said, and then she took her daughter from the coffin back into the living room, where Amy, not realizing yet the terrible loss she had sustained, laughed and climbed on Grandpa.

David, his face serious and tear-stained because he did understand, came and put his hand in his mother’s hand and held tightly to her. “We’ll be fine,” he said.

“Yes,” MaryJo answered. “I think so.”

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