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Orson Card: Maps in a Mirror: The Short Fiction of Orson Scott Card

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Orson Card Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Название:
    Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Автор:
  • Издательство:
    Tom Doherty Associates
  • Жанр:
  • Год:
    2004
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780765308405, 0-312-85047-6
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    4 / 5
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Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain. THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience. In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs. The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written. MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain. ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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More than anything that had ever passed through his mind before, this thought engaged him, and he was not easily distracted from it. It began to hurt his work; he slowed down, made mistakes, because he concentrated only on breathing, listening constantly to the secretaries and other executives in his company, waiting for the fatal moment when they would breathe in unison.

He was eating alone in a restaurant when he heard it again. The sighs of breath came all together, from every table near him. It took him a few moments to be sure; then he leaped from the table and walked briskly outside. He did not stop to pay, for the breathing was still in unison at every table to the door of the restaurant.

The maitre d’, predictably, was annoyed at his leaving without paying, and called out to him. Dale did not answer. “Wait! You didn’t pay!” cried the man, following Dale out into the street.

Dale did not know how far he had to go for safety from whatever danger faced everyone in the restaurant; he ended up having no choice in the matter. The maitre d’ stopped him on the sidewalk, only a few doors down from the restaurant, tried to pull him back toward the place, Dale resisting all the way.

“You can’t leave without paying! What do you think you’re doing?”

“I can’t go back,” Dale shouted. “I’ll pay you! I’ll pay you right here!” And he fumbled in his wallet for the money as a huge explosion knocked him and the maitre d’ to the ground. Flame erupted from the restaurant, and people screamed as the building began crumbling from the force of the explosion. It was impossible that anyone still inside the building could be alive.

The maitre d’, his eyes wide with horror, stood up as Dale did, and looked at him with dawning understanding. “You knew!” the maitre d’ said. “You knew!”

Dale was acquitted at the trial—phone calls from a radical group and the purchase of a large quantity of explosives in several states led to indictment and conviction of someone else. But at the trial enough was said to convince Dale and several psychiatrists that something was seriously wrong with him. He was voluntarily committed to an institution, where Dr. Howard Rumming spent hours in conversation with Dale, trying to understand his madness, his fixation on breathing as a sign of coming death.

“I’m sane in every other way, aren’t I, Doctor?” Dale asked, again and again.

And repeatedly the doctor answered, “What is sanity? Who has it? How can I know?”

Dale soon found that the mental hospital was not an unpleasant place to be. It was a private institution, and a lot of money had gone into it; most of the people there were voluntary commitments, which meant that conditions had to remain excellent. It was one of the things that made Dale grateful for his father’s wealth. In the hospital he was safe; the only contact with the outside world was on the television. Gradually, meeting people and becoming attached to them in the hospital, he began to relax, to lose his obsession with breathing, to stop listening quite so intently for the sound of inhalation and exhalation, the way that different people’s breathing rhythms fit together. Gradually he began to be his old, distractable self.

“I’m nearly cured, Doctor,” Dale announced one day in the middle of a game of backgammon.

The doctor sighed. “I know it, Dale. I have to admit it—I’m disappointed. Not in your cure, you understand. It’s just that you’ve been a breath of fresh air, you should pardon the expression.” They both laughed a little. “I get so tired of middle-aged women with fashionable nervous breakdowns.”

Dale was gammoned—the dice were all against him. But he took it well, knowing that next time he was quite likely to win handily—he usually did. Then he and Dr. Rumming got up from their table and walked toward the front of the recreation room, where the television program had been interrupted by a special news bulletin. The people around the television looked disturbed; news was never allowed on the hospital television, and only a bulletin like this could creep in. Dr. Rumming intended to turn if off immediately, but then heard the words being said.

“…from satellites fully capable of destroying every major city in the United States. The President was furnished with a list of fifty-four cities targeted by the orbiting missiles. One of these, said the communique, will be destroyed immediately to show that the threat is serious and will be carried out. Civil defense authorities have been notified, and citizens of the fifty-four cities will be on standby for immediate evacuation.” There followed the normal parade of special reports and deep background, but the reporters were all afraid.

Dale’s mind could not stay on the program, however, because he was distracted by something far more compelling. Every person in the room was breathing in perfect unison, including Dale. He tried to break out of the rhythm, and couldn’t.

It’s just my fear, Dale thought. Just the broadcast, making me think that I hear the breathing.

A Denver newsman came on the air then, overriding the network broadcast. “Denver, ladies and gentlemen, is one of the targeted cities. The city has asked us to inform you that orderly evacuation is to begin immediately. Obey all traffic laws, and drive east from the city if you live in the following neighborhoods….”

Then the newsman stopped, and, breathing heavily, listened to something coming through his earphone.

The newsman was breathing in perfect unison with all the people in the room.

“Dale,” Dr. Rumming said.

Dale only breathed, feeling death poised above him in the sky.

“Dale, can you hear the breathing?”

Dale heard the breathing.

The newsman spoke again. “Denver is definitely the target. The missiles have already been launched. Please leave immediately. Do not stop for any reason. It is estimated that we have less than—less than three minutes. My God,” he said, and got up from his chair, breathing heavily, running out of the range of the camera. No one turned any equipment off in the station—the tube kept on showing the local news set, the empty chairs, the tables, the weather map.

“We can’t get out in time,” Dr. Rumming said to the inmates in the room. “We’re near the center of Denver. Our only hope is to lie on the floor. Try to get under tables and chairs as much as possible.” The inmates, terrified, complied with the voice of authority.

“So much for my cure,” Dale said, his voice trembling. Rumming managed a half-smile. They lay together in the middle of the floor, leaving the furniture for everyone else because they knew that the furniture would do no good at all.

“You definitely don’t belong here,” Rumming told him. “I never met a saner man in all my life.”

Dale was distracted, however. Instead of his impending death he thought of Colly and Brian in their coffin. He imagined the earth being swept away in a huge wind, and the coffin being ashed immediately in the white explosion from the sky. The barrier is coming down at last, Dale thought, and I will be with them as completely as it is possible to be. He thought of Brian learning to walk, crying when he fell; he remembered Colly saying, “Don’t pick him up every time he cries, or he’ll just learn that crying gets results.” And so for three days Dale had listened to Brian cry and cry, and never lifted a hand to help the boy. Brian learned to walk quite well, and quickly. But now, suddenly, Dale felt again that irresistible impulse to pick him up, to put his pathetically red and weeping face on his shoulder, to say, That’s all right, Daddy’s holding you.

“That’s all right, Daddy’s holding you,” Dale said aloud, softly. Then there was a flash of white so bright that it could be seen as easily through the walls as through the window, for there were no walls, and all the breath was drawn out of their bodies at once, their voices robbed from them so suddenly that they all involuntarily shouted and then, forever, were silent. Their shout was taken up in a violent wind that swept the sound, wrung from every throat in perfect unison, upward into the clouds forming over what had once been Denver.

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