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Orson Card: Maps in a Mirror: The Short Fiction of Orson Scott Card

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Orson Card Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Название:
    Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Автор:
  • Издательство:
    Tom Doherty Associates
  • Жанр:
  • Год:
    2004
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780765308405, 0-312-85047-6
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    4 / 5
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Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain. THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience. In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs. The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written. MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain. ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And her mother whispered in her ear, “I don’t know how you can stand it so bravely, my dear.”

Tears came to MaryJo’s eyes. “I’m not brave at all,” she whispered back. “But the children. They depend on me so much. I can’t let go when they’re leaning on me.”

“How terrible it would be,” her mother said, nodding wisely, “if you had no children.”

Inside the coffin, his last need fulfilled, Mark Tapworth heard it all, but could not hold it in his mind, for in his mind there was space or time for only one thought: consent. Everlasting consent to his life, to his death, to the world, and to the everlasting absence of the world. For now there were children.

DEEP BREATHING EXERCISES

If Dale Yorgason weren’t so easily distracted, he might never have noticed the breathing. But he was on his way upstairs to change clothes, noticed the headline on the paper, and got deflected; instead of climbing the stairs, he sat on them and began to read. He could not even concentrate on that, however. He began to hear all the sounds of the house. Brian, their two-year-old son, was upstairs, breathing heavily in sleep. Colly, his wife, was in the kitchen, kneading bread and also breathing heavily.

Their breath was exactly in unison. Brian’s rasping breath upstairs, thick with the mucus of a child’s sleep; Colly’s deep breaths as she labored with the dough. It set Dale to thinking, the newspapers forgotten. He wondered how often people did that—breathed perfectly together for minutes on end. He began to wonder about coincidence.

And then, because he was easily distracted, he remembered that he had to change his clothes and went upstairs. When he came down in his jeans and sweatshirt, ready for a good game of outdoor basketball now that it was spring, Colly called to him. “I’m out of cinnamon, Dale!”

“I’ll get it on the way home!”

“I need it now!” Colly called.

“We have two cars!” Dale yelled back, then closed the door. He briefly felt bad about not helping her out, but reminded himself that he was already running late and it wouldn’t hurt her to take Brian with her and get outside the house; she never seemed to get out of the house anymore.

His team of friends from Allways Home Products, Inc., won the game, and he came home deliciously sweaty. No one was there. The bread dough had risen impossibly, was spread all over the counter and dropping in large chunks onto the floor. Colly had obviously been gone too long. He wondered what could have delayed her.

Then came the phone call from the police, and he did not have to wonder anymore. Colly had a habit of inadvertently running stop signs.

* * *

The funeral was well attended because Dale had a large family and was well liked at the office. He sat between his own parents and Colly’s parents. The speakers droned on, and Dale, easily distracted, kept thinking of the fact that of all the mourners there, only a few were there in private grief. Only a few had actually known Colly, who preferred to avoid office functions and social gatherings; who stayed home with Brian most of the time being a perfect housewife and reading books and being, in the end, solitary. Most of the people at the funeral had come for Dale’s sake, to comfort him. Am I comforted? he asked himself. Not by my friends—they had little to say, were awkward and embarrassed. Only his father had had the right instinct, just embracing him and then talking about everything except Dale’s wife and son who were dead, so mangled in the incident that the coffin was never opened for anyone. There was talk of the fishing in Lake Superior this summer; talk of the bastards at Continental Hardware who thought that the 65-year retirement rule ought to apply to the president of the company; talk of nothing at all. But it was good enough. It distracted Dale from his grief.

Now, however, he wondered whether he had really been a good husband for Colly. Had she really been happy, cooped up in the house all day? He had tried to get her out, get to meet people, and she had resisted. But in the end, as he wondered whether he knew her at all, he could not find an answer, not one he was sure of. And Brian—he had not known Brian at all. The boy was smart and quick, speaking in sentences when other children were still struggling with single words; but what had he and Dale ever had to talk about? All Brian’s companionship had been with his mother; all Colly’s companionship had been with Brian. In a way it was like their breathing—the last time Dale had heard them breathe—in unison, as if even the rhythms of their bodies were together. It pleased Dale somehow to think that they had drawn their last breath together, too, the unison continuing to the grave; now they would be lowered into the earth in perfect unison, sharing a coffin as they had shared every day since Brian’s birth.

Dale’s grief swept over him again, surprising him because he had thought he had cried as much as he possibly could, and now he discovered there were more tears waiting to flow. He was not sure whether he was crying because of the empty house he would come home to, or because he had always been somewhat closed off from his family; was the coffin, after all, just an expression of the way their relationship had always been? It was not a productive line of thought, and Dale let himself be distracted. He let himself notice that his parents were breathing together.

Their breaths were soft, hard to hear. But Dale heard, and looked at them, watched their chests rise and fall together. It unnerved him—was unison breathing more common than he had thought? He listened for others, but Colly’s parents were not breathing together, and certainly Dale’s breaths were at his own rhythm. Then Dale’s mother looked at him, smiled, and nodded to him in an attempt at silent communication. Dale was not good at silent communication; meaningful pauses and knowing looks always left him baffled. They always made him want to check his fly. Another distraction, and he did not think of breathing again.

Until at the airport, when the plane was an hour late in arriving because of technical difficulties in Los Angeles. There was not much to talk to his parents about; even his father’s chatter failed him, and they sat in silence most of the time, as did most of the other passengers. Even a stewardess and the pilot sat near them, waiting silently for the plane to arrive.

It was in one of the deeper silences that Dale noticed that his father and the pilot were both swinging their crossed legs in unison. Then he listened, and realized there was a strong sound in the gate waiting area, a rhythmic soughing of many of the passengers inhaling and exhaling together. Dale’s mother and father, the pilot, the stewardess, several other passengers, all were breathing together. It unnerved him. How could this be? Brian and Colly had been mother and son; Dale’s parents had been together for years. But why should half the people in the waiting area breathe together?

He pointed it out to his father.

“Kind of strange, but I think you’re right,” his father said, rather delighted with the odd event. Dale’s father loved odd events.

And then the rhythm broke, and the plane taxied close to the windows, and the crowd stirred and got ready to board, even though the actual boarding was surely half an hour off.

The plane broke apart at landing. About half the people in the airplane survived. However, the entire crew and several passengers, including Dale’s parents, were killed when the plane hit the ground.

It was then that Dale realized that the breathing was not a result of coincidence, or the people’s closeness during their lives. It was a messenger of death; they breathed together because they were going to draw their last breath together. He said nothing about this thought to anyone else, but whenever he got distracted from other things, he tended to speculate on this. It was better than dwelling on the fact that he, a man to whom family had been very important, was now completely without family; that the only people with whom he was completely himself, completely at ease, were gone, and there was no more ease for him in the world. Much better to wonder whether his knowledge might be used to save lives. After all, he often thought, reasoning in a circular pattern that never seemed to end, if I notice this again, I should be able to alert someone, to warn someone, to save their lives. Yet if I were going to save their lives, would they then breathe in unison? If my parents had been warned, and changed flights, he thought, they wouldn’t have died, and therefore wouldn’t have breathed together, and so I wouldn’t have been able to warn them, and so they wouldn’t have changed flights, and so they would have died, and so they would have breathed in unison, and so I would have noticed and warned them… .

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