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Orson Card: Maps in a Mirror: The Short Fiction of Orson Scott Card

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Orson Card Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Название:
    Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Автор:
  • Издательство:
    Tom Doherty Associates
  • Жанр:
  • Год:
    2004
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780765308405, 0-312-85047-6
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    4 / 5
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Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain. THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience. In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs. The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written. MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain. ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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But Howard was asleep, and didn’t hear her. Asleep with no dreams at all, the sleep of peace, the sleep of having been forgiven, of being clean. It hadn’t taken that much, after all. Now that it was over, it was easy. He felt as if a great weight had been taken from him.

He felt as if something heavy was lying on his legs. He awoke, sweating even though the room was not hot. He heard breathing. And it was not Alice’s low-pitched, slow breath, it was quick and high and hard, as if the breather had been exerting himself.

Itself.

Themselves.

One of them lay across his legs, the flippers plucking at the blanket. The other two lay on either side, their eyes wide and intent, creeping slowly toward where his face emerged from the sheets.

Howard was puzzled. “I thought you’d be gone,” he said to the children. “You’re supposed to be gone now.”

Alice stirred at the sound of his voice, mumbled in her sleep.

He saw more of them stirring in the gloomy corners of the room, another writhing slowly along the top of the dresser, another inching up the wall toward the ceiling.

“I don’t need you anymore,” he said, his voice oddly high-pitched.

Alice started breathing irregularly, mumbling, “What? What?”

And Howard said nothing more, just lay there in the sheets, watching the creatures carefully but not daring to make a sound for fear Alice would wake up. He was terribly afraid she would wake up and not see the creatures, which would prove, once and for all, that he had lost his mind.

He was even more afraid, however, that when she awoke she would see them. That was the one unbearable thought, yet he thought it continuously as they relentlessly approached with nothing at all in their eyes, not even hate, not even anger, not even contempt. We are with you, they seemed to be saying, we will be with you from now on. We will be with you, Howard, forever.

And Alice rolled over and opened her eyes.

QUIETUS

It came to him suddenly, a moment of blackness as he sat working late at his desk. It was as quick as an eye-blink, but before the darkness the papers on his desk had seemed terribly important, and afterward he stared at them blankly, wondering what they were and then realizing that he didn’t really give a damn what they were and he ought to be going home now.

Ought definitely to be going home now. And C. Mark Tapworth of GMT Enterprises, Inc., arose from his desk without finishing all the work that was on it, the first time he had done such a thing in the twelve years it had taken him to bring the company from nothing to a multi-million-dollar-a-year business. Vaguely it occurred to him that he was not acting normally, but he didn’t really care, it didn’t really matter to him a bit whether any more people bought—bought—

And for a few seconds C. Mark Tapworth could not remember what it was that his company made.

It frightened him. It reminded him that his father and his uncles had all died of strokes. It reminded him of his mother’s senility at the fairly young age of sixty-eight. It reminded him of something he had always known and never quite believed, that he was mortal and that all the works of all his days would trivialize gradually until his death, at which time his life would be his only act, the forgotten stone whose fall had set off ripples in the lake that would in time reach the shore having made, after all, no difference.

I’m tired, he decided. MaryJo is right. I need a rest.

But he was not the resting kind, not until that moment standing by his desk when again the blackness came, this time a jog in his mind and he remembered nothing, saw nothing, heard nothing, was falling interminably through nothingness.

Then, mercifully, the world returned to him and he stood trembling, regretting now the many, many nights he had stayed far too late, the many hours he had not spent with MaryJo, had left her alone in their large but childless house; and he imagined her waiting for him forever, a lonely woman dwarfed by the huge living room, waiting patiently for a husband who would, who must, who always had come home.

Is it my heart? Or a stroke? he wondered. Whatever it was, it was enough that he saw the end of the world lurking in the darkness that had visited him, and like the prophet returning from the mount things that once had mattered overmuch mattered not at all, and things he had long postponed now silently importuned him. He felt a terrible urgency that there was something he must do before—

Before what? He would not let himself answer. He just walked out through the large room full of ambitious younger men and women trying to impress him by working later than he; noticed but did not care that they were visibly relieved at their reprieve from another endless night. He walked out into the night and got in his car and drove home through a thin mist of rain that made the world retreat a comfortable distance from the windows of his car.

The children must be upstairs, he realized. No one ran to greet him at the door. The children, a boy and a girl half his height and twice his energy, were admirable creatures who ran down stairs as if they were skiing, who could no more hold completely still than a hummingbird in midair. He could hear their footsteps upstairs, running lightly across the floor. They hadn’t come to greet him at the door because their lives, after all, had more important things in them than mere fathers. He smiled, set down his attache case, and went to the kitchen.

MaryJo looked harried, upset. He recognized the signals instantly—she had cried earlier today.

“What’s wrong?”

“Nothing,” she said, because she always said Nothing. He knew that in a moment she would tell him. She always told him everything, which had sometimes made him impatient. Now as she moved silently back and forth from counter to counter, from cupboard to stove, making another perfect dinner, he realized that she was not going to tell him. It made him uncomfortable. He began to try to guess.

“You work too hard,” he said. “I’ve offered to get a maid or a cook. We can certainly afford them.”

MaryJo only smiled thinly. “I don’t want anyone else mucking around in the kitchen,” she said. “I thought we dropped that subject years ago. Did you—did you have a hard day at the office?”

Mark almost told her about his strange lapses of memory, but caught himself. This would have to be led up to gradually. MaryJo would not be able to cope with it, not in the state she was already in. “Not too hard. Finished up early.”

“I know,” she said. “I’m glad.”

She didn’t sound glad. It irritated him a little. Hurt his feelings. But instead of going off to nurse his wounds, he merely noticed his emotions as if he were a dispassionate observer. He saw himself; important self-made man, yet at home a little boy who can be hurt, not even by a word, but by a short pause of indecision. Sensitive, sensitive, and he was amused at himself: for a moment he almost saw himself standing a few inches away, could observe even the bemused expression on his own face.

“Excuse me,” MaryJo said, and she opened a cupboard door as he stepped out of the way. She pulled out a pressure cooker. “We’re out of potato flakes,” she said. “Have to do it the primitive way.” She dropped the peeled potatoes into the pan.

“The children are awfully quiet today,” he said. “Do you know what they’re doing?”

MaryJo looked at him with a bewildered expression.

“They didn’t come meet me at the door. Not that I mind. They’re busy with their own concerns, I know.”

“Mark,” MaryJo said.

“All right, you see right through me so easily. But I was only a little hurt. I want to look through today’s mail.” He wandered out of the kitchen. He was vaguely aware that behind him MaryJo had started to cry again. He did not let it worry him much. She cried easily and often.

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