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Orson Card: Maps in a Mirror: The Short Fiction of Orson Scott Card

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Orson Card Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Название:
    Maps in a Mirror: The Short Fiction of Orson Scott Card
  • Автор:
  • Издательство:
    Tom Doherty Associates
  • Жанр:
  • Год:
    2004
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780765308405, 0-312-85047-6
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    4 / 5
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Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain. THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience. In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs. The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written. MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain. ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And Vaughn Robles, who was just a little bit smarter than Howard and Howard wanted very badly to be valedictorian and so Vaughn and Howard became best friends and Vaughn would do anything for Howard and whenever Vaughn got a better grade than Howard he could not help but notice that Howard was hurt, that Howard wondered if he was really worth anything at all. “Am I really worth anything at all, Vaughn? No matter how well I do, there’s always someone ahead of me, and I guess it’s just that before my father died he told me and told me, Howie, be better than your Dad. Be the top. And I promised him I’d be the top but hell, Vaughn, I’m just not cut out for it—” and once he even cried. Vaughn was proud of himself as he sat there and listened to Howard give the valedictory address at high school graduation. What were a few grades, compared to a true friendship? Howard got a scholarship and went away to college and he and Vaughn almost never saw each other again.

And the teacher he provoked into hitting him and losing his job; and the football player who snubbed him and Howard quietly spread the rumor that the fellow was gay and he was ostracized from the team and finally quit; and the beautiful girls he stole from their boyfriends just to prove that he could do it and the friendships he destroyed just because he didn’t like being excluded and the marriages he wrecked and the co-workers he undercut and he walked along the street with tears streaming down his face, wondering where all these memories had come from and why, after such a long time in hiding, they had come out now. Yet he knew the answer. The answer was slipping behind doorways, climbing lightpoles as he passed, waving obscene flippers at him from the sidewalk almost under his feet.

And slowly, inexorably, the memories wound their way from the distant past through a hundred tawdry exploitations because he could find people’s weak spots without even trying until finally memory came to the one place where he knew it could not, could not ever go.

He remembered Rhiannon.

Born fourteen years ago. Smiled early, walked early, almost never cried. A loving child from the start, and therefore easy prey for Howard. Oh, Alice was a bitch in her own right—Howard wasn’t the only bad parent in the family. But it was Howard who manipulated Rhiannon most. “Daddy’s feelings are hurt, Sweetheart,” and Rhiannon’s eyes would grow wide, and she’d be sorry, and whatever Daddy wanted, Rhiannon would do. But this was normal, this was part of the pattern, this would have fit easily into all his life before, except for last month.

And even now, after a day of grief at his own life, Howard could not face it. Could not but did. He unwillingly remembered walking by Rhiannon’s almost-closed door, seeing just a flash of cloth moving quickly. He opened the door on impulse, just on impulse, as Rhiannon took off her brassiere and looked at herself in the mirror. Howard had never thought of his daughter with desire, not until that moment, but once the desire formed Howard had no strategy, no pattern in his mind to stop him from trying to get what he wanted. He was uncomfortable, and so he stepped into the room and closed the door behind him and Rhiannon knew no way to say no to her father. When Alice opened the door Rhiannon was crying softly, and Alice looked and after a moment Alice screamed and screamed and Howard got up from the bed and tried to smooth it all over but Rhiannon was still crying and Alice was still screaming, kicking at his crotch, beating him, raking at his face, spitting at him, telling him he was a monster, a monster, until at last he was able to flee the room and the house and, until now, the memory.

He screamed now as he had not screamed then, and threw himself against a plate-glass window, weeping loudly as the blood gushed from a dozen glass cuts on his right arm, which had gone through the window. One large piece of glass stayed embedded in his forearm. He deliberately scraped his arm against the wall to drive the glass deeper. But the pain in his arm was no match for the pain in his mind, and he felt nothing.

They rushed him to the hospital, thinking to save his life, but the doctor was surprised to discover that for all the blood there were only superficial wounds, not dangerous at all. “I don’t know why you didn’t reach a vein or an artery,” the doctor said. “I think the glass went everywhere it could possibly go without causing any important damage.”

After the medical doctor, of course, there was the psychiatrist, but there were many suicidals at the hospital and Howard was not the dangerous kind. “I was insane for a moment, Doctor, that’s all. I don’t want to die, I didn’t want to die then, I’m all right now. You can send me home.” And the psychiatrist let him go home. They bandaged his arm. They did not know that his real relief was that nowhere in the hospital did he see the small, naked, child-shaped creature. He had purged himself. He was free.

Howard was taken home in an ambulance, and they wheeled him into the house and lifted him from the stretcher to the bed. Through it all Alice hardly said a word except to direct them to the bedroom. Howard lay still on the bed as she stood over him, the two of them alone for the first time since he left the house a month ago.

“It was kind of you,” Howard said softly, “to let me come back.”

“They said there wasn’t room enough to keep you, but you needed to be watched and taken care of for a few weeks. So lucky me, I get to watch you.” Her voice was a low monotone, but the acid dripped from every word. It stung.

“You were right, Alice,” Howard said.

“Right about what? That marrying you was the worst mistake of my life? No, Howard. Meeting you was my worst mistake.”

Howard began to cry. Real tears that welled up from places in him that had once been deep but that now rested painfully close to the surface. “I’ve been a monster, Alice. I haven’t had any control over myself. What I did to Rhiannon—Alice, I wanted to die, I wanted to die!”

Alice’s face was twisted and bitter. “And I wanted you to, Howard. I have never been so disappointed as when the doctor called and said you’d be all right. You’ll never be all right, Howard, you’ll always be—”

“Let him be, Mother.”

Rhiannon stood in the doorway.

“Don’t come in, Rhiannon,” Alice said.

Rhiannon came in. “Daddy, it’s all right.”

“What she means,” Alice said, “is that we’ve checked her and she isn’t pregnant. No little monster is going to be born.”

Rhiannon didn’t look at her mother, just gazed with wide eyes at her father. “You didn’t need to—hurt yourself, Daddy. I forgive you. People lose control sometimes. And it was as much my fault as yours, it really was, you don’t need to feel bad, Father.”

It was too much for Howard. He cried out, shouted his confession, how he had manipulated her all his life, how he was an utterly selfish and rotten parent, and when it was over Rhiannon came to her father and laid her head on his chest and said, softly, “Father, it’s all right. We are who we are. We’ve done what we’ve done. But it’s all right now. I forgive you.”

When Rhiannon left, Alice said, “You don’t deserve her.”

I know.

“I was going to sleep on the couch, but that would be stupid. Wouldn’t it, Howard?”

I deserve to be left alone, like a leper.

“You misunderstand, Howard. I need to stay here to make sure you don’t do anything else. To yourself or to anyone.”

Yes. Yes, please. I can’t be trusted.

“Don’t wallow in it, Howard. Don’t enjoy it. Don’t make yourself even more disgusting than you were before.”

All right.

They were drifting off to sleep when Alice said, “Oh, when the doctor called he wondered if I knew what had caused those sores all over your arms and chest.”

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