Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

Здесь есть возможность читать онлайн «Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2004, ISBN: 2004, Издательство: Tom Doherty Associates, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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When we hit asphalt again, I found out that I didn’t know what crazy driving was before. She peeled out and now she began to look at a curve ahead and then switch off the headlights until she was halfway through the curve, it was the craziest thing I ever saw, but it also made sense. They had to be following our lights, and when our lights went out they wouldn’t know where we was for a minute. They also wouldn’t know that the road curved ahead, and they might even crash up or at least they’d have to slow down. Of course, we had a real good chance of ending up eating trees ourselves, but she drove like she knew what she was doing.

We came to a straight section with a crossroads about a mile up. She switched off the lights again, and I thought maybe she was going to turn, but she didn’t. Just went on and on and on, straight into the pitch black. Now, that straight section was long, but it didn’t go on forever, and I don’t care how good a driver you are, you can’t keep track of how far you’ve gone in the dark. Just when I thought for sure we’d smash into something, she let off the gas and reached her hand out the window with a flashlight. We was still going pretty fast, but the flashlight was enough to make a reflector up ahead flash back at us, so she knew where the curve was, and it was farther off than I thought. She whipped us around that curve and then around another, using just a couple of blinks from the flashlight, before she switched on her headlights again.

I looked behind us to see if I could see anybody. “You lost them!” I says.

“Maybe,” she says. “You tell me.”

So I tried to feel where they might be, and sure enough, they was sparky enough that I could just barely tell where they was, away back. Split up, smeared out. “They’re going every which way,” I says.

“So we lost a few of them,” she says. “They aren’t going to give up, you know.”

“I know,” I says.

“You’re the hottest thing going,” she says.

“And you’re a daughter of Esau,” I says.

“Like hell I am,” she says. “I’m a great-great-great-granddaughter of Jacob Yow, who happened to be bio-electrically talented. Like if you’re tall and athletic, you can play basketball. That’s all it is, just a natural talent. Only he went crazy and started inbreeding his whole family, and they’ve got these stupid ideas about being the chosen of God and all the time they’re just murderers.”

“Tell me about it,” I says.

“You can’t help it,” she says. “You didn’t have anybody to teach you. I’m not blaming you.”

But I was blaming me.

She says, “Ignorant, that’s what they are. Well, my grandpa didn’t want to just keep reading the Bible and killing any revenuers or sheriffs or whatever who gave us trouble. He wanted to find out what we are. He also didn’t want to marry the slut they picked out for him because he wasn’t particularly dusty. So he left. They hunted him down and tried to kill him, but he got away, and he married. And he also studied and became a doctor and his kids grew up knowing that they had to find out what it is, this power. It’s like the old stories of witches, women who get mad and suddenly your cows start dying. Maybe they didn’t even know they were doing it. Summonings and love spells and come-hithers, everybody can do it a little, just like everybody can throw a ball and sometimes make a basket, but some people can do it better than others. And Papa Lem’s people, they do it best of all, better and better, because they’re breeding for it. We’ve got to stop them, don’t you see? We’ve got to keep them from learning how to control it. Because now we know more about it. It’s all tied up with the way the human body heals itself. In Sweden they’ve been changing the currents around to heal tumors. Cancer. The opposite of what you’ve been doing, but it’s the same principle. Do you know what that means? If they could control it, Lem’s people could be healers, not killers. Maybe all it takes is to do it with love, not anger.”

“Did you kill them little girls in orphanages with love?” I says.

And she just drives, she doesn’t say a thing, just drives. “Damn,” she says, “it’s raining.”

The road was slick in two seconds. She slowed way down. It came down harder and harder. I looked behind us and there was headlights back there again. Way back, but I could still see them. “They’re on us again,” I says.

“I can’t go any faster in the rain,” she says.

“It’s raining on them too,” I says.

“Not with my luck.”

And I says, “It’ll put the fire out. Back where they live.”

And she says, “It doesn’t matter. They’ll move. They know we found them, because we picked you up. So they’ll move.”

I apologized for causing trouble, and she says, “We couldn’t let you die in there. I had to go there and save you if I could.”

“Why?” I ask her. “Why not let me die?”

“Let me put it another way,” she says. “If you decided to stay with them, I had to go in there and kill you.”

And I says to her, “You’re the queen of compassion, you know?” And I thought about it a little. “You’re just like they are, you know?” I says. “You wanted to get pregnant just like they did. You wanted to breed me like a stud horse.”

“If I wanted to breed you,” she says, “I would have done it on the hill this morning. Yesterday morning. You would’ve done it. And I should’ve made you, because if you went with them, our only hope was to have a child of yours that we could raise to be a decent person. Only it turned out you’re a decent person, so we didn’t have to kill you. Now we can study you and learn about this from the strongest living example of the phenomenon”—I don’t know how to pronounce that, but you know what I mean. Or what she meant, anyway.

And I says to her, “Maybe I don’t want you to study me, did you think of that?”

And she says to me, “Maybe what you want don’t amount to a goldfish fart.” Or anyway that’s what she meant.

That’s about when they started shooting at us. Rain or no rain, they was pushing it so they got close enough to shoot, and they wasn’t half bad at it, seeing as the first bullet we knew about went right through the back window and in between us and smacked a hole in the windshield. Which made all kinds of cracks in the glass so she couldn’t see, which made her slow down more, which meant they was even closer.

Just then we whipped around a corner and our headlights lit up a bunch of guys getting out of a car with guns in their hands, and she says, “Finally.” So I figured they was some of her people, there to take the heat off. But at that same second Lem’s people must have shot out a tire or maybe she just got a little careless for a second cause after all she couldn’t see too good through the windshield, but anyway she lost control and we skidded and flipped over, rolled over it felt like five times, all in slow motion, rolling and rolling, the doors popping open and breaking off, the windshield cracking and crumbling away, and there we hung in our seat belts, not talking or nothing, except maybe I was saying O my God or something and then we smacked into something and just stopped, which jerked us around inside the car and then it was all over.

I heard water rushing. A stream, I thought. We can wash up. Only it wasn’t a stream, it was the gasoline pouring out of the tank. And then I heard gunshots from back up by the road. I didn’t know who was fighting who, but if the wrong guys won they’d just love to catch us in a nice hot gasoline fire. Getting out wasn’t going to be all that hard. The doors were gone so we didn’t have to climb out a window or anything.

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