Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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As soon as Mama left and went on downstairs, I got dressed again, including my shoes, and climbed in under the covers. I’d slept out in the open, so I didn’t mind sleeping in my clothes. What drove me crazy was getting my shoes on the sheets. They would’ve yelled at me so bad at the Children’s Home.

I laid there in the dark, trying to think what I was going to do. I pretty much knew how to get from this house out to the road, but what good would that do me? I didn’t know where I was or where the road led or how far to go, and you don’t cut cross country in North Carolina—if you don’t trip over something in the dark, you’ll bump into some moonshine or marijuana operation and they’ll blast your head off, not to mention the danger of getting your throat bit out by some tobacco farmer’s mean old dog. So there I’d be running along a road that leads nowhere with them on my tail and if they wanted to run me down, I don’t think fear of cancer would slow down your average four-wheeler.

I thought about maybe stealing a car, but I don’t have the first idea how to hotwire anything. It wasn’t one of the skills you pick up at the Children’s Home. I knew the idea of it, somewhat, because I’d done some reading on electricity with the books Mr. Kaiser lent me so I could maybe try getting ready for the GED, but there wasn’t a chapter in there on how to get a Lincoln running without a key. Didn’t know how to drive, either. All the stuff you pick up from your dad or from your friends at school, I just never picked up at all.

Maybe I dozed off, maybe I didn’t. But I suddenly noticed that I could see in the dark. Not see, of course. Feel the people moving around. Not far off at first, except like a blur, but I could feel the near ones, the other ones in the house. It was cause they was sparky, of course, but as I laid there feeling them drifting here and there, in the rhythms of sleep and dreams, or walking around, I began to realize that I’d been feeling people all along, only I didn’t know it. They wasn’t sparky, but I always knew where they were, like shadows drifting in the back of your mind, I didn’t even know that I knew it, but they were there. It’s like when Diz Riddle got him his glasses when he was ten years old and all of a sudden he just went around whooping and yelling about all the stuff he saw. He always used to see it before, but he didn’t rightly know what half the stuff was. Like pictures on coins. He knew the coins was bumpy, but he didn’t know they was pictures and writing and stuff. That’s how this was.

I laid there and I could make a map in my brain where I could see a whole bunch of different people, and the more I tried, the better I could see. Pretty soon it wasn’t just in that house. I could feel them in other houses, dimmer and fainter. But in my mind I didn’t see no walls so I didn’t know whether somebody was in the kitchen or in the bathroom, I had to think it out, and it was hard, it took all my concentration. The only guide I had was that I could see electric wires when the current was flowing through them, so wherever a light was on or a clock was running or something, I could feel this thin line, really thin, not like the shadows of people. It wasn’t much, but it gave me some idea of where some of the walls might be.

If I could’ve just told who was who I might have made some guesses about what they was doing. Who was asleep and who was awake. But I couldn’t even tell who was a kid and who was a grown-up, cause I couldn’t see sizes, just brightness. Brightness was the only way I knew who was close and who was far.

I was pure lucky I got so much sleep during the day when that guy was giving me a ride from Roanoke to Eden. Well, that wasn’t lucky, I guess, since I wished I hadn’t gone to Eden at all, but at least having that long nap meant that I had a better shot at staying awake until things quieted down.

There was a clump of them in the next house. It was hard to sort them out, cause three of them was a lot brighter, so I thought they was closer, and it took a while to realize that it was probably Mama and Daddy and Papa Lem along with some others. Anyway it was a meeting, and it broke up after a while, and all except Papa Lem came over. I didn’t know what the meeting was about, but I knew they was scared and mad. Mostly scared. Well, so was I. But I calmed myself down, the way I’d been practicing, so I didn’t accidently kill nobody. That kind of practice made it so I could keep myself from getting too lively and sparky, so they’d think I was asleep. They didn’t see as clear as I did, too, so that’d help. I thought maybe they’d all come up and get me, but no, they just all waited downstairs while one of them came up, and he didn’t come in and get me, neither. All he did was go to the other rooms and wake up whoever was sleeping there and get them downstairs and out of the house.

Well, that scared me worse than ever. That made it plain what they had in mind, all right. Didn’t want me giving off sparks and killing somebody close by when they attacked me. Still, when I thought about it, I realized that it was also a good sign. They was scared of me, and rightly so. I could reach farther and strike harder than any of them. And they saw I could throw off what got tossed at me, when I flung back what Papa Lem’s daughter tried to do to me. They didn’t know how much I could do.

Neither did I.

Finally all the people was out of the house except the ones downstairs. There was others outside the house, maybe watching, maybe not, but I figured I better not try to climb out the window.

Then somebody started walking up the stairs again, alone. There wasn’t nobody else to fetch down, so they could only be coming after me. It was just one person, but that didn’t do me no good—even one grown man who knows how to use a knife is better off than me. I still don’t have my full growth on me, or at least I sure hope I don’t, and the only fights I ever got in were slugging matches in the yard. For a minute I wished I’d took kung fu lessons instead of sitting around reading math and science books to make up for dropping out of school so young. A lot of good math and science was going to do me if I was dead.

The worst thing was I couldn’t see him. Maybe they just moved all the children out of the house so they wouldn’t make noise in the morning and wake me. Maybe they was just being nice. And this guy coming up the stairs might just be checking on me or bringing me clean clothes or something—I couldn’t tell. So how could I twist him up, when I didn’t know if they was trying to kill me or what? But if he was trying to kill me, I’d wish I’d twisted him before he ever came into the room with me.

Well, that was one decision that got made for me. I laid there wondering what to do for so long that he got to the top of the stairs and came to my room and turned the knob and came in.

I tried to breathe slow and regular, like somebody asleep. Tried to keep from getting too sparky. If it was somebody checking on me, they’d go away.

He didn’t go away. And he walked soft, too, so as not to wake me up. He was real scared. So scared that I finally knew there was no way he was there to tuck me in and kiss me good night.

So I tried to twist him, to send sparks at him. But I didn’t have any sparks to send! I mean I wasn’t mad or anything. I’d never tried to kill somebody on purpose before, it was always because I was already mad and I just lost control and it happened. Now I’d been calming myself down so much that I couldn’t lose control. I had no sparks at all to send, just my normal shining shadow, and he was right there and I didn’t have a second to lose so I rolled over. Toward him, which was maybe dumb, cause I might have run into his knife, but I didn’t know yet for sure that he had a knife. All I was thinking was that I had to knock him down or push him or something.

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