Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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The only person I knocked down was me. I bumped him and hit the floor. He also cut my back with the knife. Not much of a cut, he mostly just snagged my shirt, but if I was scared before, I was terrified now cause I knew he had a knife and I knew even more that I didn’t. I scrambled back away from him. There was almost no light from the window, it was like being in a big closet, I couldn’t see him, he couldn’t see me. Except of course that I could see him, or at least sense where he was, and now I was giving off sparks like crazy so unless he was weaker than I thought, he could see me too.

Well, he was weaker than I thought. He just kind of drifted, and I could hear him swishing the knife through the air in front of him. He had no idea where I was.

And all the time I was trying to get madder and madder, and it wasn’t working. You can’t get mad by trying. Maybe an actor can, but I’m no actor. So I was scared and sparking but I couldn’t get that pulse to mess him up. The more I thought about it, the calmer I got.

It’s like you’ve been carrying around a machine gun all your life, accidently blasting people you didn’t really want to hurt and then the first time you really want to lay into somebody, it jams.

So I stopped trying to get mad. I just sat there realizing I was going to die, that after I finally got myself under control so I didn’t kill people all the time anymore, now that I didn’t really want to commit suicide, now I was going to get wasted. And they didn’t even have the guts to come at me openly. Sneaking in the dark to cut my throat while I was asleep. And in the meeting where they decided to do it, my long lost but loving mama and daddy were right there. Heck, my dear sweet daddy was downstairs right now, waiting for this assassin to come down and tell him that I was dead. Would he cry for me then? Boo hoo my sweet little boy’s all gone? Mick is in the cold cold ground?

I was mad. As simple as that. Stop thinking about being mad, and start thinking about the things that if you think about them, they’ll make you mad. I was so sparky with fear that when I got mad, too, it was worse than it ever was before, built up worse, you know. Only when I let it fly, it didn’t go for the guy up there swishing his knife back and forth in the dark. That pulse of fire in me went right down through the floor and straight to dear old Dad. I could hear him scream. He felt it, just like that. He felt it. And so did I. Because that wasn’t what I meant to do. I only met him that day, but he was my father, and I did him worse than I ever did anybody before in my life. I didn’t plan to do it. You don’t plan to kill your father.

All of a sudden I was blinded by light. For a second I thought it was the other kind of light, sparks, them retaliating, twisting me. Then I realized it was my eyes being blinded, and it was the overhead light in the room that was on. The guy with the knife had finally realized that the only reason not to have the light on was so I wouldn’t wake up, but now that I was awake he might as well see what he’s doing. Lucky for me the light blinded him just as much as it blinded me, or I’d have been poked before I saw what hit me. Instead I had time to scramble on back to the far corner of the room.

I wasn’t no hero. But I was seriously thinking about running at him, attacking a guy with a knife. I would have been killed, but I couldn’t think of anything else to do.

Then I thought of something else to do. I got the idea from the way I could feel the electric current in the wires running from the lightswitch through the wall. That was electricity, and the lady in Roanoke called my sparkiness bio-electricity. I ought to be able to do something with it, shouldn’t I?

I thought first that maybe I could short-circuit something, but I didn’t think I had that much electricity in me. I thought of maybe tapping into the house current to add to my own juice, but then I remembered that connecting up your body to house current is the same thing other folks call electrocution. I mean, maybe I can tap into house wiring, but if I was wrong, I’d be real dead.

But I could still do something. There was a table lamp right next to me. I pulled off the shade and threw it at the guy, who was still standing by the door, thinking about what the scream downstairs meant. Then I grabbed the lamp and turned it on, and then smashed the lightbulb on the nightstand. Sparks. Then it was out.

I held the lamp in my hand, like a weapon, so he’d think I was going to beat off his knife with the lamp. And if my plan was a bust, I guess that’s what I would’ve done. But while he was looking at me, getting ready to fight me knife against lamp, I kind of let the jagged end of the lamp rest on the bedspread. And then I used my sparkiness, the anger that was still in me. I couldn’t fling it at the guy, or well I could have, but it would’ve been like the bus driver, a six-month case of lung cancer. By the time he died of that, I’d be six months worth of dead from multiple stab wounds to the neck and chest.

So I let my sparkiness build up and flow out along my arm, out along the lamp, like I was making my shadow grow. And it worked. The sparks just went right on down the lamp to the tip, and built up and built up, and all the time I was thinking about how Papa Lem was trying to kill me cause I thought his daughter was ugly and how he made me kill my daddy before I even knew him half a day and that charge built up.

It built up enough. Sparks started jumping across inside the broken light bulb, right there against the bedspread. Real sparks, the kind I could see, not just feel. And in two seconds that bedspread was on fire. Then I yanked the lamp so the cord shot right out of the wall, and I threw it at the guy, and while he was dodging I scooped up the bedspread and ran at him. I wasn’t sure whether I’d catch on fire or he would, but I figured he’d be too panicked and surprised to think of stabbing me through the bedspread, and sure enough he didn’t, he dropped the knife and tried to beat off the bedspread. Which he didn’t do too good, because I was still pushing it at him. Then he tried to get through the door, but I kicked his ankle with my shoe, and he fell down, still fighting off the blanket.

I got the knife and sliced right across the back of his thigh with it. Geez it was sharp. Or maybe I was so mad and scared that I cut him stronger than I ever thought I could, but it went clear to the bone. He was screaming from the fire and his leg was gushing blood and the fire was catching on the wallpaper and it occurred to me that they couldn’t chase me too good if they was trying to put out a real dandy house fire.

It also occurred to me that I couldn’t run away too good if I was dead inside that house fire. And thinking of maybe dying in the fire made me realize that the guy was burning to death and I did it to him, something every bit as terrible as cancer, and I didn’t care, because I’d killed so many people that it was nothing to me now, when a guy like that was trying to kill me, I wasn’t even sorry for his pain, cause he wasn’t feeling nothing worse than Old Peleg felt, and in fact that even made me feel pretty good; because it was like getting even for Old Peleg’s death, even though it was me killed them both. I mean how could I get even for Peleg dying by killing somebody else? Okay, maybe it makes sense in a way, cause it was their fault I was in the orphanage instead of growing up here. Or maybe it made sense because this guy deserved to die, and Peleg didn’t, so maybe somebody who deserved it had to die a death as bad as Peleg’s, or something. I don’t know. I sure as hell wasn’t thinking about that then. I just knew that I was hearing a guy scream himself to death and I didn’t even want to help him or even try to help him or nothing. I wasn’t enjoying it, either, I wasn’t thinking, Burn you sucker! Or anything like that, but I knew right then that I wasn’t even human, I was just a monster, like I always thought, like in the slasher movies. This was straight from the slasher movies, somebody burning up and screaming, and there’s the monster just standing there in the flames and he isn’t burning.

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