Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And that’s the truth. I wasn’t burning. There was flames all around me, but it kind of shied back from me, because I was so full of sparks from hating myself so bad that it was like the flames couldn’t get through to me. I’ve thought about that a lot since then. I mean, even that Swedish scientist doesn’t know all about this bio-electrical stuff. Maybe when I get real sparky it makes it so other stuff can’t hit me. Maybe that’s how some generals in the Civil War used to ride around in the open—or maybe that was that general in World War II, I can’t remember—and bullets didn’t hit them or anything. Maybe if you’re charged up enough, things just can’t get to you. I don’t know. I just know that by the time I finally decided to open the door and actually opened it, the whole room was burning and the door was burning and I just opened it and walked through. Course now I got a bandage on my hand to prove that I couldn’t grab a hot doorknob without hurting myself a little, but I shouldn’t’ve been able to stay alive in that room and I came out without even my hair singed.

I started down the hall, not knowing who was still in the house. I wasn’t used to being able to see people by their sparkiness yet, so I didn’t even think of checking, I just ran down the stairs carrying that bloody knife. But it didn’t matter. They all ran away before I got there, all except Daddy. He was lying in the middle of the floor in the living room, doubled up, lying with his head in a pool of vomit and his butt in a pool of blood, shaking like he was dying of cold. I really done him. I really tore him up inside. I don’t think he even saw me. But he was my daddy, and even a monster don’t leave his daddy for the fire to get him. So I grabbed his arms to try to pull him out.

I forgot how sparky I was, worse than ever. The second I touched him the sparkiness just rushed out of me and all over him. It never went that way before, just completely surrounded him like he was a part of me, like he was completely drowning in my light. It wasn’t what I meant to do at all. I just forgot. I was trying to save him and instead I gave him a hit like I never gave nobody before, and I couldn’t stand it, I just screamed.

Then I dragged him out. He was all limp, but even if I killed him, even if I turned him to jelly inside, he wasn’t going to burn, that’s all I could think of, that and how I ought to walk back into that house myself and up the stairs and catch myself on fire and die.

But I didn’t do it, as you might guess. There was people yelling Fire! and shouting Stay back! and I knew that I better get out of there. Daddy’s body was lying on the grass in front of the house, and I took off around the back. I thought maybe I heard some gunshots, but it could’ve been popping and cracking of timbers in the fire, I don’t know. I just ran around the house and along toward the road, and if there was people in my way they just got out of my way, because even the most dimwitted inbred pukebrained kid in that whole village would’ve seen my sparks, I was so hot.

I ran till the asphalt ended and I was running on the dirt road. There was clouds so the moon was hardly any light at all, and I kept stumbling off the road into the weeds. I fell once and when I was getting up I could see the fire behind me. The whole house was burning, and there was flames above it in the trees. Come to think of it there hadn’t been all that much rain, and those trees were dry. A lot more than one house was going to burn tonight, I figured, and for a second I even thought maybe nobody’d chase me.

But that was about as stupid an idea as I ever had. I mean, if they wanted to kill me before because I said Papa Lem’s girl was ugly, how do you think they felt about me now that I burned down their little hidden town? Once they realized I was gone, they’d be after me and I’d be lucky if they shot me quick.

I even thought about cutting off the road, dangerous or not, and hiding in the woods. But I decided to get as much distance as I could along the road till I saw headlights.

Just when I decided that, the road ended. Just bushes and trees. I went back, tried to find the road. It must have turned but I didn’t know which way. I was tripping along like a blind man in the grass, trying to feel my way to the ruts of the dirt road, and of course that’s when I saw headlights away off toward the burning houses—there was at least three houses burning now. They knew the town was a total loss by now, they was probably just leaving enough folks to get all the children out and away to a safe place, while the men came after me. It’s what I would’ve done, and to hell with cancer, they knew I couldn’t stop them all before they did what they wanted to me. And here I couldn’t even find the road to get away from them. By the time their headlights got close enough to show the road, it’d be too late to get away.

I was about to run back into the woods when all of a sudden a pair of headlights went on not twenty feet away, and pointed right at me. I damn near wet my pants. I thought, Mick Winger, you are a dead little boy right this second.

And then I heard her calling to me. “Get on over here, Mick, you idiot, don’t stand there in the light, get on over here.” It was the lady from Roanoke. I still couldn’t see her cause of the lights, but I knew her voice, and I took off. The road didn’t end, it just turned a little and she was parked right where the dirt road met up sideways with a gravel road. I got around to the door of the car she was driving, or truck or whatever it was—a four-wheel-drive Blazer maybe, I know it had a four-wheel-drive shift lever in it—anyway the door was locked and she was yelling at me to get in and I was yelling back that it was locked until finally she unlocked it and I climbed in. She backed up so fast and swung around onto the gravel in a spin that near threw me right out the door, since I hadn’t closed it yet. Then she took off so fast going forward, spitting gravel behind her, that the door closed itself.

“Fasten your seat belt,” she says to me.

“Did you follow me here?” I says.

“No, I just happened to be here picnicking,” she says. “Fasten your damn seat belt.”

I did, but then I turned around in my seat and looked out the back. There was five or six sets of headlights, making the job to get from the dirt road onto the gravel road. We didn’t have more than a mile on them.

“We’ve been looking for this place for years,” she says. “We thought it was in Rockingham County, that’s how far off we were.”

“Where is it, then?” I says.

“Alamance County,” she says.

And then I says, “I don’t give a damn what county it is! I killed my own daddy back there!”

And she says to me, “Don’t get mad now, don’t get mad at me, I’m sorry, just calm down.” That was all she could think of, how I might get mad and lose control and kill her, and I don’t blame her, cause it was the hardest thing I ever did, keeping myself from busting out right there in the car, and it would’ve killed her, too. The pain in my hand was starting to get to me, too, from where I grabbed the doorknob. It was just building up and building up.

She was driving a lot faster than the headlights reached. We’d be going way too fast for a curve before she even saw it, and then she’d slam on the brakes and we’d skid and sometimes I couldn’t believe we didn’t just roll over and crash. But she always got out of it.

I couldn’t face back anymore. I just sat there with my eyes closed, trying to get calm, and then I’d remember my daddy who I didn’t even like but he was my daddy lying there in his blood and his puke, and I’d remember that guy who burned to death up in my room and even though I didn’t care at the time, I sure cared now, I was so angry and scared and I hated myself so bad I couldn’t hold it in, only I also couldn’t let it out, and I kept wishing I could just die. Then I realized that the guys following us were close enough that I could feel them. Or no it wasn’t that they was close. They was just so mad that I could see their sparks flying like never before. Well as long as I could see them I could let fly, couldn’t I? I just flung out toward them. I don’t know if I hit them. I don’t know if my bio-electricity is something I can throw like that or what. But at least I shucked it off myself, and I didn’t mess up the lady who was driving.

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