Cory Doctorow - Eastern Standard Tribe

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Eastern Standard Tribe: краткое содержание, описание и аннотация

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The first thing you notice when reading Eastern Standard Tribe is that it suggests a methodology that Doctorow follows when building his novels: identify and research a cool new idea, add more and more cool bits to that idea, and then build
into a story. In Down and Out the cool idea was reputation-based economies, and in Tribe it's a new kind of social group emerging that chooses to abandon its local standard time to live and work in stop with another more desirable one...
Damien Broderick, in a recent review, coined the rather amusing term "blogpunk," which seems to very much apply to Doctorow's work. It refers to the tendency of writers of online journals to accumulate fascinating factoids and then share them amongst themselves. And, to an extent, you can see that in Tribe. The novel's background is full of cool things — cars running on lard and such — but it's just that, background. At its heart, Tribe is a witty, sometimes acerbic poke in the eye at modern culture. Everything comes under Doctorow's microscope, and he manages to be both up to date and off the cuff in the best possible way.
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"So my dad took me aside, put his arm around me, and said, 'Szandor, you know I like that girlfriend of yours, but she is crazy. Not a little crazy, really crazy. Maybe she won't be crazy forever, but if she gets better, it won't be because of you. Trust me, I know this. You can't fuck a crazy girl sane, son.'"

I can't help smiling. "Truer words," I say. "But harsh."

"Harsh is relative," he says. "Contrast it with, say, getting someone committed on trumped-up evidence."

It dawns on me that Doc Szandor believes me. "It dawns on me that you believe me."

He gnaws fitfully at his pacifier. "Well, why not? You're not any crazier than I am, that much is clear to me. You have neat ideas. Your story's plausible enough."

I get excited. "Is this your professional opinion?"

"Sorry, no. I am not a mental health professional, so I don't have professional opinions on your mental health. It is, however, my amateur opinion."

"Oh, well."

"So where are you at now, vis-a-vis the hospital?"

"Well, they don't tell me much, but as near as I can make out, I am stuck here semipermanently. The court found me incompetent and ordered me held until I was. I can't get anyone to explain what competency consists of, or how I achieve it-when I try, I get accused of being 'difficult.' Of course, escaping onto the roof is a little beyond difficult. I have a feeling I'm going to be in pretty deep shit. Do they know about the car?"

"The car?"

"In the parking lot. The one that blew up."

Doc Szandor laughs hard enough that his pacifier shoots across the room and lands in a hazmat bucket. "You son of a bitch-that was you?"

"Yeah," I say, and drum my feet against the tin cupboards under the examination table.

"That was my fucking car !"

"Oh, Christ, I'm sorry," I say. "God."

"No no no," he says, fishing in his pocket and unwrapping a fresh pacifier. "It's OK. Insurance. I'm getting a bike. Vroom, vroom! What a coincidence, though," he says.

Coincidence. He's making disgusting hamster-cage noises, grinding away at his pacifier. "Szandor, do you sometimes sneak out onto the landing to have a cigarette? Use a bit of tinfoil for your ashtray? Prop the door open behind you?"

"Why do you ask?"

"'Cause that's how I got out onto the roof."

"Oh, shit," he says.

"It's our secret," I say. "I can tell them I don't know how I got out. I'm incompetent, remember?"

"You're a good egg, Art," he says. "How the hell are we going to get you out of here?"

"Hey what?"

"No, really. There's no good reason for you to be here, right? You're occupying valuable bed space."

"Well, I appreciate the sentiment, but I have a feeling that as soon as you turn me loose, I'm gonna be doped up to the tits for a good long while."

He grimaces. "Right, right. They like their meds. Are your parents alive?"

"What? No, they're both dead."

"Aha. Died suddenly?"

"Yeah. Dad drowned, Mom fell-"

"Ah ah ah! Shhh. Mom died suddenly. She was taking Haldol when it happened, a low antianxiety dose, right?"

"Huh?"

"Probably she was. Probably she had a terrible drug interaction. Sudden Death Syndrome. It's hereditary. And you say she fell? Seizure. We'll sign you up for a PET scan, that'll take at least a month to set up. You could be an epileptic and not even know it. Shaking the radioisotopes loose for the scan from the AEC, woah, that's a week's worth of paperwork right there! No Thorazine for you young man, not until we're absolutely sure it won't kill you dead where you stand. The hospital counsel gave us all a very stern lecture on this very subject not a month ago. I'll just make some notes in your medical history." He picked up his comm and scribbled.

"Never woulda thought of that," I say. "I'm impressed."

"It's something I've been playing with for a while now. I think that psychiatric care is a good thing, of course, but it could be better implemented. Taking away prescription pads would be a good start."

"Or you could keep public stats on which doctors had prescribed how much of what and how often. Put 'em on a chart in the ward where the patients' families could see 'em."

"That's nasty !" he says. "I love it. We're supposed to be accountable, right? What else?"

"Give the patients a good reason to wear their tracking bracelets: redesign them so they gather stats on mobility and vitals and track them against your meds and other therapies. Create a dating service that automatically links patients who respond similarly to therapies so they can compare notes. Ooh, by comparing with location data from other trackers, you could get stats on which therapies make people more sociable, just by counting the frequency with which patients stop and spend time in proximity to other patients. It'd give you empirical data with which you track your own progress."

"This is great stuff. Damn! How do you do that?"

I feel a familiar swelling of pride. I like it when people understand how good I am at my job. Working at V/DT was hard on my ego: after all, my job there was to do a perfectly rotten job, to design the worst user experiences that plausibility would allow. God, did I really do that for two whole goddamned years?

"It's my job," I say, and give a modest shrug.

"What do you charge for work like that?"

"Why, are you in the market?"

"Who knows? Maybe after I figure out how to spring you, we can go into biz together, redesigning nuthatches."

22.

Linda's first meeting with Art's Gran went off without a hitch. Gran met them at Union Station with an obsolete red cap who was as ancient as she was, a vestige of a more genteel era of train travel and bulky luggage. Just seeing him made Art's brain whir with plans for conveyor systems, luggage escalators, cart dispensers. They barely had enough luggage between the two of them to make it worth the old man's time, but he dutifully marked their bags with a stub of chalk and hauled them onto his cart, then trundled off to the service elevators.

Gran gave Art a long and teary hug. She was less frail than she'd been in his memory, taller and sturdier. The smell of her powder and the familiar acoustics of Union Station's cavernous platform whirled him back to his childhood in Toronto, to the homey time before he'd gotten on the circadian merry-go-round.

"Gran, this is Linda," he said.

"Oh, it's so nice to meet you," Gran said, taking Linda's hands in hers. "Call me Julie."

Linda smiled a great, pretty, toothy smile. "Julie, Art's told me all about you. I just know we'll be great friends."

"I'm sure we will. Are you hungry? Did they feed you on the train? You must be exhausted after such a long trip. Which would you rather do first, eat or rest?"

"Well, I'm up for seeing the town," Linda said. "Your grandson's been yawning his head off since Buffalo, though." She put her arm around his waist and squeezed his tummy.

"What a fantastic couple you make," Gran said. "You didn't tell me she was so pretty , Arthur!"

"Here it comes," Art said. "She's going to ask about great-grandchildren."

"Don't be silly," Gran said, cuffing him gently upside the head. "You're always exaggerating."

"Well I think it's a splendid idea," Linda said. "Shall we have two? Three? Four?"

"Make it ten," Art said, kissing her cheek.

"Oh, I couldn't have ten," Linda said. "But five is a nice compromise. Five it will be. We'll name the first one Julie if it's a girl, or Julius if it's a boy."

"Oh, we are going to get along," Gran said, and led them up to the curb, where the red cap had loaded their bags into a cab.

They ate dinner at Lindy's on Yonge Street, right in the middle of the sleaze strip. The steakhouse had been there for the better part of a century, and its cracked red-vinyl booths and thick rib eyes smothered in horseradish and HP Sauce were just as Art had remembered. Riding up Yonge Street, the city lights had seemed charming and understated; even the porn marquees felt restrained after a week in New York. Art ate a steak as big as his head and fell into a postprandial torpor whence he emerged only briefly to essay a satisfied belch. Meanwhile, Gran and Linda nattered away like old friends, making plans for the week: the zoo, the island, a day trip to Niagara Falls, a ride up the CN Tower, all the touristy stuff that Art had last done in elementary school.

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