William Sanders - The Undiscovered

For those who could not be aktas, there was plenty of other work. A big platform had to be built, with space cleared around it, and log benches for the people who would watch. There were torches to be prepared, since we would be doing it at night, and special clothes to be made, as well as things like fake spears so no one would get hurt.

Locust and Blackfox were particularly good workers; Spearshaker said it was as if they had been born for this. They even told him that if he still wanted to follow the custom of his own tribe, with men dressed as women, they would be willing to take those parts. Well, I always had wondered about those two.

But Spearshaker was working harder than anyone else. Besides being in charge of all the other preparations, he had to remake his whole plei to suit our needs. No doubt he had made a fine plei for white men, but for us, as it was, it would never do.

Many a Play haue I reuis’d and amended: cut short or long at the Company’s desyre, or alter’d this or that Speeche to please a Player: e’en carued the very Guttes out of a scene on command of the Office of the Reuels, for some imagin’d Sedition or vnseemely Speeche. But now must I out-do all I euer did before, in the making of my Hamlet into a thing comprehensible to the Anni-yawia. Scarce is there a line which doth not haue to be rewrit: yea, and much ta’en out intire: as, the Play within the Play, which Mouse saith, that none here will vnderstande. And the Scene must be mov’d from Denmark to Virginnia, and Elsinore Castle transformed into an Indian towne. For marry, it were Alchemy enow that I should transmute vnletter’d Sauages into tragick Actors: but to make royal Danskers of swart-fac’d Indians were beyond all Reason. (Speak’st thou now of Reason, Will Shakespere? Is’t not ouer-late for that?)

You should have seen us teaching the aktas their parts. First Spearshaker would look at the marks and say the words in his language. Then he would explain to me any parts I hadn’t understood—which was most of it, usually—and then I would translate the whole thing for the akta in our language. Or as close as I could get; there are some things you cannot really interpret. By now Spearshaker was fluent enough to help me.

Then the akta would try to say the words back to us, almost always getting it all wrong and having to start again. And later on all the people in the plei had to get together and speak their parts in order, and do all the things they would do in the plei, and that was like a bad dream. Not only did they forget their words; they bumped into each other and stepped on each other’s feet, and got carried away in the fight parts and nearly killed each other. And Spearshaker would jump up and down and pull his hair—which had already begun to fall out, for some reason—and sometimes weep, and when he had settled down we would try again.

Verily, my lot is harder than that of the Iewes of Moses. For Scripture saith, that Pharo did command that they make Brickes without Strawe, wherefore their trauail was greate: but now I must make my Brickes, euen without Mudd.

Let me tell you the story of Spearshaker’s plei.

Once there was a great war chief who was killed by his own brother. Not in a fight, but secretly, by poison. The brother took over as chief, and also took his dead brother’s woman, who didn’t object.

But the dead man had a son, a young warrior named Amaledi. One night the dead chief appeared to Amaledi and told him the whole story. And, of course, demanded that he do something about it.

Poor Amaledi was in a bad fix. Obviously he mustn’t go against his mother’s wishes, and kill her new man without her permission. On the other hand, no one wants to anger a ghost—and this one was plenty angry already.

So Amaledi couldn’t decide what to do. To make things worse, the bad brother had guessed that Amaledi knew something. He and this really nasty, windy old man named Quolonisi—sounds like Otter—began trying to get rid of Amaledi.

To protect himself Amaledi became a Crazy, doing and saying everything backward, or in ways that made no sense. This made his medicine strong enough to protect him from his uncle and Quolonisi, at least for a time.

Quolonisi had a daughter, Tsigalili, who wanted Amaledi for her man. But she didn’t want to live with a Crazy—who does?—and she kept coming around and crying and begging him to quit. At the same time his mother was giving him a hard time for being disrespectful toward her new man. And all the while the ghost kept showing up and yelling at Amaledi for taking so long. It got so bad Amaledi thought about killing himself, but then he realized that he would go to the spirit world, where his father would never leave him alone.

So Amaledi thought of a plan. There was a big dance one night to honor the new chief, and some visiting singers from another town were going to take part. Amaledi took their lead singer aside and got him to change the song, telling him the new words had been given to him in a dream. And that night, with the dancers going around the fire and the women shaking the turtle shells and the whole town watching, the visiting leader sang:

That was when it all blew up like a hot rock in a fire. The bad chief jumped up and ran away from the dance grounds, afraid he had just been witched. Amaledi had a big argument with his mother and told her what he thought of the way she was acting. Then he killed Quolonisi. He said it was an accident but I think he was just tired of listening to the old fool.

Tsigalili couldn’t stand any more. She jumped into a waterfall and killed herself. There was a fine funeral.

Now Amaledi was determined to kill his uncle. The uncle was just as determined to kill Amaledi, but he was too big a coward to do it himself. So he got Quolonisi’s son Panther to call Amaledi out for a fight.

Panther was a good fighter and he was hot to kill Amaledi, because of his father and his sister. But the chief wasn’t taking any chances. He put some poison on Panther’s spear. He also had a gourd of water, with poison in it, in case nothing else worked.

So Amaledi and Panther painted their faces red and took their spears and faced each other, right in front of the chief’s house. Amaledi was just as good as Panther, but finally he got nicked on the arm. Before the poison could act, they got into some hand-to-hand wrestling, and the spears got mixed up. Now Panther took a couple of hits. Yes, with the poisoned spear.

Meanwhile Amaledi’s mother got thirsty and went over and took a drink, before anyone could stop her, from the poisoned gourd. Pretty soon she fell down. Amaledi and Panther stopped fighting and rushed over, but she was already dead.

By now they were both feeling the poison themselves. Panther fell down and died. So did Amaledi, but before he went down he got his uncle with the poisoned spear. So in the end everyone died.

You do?

Well, I suppose you had to be there.

And so ’tis afoote: to-morrow night we are to perform. Thank God Burbage cannot be there to witnesse it: for it were a Question which should come first, that he dye of Laughter, or I of Shame.

It was a warm and pleasant night. Everyone was there, even Otter. By the time it was dark all the seats were full and many people were standing, or sitting on the ground.

The platform had only been finished a few days before—with Bigkiller complaining about the waste of timber and labor, that could have gone into strengthening the town’s defenses—and it looked very fine. Locust and Blackfox had hung some reed mats on poles to represent the walls of houses, and also to give us a place to wait out of sight before going on. To keep the crowd from getting restless, Spearshaker had asked Dotsuya to have some Bird Clan men sing and dance while we were lighting the torches and making other last preparations.