David Edmonds - Bobby Fischer Goes to War

If game seventeen was seen by the Soviet camp as Spassky’s last chance to alter the course of the match, with his failure to break through defeat now loomed large. Tenaciously, he fought on. However, game eighteen also ended in a draw through repetition. Spassky’s king had been exposed throughout; by contrast, Fischer’s king spent much of the game locked away in a corner, a state of affairs with its own sort of frailty—if attacked, it had nowhere to run. This time, it was Fischer’s willingness to accept a draw that surprised the experts—he was a pawn up. For anybody else in the same position, the draw would have been understandable; with every half point, Fischer was edging closer and closer to victory. But Fischer, as Gligoric put it, “was reputed never to gun for a draw,” whatever the score. Was he now showing a human side? A psychological infirmity? Pragmatism?

The score was Spassky 7.5, Fischer 10.5, leaving the American only two points away from the title.

Prior to the eighteenth game, Geller had issued a protest about the removal of the front rows of seats, for which the Soviets had not granted permission. Schmid now negotiated an ingenious compromise which would have made that consummate deal-maker Henry Kissinger proud. The seats would go back to their original place, but they would be roped off and thus remain empty. Fischer entered the hall for the next game and appeared not even to notice the change. But Schmid’s patience was finally running out. When Cramer reiterated his demand for the removal of the first seven rows, accusing Schmid of bias toward the Soviets, the chief arbiter fired off a barbed letter, its tone entirely out of character. Cramer’s letter, Schmid said, [is] “no doubt meant to be helpful, but if so, then unfortunately is deprived of any opportunity of being useful by its largely inaccurate contents.” It concluded, “If you have any complaints or protests to make, please, and I must underline the importance of this, please make them in accordance with the rules of the match.”

Game nineteen was a clever little game, with both players producing the unexpected. Fischer came up with a startling defense on move twenty-one. Spassky had just sacrificed a piece—when he did so, one grandmaster said, “Hold on to your seat belts.” Brazenly ignoring his opponent’s undefended rook, Fischer forced instead the exchange of queens; it left the American with a drawn game. He was absolutely right: to have taken the rook—indeed, any alternative move—would have spelled disaster. Spassky had brilliantly and daringly taken risks, but to no avail. “That Bobby,” said Gligoric, “he always escapes.”

Before game twenty, the Icelandic Ministry of Finance made a goodwill gesture. It announced that the government had decided to ask Parliament in the next session to make the prize money tax-free. Normally, the winner would have to pay government and local income taxes of $28,000 and the loser about $16,000.

The game itself was a long, tough struggle that lasted through the five-hour session. The advantage moved from one player to another and then back again. At the adjournment, they were well into an ending, but one that was not clear-cut. The following day, when the game resumed, Geller was seen in the audience barely able to stay awake. The night had been spent buried in analysis. Spassky too looked gaunt and fatigued; they had been searching for a win that patently was not there.

It was the seventh draw in a row. There had not been such a consecutive run in the world championship since the marathon contest between Alekhine and Capablanca in 1927. Far from being dull, lazy games, several of these had been desperate, protracted, bare-knuckle brawls, exciting if not always pretty. Fischer, who normally moved much more quickly than his opponent, was now taking just as long on the clock. Spassky prodded and probed and took gambles; Fischer, on untested ground, clung on. While the commentators had predicted a Spassky collapse, the champion had instead dug in, held the line, and, incredibly, fought back. This had required more than just skill and concentration; above all, the champion had had to draw upon cavernous reserves of psychological strength.

The twenty-first game took place on 31 August. Since game eight, not a single move had been filmed. But on this day, the Yugoslav journalist Dimitri Bjelica smuggled a Sony videocamera into the hall and sat in the back row. On one occasion, as the ushers wandered up and down, looking for the slightest disturbance, Bjelica covered up the camera’s hum with a fit of coughing. He realized this could be the last game, and so his last chance to film.

Fischer had 11.5 points and thus needed only one more for the title—a win or two draws. With tickets at a premium, the auditorium was packed for what was potentially the culminating moment. After two months of farce, mystery, and tragedy, of edgy strain and petulant anger, of showbiz and high jinks, of bluff and double bluff, of demands and climb-downs, of genius and blunder, the people of Reykjavik—even those ignorant of the rules of the game—wanted to be there to witness the climax.

As usual, Lothar Schmid started the clock. As usual, Fischer was late. The game opened with a Sicilian. On his second move, Fischer, black, played pawn to e6, yet another new line for him. Spassky was fueling himself with cup after cup of coffee. It may have been the surprise of Fischer’s seventh move—a pawn thrust tried before but considered somewhat dubious—that unsteadied the Russian’s hand, causing him to spill his drink. With his clock ticking, he went in search of a cloth. Fischer watched the cleanup operation as though his opponent were crazed.

The queens came off early, leaving Fischer with the advantage of two bishops against bishop and knight, but with the disadvantage of double isolated pawns. “[When] Fischer obtained an edge,” Spassky said later, “I felt everything was finished.” On move eighteen, the champion sacrificed a rook for a bishop and pawn in a reckless bid to create complications and perhaps winning prospects. Move thirty was the turning point. Rather than retrench, set up an impregnable fortress, and settle for a draw, Spassky pushed his knight pawn two squares to g4, allowing his opponent to create and exploit deadly weaknesses in white’s flailing defense. Fischer played out the ending with unremitting, nerveless accuracy.

Adjournment came at move forty-one. Spassky seemed exhausted. He invested only six minutes’ thinking time on his last move, which was then committed to paper and handed over to Schmid, who carefully sealed it in the adjournment envelope. Fischer signed the flap, a standard security check. Now the audience could relax and chat, and as they rose from their seats, the conversation was of who held the positional edge. Fischer had by now sacrificed back a pawn, so with his rook and two pawns against Spassky’s bishop and four pawns, the combatants were in theory evenly matched. But Spassky’s pieces were tied down, going nowhere. Meanwhile, Fischer’s rook’s pawn was “passed” (that is, it had a clear view to the eighth rank, with no opposition pawns on its file or the adjacent files). Every pawn has the potential to be reincarnated as a higher being, a more powerful piece, normally a queen, but a passed pawn is a particularly potent threat. And Fischer’s rook and king were well stationed to shepherd its advance.

Most amateurs would have rated the prospects for either side as about even. However, the experts realized Spassky’s struggle to retain the title was over; his doughty fight back had collapsed and the grandmasters were predicting a Fischer victory. In Moscow there was already an acceptance that their man had lost: the champion had told Geller that there was no point in fussing over the analysis. Spassky knew he had not sealed the best move.