Lisa Chaney - Coco Chanel - An Intimate Life

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Coco Chanel: An Intimate Life: краткое содержание, описание и аннотация

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The controversial story of Chanel, the twentieth century's foremost fashion icon. Revolutionizing women's dress, Gabrielle "Coco'' Chanel was the twentieth century's most influential designer. Her extraordinary and unconventional journey-from abject poverty to a new kind of glamour- helped forge the idea of modern woman.
Unearthing an astonishing life, this remarkable biography shows how, more than any previous designer, Chanel became synonymous with a rebellious and progressive style. Her numerous liaisons, whose poignant and tragic details have eluded all previous biographers, were the very stuff of legend. Witty and mesmerizing, she became muse, patron, or mistress to the century's most celebrated artists, including Picasso, Dalí, and Stravinsky.
Drawing on newly discovered love letters and other records, Chaney's controversial book reveals the truth about Chanel's drug habit and lesbian affairs. And the question about Chanel's German lover during World War II (was he a spy for the Nazis?) is definitively answered.
While uniquely highlighting the designer's far-reaching influence on the modern arts, Chaney's fascinating biography paints a deeper and darker picture of Coco Chanel than any so far. Movingly, it explores the origins, the creative power, and the secret suffering of this exceptional and often misread woman.

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My dear friend

Do not accuse me; pity me for I have just spent three very bad weeks! As things always work themselves out in the end my health is much better. I still have a thousand worries. I fully intend to leave them here [in Paris]. So if you will still have me I can leave at the end of next week. Write soon.

Much love

Coco 8

Another letter, sent by Gabrielle’s secretary, and regarding the renting of her house, refers to the fact that “Mademoiselle Chanel has been unwell lately and was not able to reply right away.” 9

By August 18, one week after Arthur’s return with his bride to Paris, we find that Gabrielle had fled the city in an attempt to leave behind her “thousand worries.” She had gone to find comfort with her friends Henri and Antoinette Bernstein, as promised, at a spa town, Uriage, in the Alps. And here Gabrielle was to spend the rest of that summer. Ostensibly, she was part of the grand annual exodus from the capital’s August heat. In fact, she was taking a spa cure to help restore and thereby “cure” herself of Arthur. As it turned out, for much of Gabrielle’s stay, Antoinette Bernstein was summering by the sea at Deauville with her mother. But shortly after Gabrielle’s arrival, Antoinette brought her and Henri’s small daughter, Georges, to see her father at the villa that Gabrielle and he were sharing while taking their “methodical and prolonged cure.” Antoinette stayed for about a week before returning to Deauville. In Paris, meanwhile, the British ambassador was noting in his diary that

Capel is an invaluable… link with Clemenceau, but I am very anxious about his health. He is very neurasthenic [the contemporary term for nervous instability, which sounds close to a breakdown], and I am certain he himself thinks he is going off his head… Though he talks freely with me, they tell me that when he is alone at home he sits for hours without saying a word and you cannot get him to buckle down to any work. I am sending him away for a fortnight’s holiday. 10

The huge stresses of Arthur’s war work would have reduced many to an emotional crisis of some kind. In addition, he had been living for many months under the strain of conducting his romance with Diana with a divided heart. He had never been able to push the source of that division — Gabrielle — very far from his mind. He had not entered into the sacrament of marriage lightly, and the enormity of his action had overcome Arthur and reduced him to a state of emotional collapse. Unbeknownst to each other, he and Gabrielle were suffering a simultaneous crisis.

As Gabrielle made her own attempt at recuperation, also far from Paris, a young observer, Simone de Caillavet, recorded that she was mystified by the relationship between Gabrielle and Henri Bernstein and his wife. She found Antoinette and Gabrielle “equally emaciated” and commented on their “vehement friendship for one another.” Simone was unable to fathom “what bonds link the three units of this enigmatic trio.” 11Henri Bernstein was an incorrigible philanderer and a man possessed of a rather intense and melodramatic personality, rather like the heightened endings of his plays about love, which were so successful at the time. Gabrielle had arrived in the mountains overcome by a sense of rejection and loss, and temporary forgetfulness in seduction by this older man may have given her a welcome respite from her secretly desperate state of mind.

Gabrielle and Henri Bernstein did not, however, spend all their time alone. There were visitors to the villa. Adrienne came to stay, bringing a friend, a former dancer. Photographs show the women, and Henri, walking and picnicking in the summer mountain pastures. The women are all dressed in variations of a Chanel jersey skirt and loose belted jacket. In another photograph, they wear Gabrielle’s linen outfits. Her followers had become women of fashion who, for the first time, were prepared to look very similar. Previously, a couturier had to make endless tiny modifications to a style because one of a woman’s greatest fears was to find herself in the same outfit as someone else.

In other photographs, Gabrielle appears as a dazzling representation of “modernity,” with her bobbed hair and in her outfit of coarse silk pajamas — that same style she had recently made the height of chic in the bomb-shelter basement of the Ritz. Even Henri Bernstein was wearing these “outrageous” pajamas. In one photograph with a number of visitors, Antoinette is the only person not smiling. Young Nadine Rothschild was convinced that Antoinette “ignored the affair between her husband and Gabrielle because she had a ‘costly passion’ for fashionable clothes and found ‘sufficient compensation’ in being dressed for free by Gabrielle in many of her ‘sensational designs.’” 12

Then finally, this appalling war, waged at the cost of so many lives, was at an end. On September 29, 1918, the German Supreme Command informed Kaiser Wilhelm II that the military situation was hopeless. With no choice but to take his command’s recommendation, the Kaiser then asked the Allies for an immediate cease-fire. The negotiations that followed dragged on, and on, and the social deterioration of Europe grew worse than it might otherwise have been. This included a revolution in Germany, the abdication of the Kaiser and the proclamation of a German Republic on November 9. Finally, on November 11, the armistice was signed, famously, in Marshall Foch’s private train carriage, in that same forest of Compiègne where Gabrielle had ridden so many times with Etienne Balsan and their friends. During the course of the war, 11 percent of France’s population, approximately 6 percent of Great Britain’s, and 9 percent of Germany’s had been killed or wounded. The number was almost unimaginable; in all, approximately nine and a half million men had lost their lives.

While the armistice ended the fighting, it took another six months of negotiation at the Paris Peace Conference for the Allied victors to set peace terms for Germany and the other defeated nations. During those six months, Paris effectively became the seat of world government, as the negotiators brought to a close the reign of bankrupt empires and redrew the world map. As new countries were created, the infamously punitive peace treaty with Germany declared it must bear full guilt, and the Allies required that reparations be paid to them. Many thought this excessive. As assistant political secretary to the British delegation, Arthur was kept very busy for many months to come. Notoriously, if the aim had been to pacify, conciliate or permanently weaken Germany, it had failed; the Paris Peace Treaty would prove fertile ground for the roots of the Second World War.

If Arthur’s marriage had driven Gabrielle to leave the city, she now continued outside it in a villa she rented in the leafy outlying suburb of Garches. Here, with a view over Paris, she returned after long days of work for peace and the company of her dogs, to whom she had become very attached in recent years. If Gabrielle entertained any doubts about whether, at thirty-five, she could still be found attractive, she need not have worried. Henri Bernstein took her to meet his ex-lover, the beautiful ex-courtesan Liane de Pougy — now Princess Ghika. Writing of Gabrielle and Bernstein’s visit, de Pougy said, “Bernstein… brought… the dressmaker, Gabrielle Chanel — the taste of a fairy, the eyes and voice of a woman, the haircut and figure of an urchin.” 13Gabrielle had no shortage of admirers. When the armistice had at last been signed, Paris went mad and Gabrielle was to be seen at the festivities with a new lover, another handsome playboy, Paul Eduardo Martínez de Hoz, who was a member of the Jockey Club and scion of one of Argentina’s wealthiest families.

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