Lisa Chaney - Coco Chanel - An Intimate Life

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The controversial story of Chanel, the twentieth century's foremost fashion icon. Revolutionizing women's dress, Gabrielle "Coco'' Chanel was the twentieth century's most influential designer. Her extraordinary and unconventional journey-from abject poverty to a new kind of glamour- helped forge the idea of modern woman.
Unearthing an astonishing life, this remarkable biography shows how, more than any previous designer, Chanel became synonymous with a rebellious and progressive style. Her numerous liaisons, whose poignant and tragic details have eluded all previous biographers, were the very stuff of legend. Witty and mesmerizing, she became muse, patron, or mistress to the century's most celebrated artists, including Picasso, Dalí, and Stravinsky.
Drawing on newly discovered love letters and other records, Chaney's controversial book reveals the truth about Chanel's drug habit and lesbian affairs. And the question about Chanel's German lover during World War II (was he a spy for the Nazis?) is definitively answered.
While uniquely highlighting the designer's far-reaching influence on the modern arts, Chaney's fascinating biography paints a deeper and darker picture of Coco Chanel than any so far. Movingly, it explores the origins, the creative power, and the secret suffering of this exceptional and often misread woman.

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All this, my “ blonde,” is very complicated and I don’t give a damn about knowing why I love your lips and your big blue eyes and your brave smile when your soul gives me the illusion that it’s talking to my soul…

Be happy and I will be too.

Boy the Wanderer 16

And while Arthur wished that what he suspected was the “illusion” of his and Diana’s love would be real, Gabrielle was to say to Paul Morand that she’d been having so much fun she had “forgotten about love.” Yet by the time she came to her senses and halted her incessant round of activity for a moment, her intuition told her that something was very wrong. Arthur, meanwhile, rushing from meetings with the military and politicians in France then on to their counterparts in London, made no mention (any more than he normally would have) of his assignations and letters to Gabrielle’s English competitor.

The French president, Raymond Poincaré, had asked Georges Clemenceau, who was then seventy-six, to take over as prime minister in November 1917. Irritable and recklessly brave, Clemenceau had already been prime minister between 1906 and 1909. While disliked by the Right and the Left, he insisted upon unity above all. Temporarily surmounting political differences, he succeeded, as no one else had, in reenthusing his compatriots with the will to fight and win the war. 17Upon Clemenceau’s appointment, Arthur immediately sought an audience with him, offering to place his fleet at the service of the French government and to supply the country with coal. Clemenceau accepted Arthur’s offer, their friendship blossomed and Arthur was increasingly called upon to liaise at a high level between the British and the French. Having already gained considerable respect as liaison officer to General Allenby’s Cavalry Corps, alongside Edward Spears he now became (formally) one of the two most important officers liaising between the French and the British governments.

In Paris, in the spring of 1918, we find Arthur’s favorite sister, the exuberant and capricious Bertha, watching the showing of Gabrielle’s new season’s clothes, upstairs in the gold-trimmed salon at rue Cambon. (Gabrielle was one of the first couturiers to have live models walking back and forth, wearing her collections in a floor show.) On April 1, Vogue would describe the collection as ingenious, admiring the knitted-jersey dresses’ “silken suppleness, clinging so closely to the body.” Citing the society women wearing Chanel, such as Princess Radziwill, Vogue said that “many well-dressed women” were wearing versions of Gabrielle’s gray silk jersey “costume” embroidered in gray cotton, and that Mlle. Saint-Sauveur had sported one, this time embroidered in gold, “just a few days ago at a lunch at the Ritz.” At the same lunch, Princess Violette Murat showed off one of Gabrielle’s embroidered dresses “of blue silk jersey,” while Mrs. Hyde and Mlle. d’Hinnisdal also wore dresses by Gabrielle.

As the floor show got under way, without warning, Bertha Capel and her fellow guests were shocked out of their state of self-absorption by the sudden thump of an explosion that blew in windows and rocked the buildings nearby.

Paris was under fire from one of the huge long-range German cannons (nicknamed Big Bertha), the like of which had never been seen before. Shells followed one another every twenty minutes. A friend of Bertha’s at Gabrielle’s show remembered that at the first cannon shot, “the little emaciated models continued their walk, impassive.” “It is a rather extraordinary thing,” she [Bertha] says, “to watch the show of a mellow spring collection, during which the rhythm of the bombings sets the pace for the models presentation.” 18The cannons launched their shells on the city from as far away as seventy-five miles. Arriving without warning, the German bombardment could continue for several days at a time. On a particularly successful day, as many as twenty shells might reach Paris. From March to August 1918, they were responsible for the deaths of more than two hundred people and injuries to hundreds more. Their prime objective, however, was psychological. The aim was to weaken Parisian morale.

Meanwhile, the British ambassador, Lord Derby, irritably confided to his diary:

… of all the stupid things today the War Office telephoned here to know exactly where the shells from Big Bertha had fallen… as it is the one thing you are not allowed to talk about and… can be of no possible use to the Cabinet — unless it means they are frightened to come here — I told Capel… that he had better not send any reply. 19

Several of the women then staying at the Ritz came over to Chanel on the rue Cambon — situated just across the way from the hotel’s rear entrance — in search of something appropriate to wear should the shelling take place at night. Taking sudden shelter down in the Ritz’s cellars, what could Gabrielle substitute for their delicate nightgowns? The enterprising Gabrielle brought up and offered the rich refugees a consignment of men’s scarlet pajamas. The dashing young couturier decreed that these were not only acceptable, they were also stylish. She was soon reproducing them in coarse pale silk, and her more bold clients were delighted. “It was very chic, very daring and very new, as pajamas would only really become popular three or four years later, on the Lido at Venice.” 20

By the summer of 1918, the Germans had concluded that their only remaining chance of victory was to defeat the Allies before the overwhelming resources of the United States forces could be deployed against them. Meanwhile, Old Tiger, as Clemenceau was now known, traveled from one headquarters at the front to another, haranguing the generals and endearing himself to the troops by hobbling down into trench after trench to rouse and inspire them. He threw out the French commander in chief, Philippe Pétain, and replaced him with Ferdinand Foch. Paris was now bombarded from the air; the distant cannons continued hurling shells into the city, and once more the fighting had almost reached the capital. Again there was an exodus. Those who could went by car, while the rest squeezed onto crowded trains and any other transport they could find.

And while Arthur and Diana vacillated about their feelings for each other, Gabrielle was at the mercy of their uncertainty. Arthur may have gone for periods without seeing Gabrielle, but he found it impossible to give her up.

Between the strenuously hard work and the heartache, Arthur somehow made good progress on his new book. Here, complaining of a neglect of the art of maternity, and the prevalent system of marriages of convenience, he asked, when mothers married off their daughters for wealth, “What becomes of love and virtue in these barters of gold and beauty?” He believed that the natural result of this prison for women was that they turned to adultery, and “discretion replaces virtue.” 21Arthur believed that “this conception of marriage is a crime; a dreadful crime against the woman… Intelligence, beauty and virtue are the most precious gifts of a race. They all depend on motherhood.” 22The war was turning Arthur’s thoughts toward the regeneration of society, and thus he was being led to a new estimation of motherhood. And he must, at least partly, have had Diana in mind when he went on to say that “the English aristocracy… does not give a dowry to its daughters and leaves it to love to unite its children… the future role of women consists of making a Utopia a reality by giving birth to a generation that will be capable of thriving in it.” 23

At last, in that spring of 1918, Arthur and Diana came to a final decision. Somehow, Arthur broke the news to Gabrielle: he had found someone else and he had asked her to marry him. Perhaps Gabrielle had no longer been able to bear what she sensed already and had initiated this confession. But no matter how much she might have suspected, or indeed prepared herself for it over the last months, Arthur’s words left her devastated.

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