Lisa Chaney - Coco Chanel - An Intimate Life

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Coco Chanel: An Intimate Life: краткое содержание, описание и аннотация

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The controversial story of Chanel, the twentieth century's foremost fashion icon. Revolutionizing women's dress, Gabrielle "Coco'' Chanel was the twentieth century's most influential designer. Her extraordinary and unconventional journey-from abject poverty to a new kind of glamour- helped forge the idea of modern woman.
Unearthing an astonishing life, this remarkable biography shows how, more than any previous designer, Chanel became synonymous with a rebellious and progressive style. Her numerous liaisons, whose poignant and tragic details have eluded all previous biographers, were the very stuff of legend. Witty and mesmerizing, she became muse, patron, or mistress to the century's most celebrated artists, including Picasso, Dalí, and Stravinsky.
Drawing on newly discovered love letters and other records, Chaney's controversial book reveals the truth about Chanel's drug habit and lesbian affairs. And the question about Chanel's German lover during World War II (was he a spy for the Nazis?) is definitively answered.
While uniquely highlighting the designer's far-reaching influence on the modern arts, Chaney's fascinating biography paints a deeper and darker picture of Coco Chanel than any so far. Movingly, it explores the origins, the creative power, and the secret suffering of this exceptional and often misread woman.

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It seems odd, under these circumstances, that Arthur and Diana had been planning to meet up in a fortnight. Was he going to attempt another beginning with his wife, in which case he may well have formally broken off his affair with Gabrielle before driving south? Or had Arthur simply said goodbye to Gabrielle at Garches with the intention of ending his marriage when he met up with his wife in the south of France after Christmas? Whichever of these conclusions Arthur had made, one is left with the mournful understanding that while the resolution of this state of affairs had to end sadly for at least one of these three, instead it became a tragedy.

Whatever confused thoughts had filled Arthur’s head as he sped south to Cannes for Christmas with his sister Bertha — rather than spending it with his wife and baby girl — we will never know. But in the very early hours of the following morning, Arthur and Gabrielle’s companion from Royallieu days, Comte Léon de Laborde, at one time most likely Gabrielle’s lover, was ringing at the door. He knocked, he broke the silence of the quiet enclave and shouted. No one came. Laborde refused to give up and, finally, Gabrielle’s butler, Joseph, was there at the door. He was very reluctant to tell Mademoiselle and wanted to wait until morning. But Léon insisted that Gabrielle must know. At last she came down the stairs. In white pajamas, her short hair tousled, she looked to him “the silhouette of a youth in white satin.” 23

Léon told Gabrielle all that he knew. It had been late last evening, on the road between Saint-Raphaël and Cannes, when Arthur and Mansfield had almost reached their destination. Léon said that Arthur must have been very tired.

As he spoke, Gabrielle’s face was tortured, but she did not cry; only sat there, utterly still.

After a few minutes, still without a word, she walked back up the stairs. Returning, she had dressed and now carried an overnight bag. No, she would not wait; she wanted Léon to take her south, immediately. As they set off in his car, the dawn light was spreading over Paris.

Gabrielle refused Léon’s pleas with her to rest on the arduous journey south, and they reached Cannes the following evening.

Although it was late, Léon went from hotel to hotel asking if Lady Michelham, Arthur’s sister, was staying there with them. He made some calls. At last, he found her. Bertha was distraught. Gabrielle’s bid to see Arthur before he was buried made her refuse rest on the journey, but her wish was not to be granted. Apparently, Arthur had been so badly burned that the coffin had already been sealed.

Bertha insisted that the travelers must stay in her suite of rooms. They did, but Gabrielle refused a bedroom, sitting up on a chaise for the remainder of that night. The next day, she would not accompany Bertha and Léon to the first office in Arthur’s honor, at which he was given military honors, nearby at Fréjus cathedral. Instead, Gabrielle requested that Bertha’s chauffeur take her to the place where Arthur had died.

This man later told Bertha that at the spot where the captain’s car still lay, burned out like a blackened skeleton on the edge of the road, he stood back. He watched as Gabrielle walked around the car, touching it as if she were blind. Then she sat down on a milestone beside it. And at last, the heartbroken woman bent her head and sobbed. When Arthur had married, Gabrielle had “lost” him. Yet while he was alive there had always been hope, and he had returned. Each time he left her, there was the possibility he would come back. This time, there was none. To the chauffeur, standing discreetly at a distance, it seemed as if Gabrielle wept for hours.

On December 28, 1919, Le Gaulois reported that “the body of Captain Arthur Capel, Knight of the Légion d’Honneur, Mons Star, killed in a car accident, arrived yesterday morning [in Paris] and was laid in S.-Honoré d’Eylau, in the church’s vaults.” On January 2, the newspaper announced that “the funeral of Captain Arthur Capel, Companion British Empire… will take place tomorrow, Saturday 3 January at midday.”

A good portion of Parisian society congregated in the church filled to capacity that day. 24So, too, did a large English contingent, led by the British ambassador, Lord Derby, as well as a deputation of Arthur’s fellow British officers. Diana’s sisters and husbands were present, but Diana herself, and Arthur’s mistress, Gabrielle Chanel, were both absent. Afterward, Arthur was laid to rest in the cemetery of Montmartre, where a large tomb was later raised. In keeping with the ultimate elusiveness of this extraordinary man, it was marked with neither name, date, nor epitaph. It reads simply:

FAMILLE CAPEL

In letters of condolence to Diana, friends described Arthur’s importance to them, and how much he was loved. 25One of Diana’s sisters talked of his “pilgrim’s soul,” saying that “he never seemed to be very securely anchored” to this world. “His country was unexplored, don’t you agree?” One friend wrote: “He was such a strange, exceptional, attractive human being. And for you this must seem like the end of the world… Everyone here [in Paris] is shocked beyond words and I hear on all sides appreciation and regret.” 26Clemenceau said, “He was much too good to remain among us,” while a friend wrote that “Boy was the best, the most loyal, and the most devoted friend one could have, and we loved him like a brother… Every day will make us realize more the huge loss.” 27

Many years later, Gabrielle would add her own mournful and definitive elegy: “His death was a terrible blow to me… I lost everything when I lost Capel. He left a void in me that the years have not filled.” 28For Gabrielle, Arthur’s death did indeed “seem like the end of the world,” and for the moment she struggled to survive.

If she took any time away from her work, it can have been only a few days, for she had discovered what distracted her better than anything else: this was work. It was fortunate that Gabrielle’s reputation was in the ascendant and that her salon in rue Cambon was rarely still.

15. Beginning Again

Three months before Arthur’s death, Gabrielle had signed a contract. While keeping number 21 rue Cambon, she was to move her salon and personal apartment to much larger premises, just down the street at number 31. At this address, she was registered for the first time in Paris as a couturier. The five floors of 31 rue Cambon were where Gabrielle was to design, meet clients, and promote her business. By no means the largest Chanel salon, to this day, number 31 has remained the most important in the Chanel empire.

During the first months after Arthur’s death, on Saturdays, Gabrielle’s chauffeur drove her back to her villa retreat out at Garches. There, relieved of the need to pretend, she gave herself up to grief. At times, her faithful butler and housekeeper, Joseph and Marie Leclerc, became concerned. Gabrielle had her bedroom and everything in it done out in black. Grief had not, however, entirely obscured her good sense and robust physical and mental health. Having retired for her first night in her tomblike black bedroom, Gabrielle was overcome by its melancholy and reappeared, begging Marie to make her up a bed somewhere else.

In February 1920, Arthur’s will was published in The Times of London. The executors in Britain were Diana’s father and brother-in-law, the lords Ribblesdale and Lovat, respectively. In Paris, Arthur had chosen his friends the banker Evelyn Toulmin and Armand de Gramont, Duc de Guiche.

To Arthur’s sisters, Henriette and Edith, he bequeathed twenty thousand pounds. To his favorite, Bertha, he left nothing, knowing that she was well taken care of. (In early 1919, Bertha had entered into an arranged marriage with Herman Stern, son of the extremely wealthy art collector Lord Michelham. Herman was rather retarded, and he and his wife never lived together. But this had apparently been the deal with Bertha and her scheming motherin-law, who wanted her son to inherit the majority of the family fortune. Bertha kept her promise to have no children by Herman and in return was made financially independent for life. It appears that Arthur was an integral part of the negotiations, which had ensured his rather dotty sister’s future.) 1

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