Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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They passed over a large bridge. A tin sign said this was the McCloud River flowing thirty feet underneath them. In the reflection of the rising sun the water looked pink, like a miles-long curvy tongue. The mountain peaks were smoke-blue, the mists of fog right below them forming a gauzy kerchief.

With no more towns apparent, Lou figured it was time to get acquainted with the gentleman up front.

“What’s your name?” she asked. She had known many Negroes, mostly writers, poets, musicians, and those who acted on the stage, all her parents’ friends. But there had been others too. During her excursions through the city with her mother, Lou had met colored people who loaded the trash, flagged down the cabs, heaved the bags, scooted after others’ children, cleaned the streets, washed the windows, shined the shoes, cooked the food, and did the laundry, and took, in amicable measures, the insults and tips of their white clientele.

This fellow driving, he was different, because he apparently didn’t like to talk. Back in New York Lou had befriended one kindly old gentleman who worked a lowly job at Yankee Stadium, where she and her father would sometimes steal away to games. This old man, only a shade darker than the peanuts he sold, had told her that a colored man would talk your ear off every day of the week except the Sabbath, when he’d let God and the women have their shot.

The big fellow just continued to drive; his gaze didn’t even creep to the rearview mirror when Lou spoke. A lack of curiosity was something Lou could not tolerate in her fellow man.

“My parents named me Louisa Mae Cardinal, after my great-grandmother. I go by Lou, though, just Lou. My dad is John Jacob Cardinal. He’s a very famous writer. You’ve probably heard of him.”

The young man didn’t grunt or even wiggle a finger. The road ahead apparently held fascination for him that a dose of Cardinal family history simply could not compete with.

Getting into his sister’s spirited attempt at conversation, Oz said, “He’s dead, but our mom’s not.”

This indelicate comment drew an immediate scowl from Lou, and just as quickly Oz looked out the window, ostensibly to admire the countryside.

They were thrown forward a little when the Hudson came to an abrupt stop.

The young boy standing there was a little older than Lou, but about the same height. His red hair was all crazy-angled cowlicks, which still failed to cover conical ears that could easily have caught on a nail. He wore a stained long john shirt and dirty overalls that didn’t manage to hide bony ankles. His feet were bare even though the air wasn’t warm. He carried a long, hand-whittled cane fishing pole and a dented tackle box, which appeared to have once been blue. There was a black-and-tan mutt of a dog next to him, its lumpy pink tongue hanging out. The boy put his pole and box through the Hudson’s open rear window and climbed in the front seat like he owned it, his dog following his relaxed lead.

“Howdy-howdy, Hell No,” the stranger boy said amiably to the driver, who acknowledged this newcomer with an ever-so-slight nod of the head.

Lou and Oz looked at each other in puzzlement over this very odd greeting.

Like a pop-up toy, the visitor poked his head over the seat and stared at them. He had more than an adequate crop of freckles on his flat cheeks, a small mound of nose that carried still more freckles, and out of the sun his hair seemed even redder. His eyes were the color of raw peas, and together with the hair they made Lou think of Christmas wrapping paper.

“I bet I knowed me what, y’all Miss Louisa’s people, ain’tcha?” he said in a pleasant drawl, his smile endearingly impish.

Lou nodded slowly. “I’m Lou. This is my brother, Oz,” she said, with an easy courtesy, if only to show she wasn’t nervous.

Swift as a salesman’s grin, the boy shook hands with them. His fingers were strong, with many fine examples of the countryside imbedded in each of them. Indeed, if he’d ever had fingernails, it was difficult to tell under this remarkable collection of dirt. Lou and Oz both couldn’t help but stare at those fingers.

He must have noted their looks, because he said, “Been to digging worms since afore light. Candle in one hand, tin can in the other. Dirty work, y’all know.” He said this matter-of-factly, as though for years they all had knelt side by side under a hot sun hunting skinny bait.

Oz looked at his own hand and saw there the transfers of rich soil from the handshake. He smiled because it was as though the two had just undertaken the blood brother ritual. A brother! Now that was something Oz could get excited about.

The red-haired young man grinned good-naturedly, showing that most of his teeth were where they were supposed to be, though not many of them were what one could call either straight or white.

“Name’s Jimmy Skinner,” he said by way of modest introduction, “but folk call me Diamond, ’cause my daddy say that how hard my head be. This here hound’s Jeb.”

At the sound of his name Jeb poked his fluffy head over the seat and Diamond gave each of the dog’s ears a playful tug. Then he looked at Oz.

“That a right funny name fer a body. Oz.”

Now Oz looked worried under the scrutiny of his blood brother. Was their partnership not to be?

Lou answered for him. “His real name is Oscar. As in Oscar Wilde. Oz is a nickname, like in the Wizard of.”

His gaze on the ceiling of the Hudson, Diamond considered these facts, obviously searching his memory.

“Never tell of no Wildes up here.” He paused, thinking hard again, the wrinkles on his brow crazy-lined. “And wizard’a what ’xactly?”

Lou could not hide her astonishment. “The book? The movie? Judy Garland?”

“The Munchkins? And the Cowardly Lion?” added Oz.

“Ain’t never been to no pitcher show.” Diamond glanced at Oz’s bear and a disapproving look simmered on his face. “You right big fer that, now ain’tcha, son?”

This sealed it for Oz. He sadly wiped his hand clean on the seat, annulling his and Diamond’s solemn covenant.

Lou leaned forward so close she could smell Diamond’s breath. “That’s none of your business, is it?”

A chastened Diamond slumped in the front seat and let Jeb idly lick dirt and worm juice from his fingers. It was as though Lou had spit at the boy using words.

The ambulance was far ahead of them, driving slowly.

“I sorry your ma hurt,” said Diamond, in the manner of passing the peace pipe.

“She’s going to get better,” said Oz, always nimbler on the draw than was Lou with matters concerning their mother.

Lou stared out the window, arms across her chest.

“Hell No,” said Diamond, “just plop me off over to the bridge. Catch me anythin’ good, I bring it fer supper. Tell Miss Louisa?”

Lou watched as Hell No edged his blunt chin forward, apparently signaling a big, happy “Okay, Diamond!”

The boy popped up over the seat again. “Hey, y’all fancy good lard-fried fish fer supper?” His expression was hopeful, his intentions no doubt honorable; however, Lou was unwilling just now to make friends.

“We all shore would, Diamond. Then maybe we can find us a pitcher show in this one-horse town.”

As soon as Lou said this, she regretted it. It wasn’t just the disappointed look on Diamond’s face; it was also the fact that she had just blasphemed the place where her father had grown up. She caught herself looking to heaven, watching for grim lightning bolts, or maybe sudden rains, like tears falling.

“From some big city, ain’tcha?” Diamond said.

Lou drew her gaze from the sky. “The biggest. New York,” she said.

“Huh, well, y’all don’t be telling folks round here that.”

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