Дэвид Балдаччи - Wish You Well

Здесь есть возможность читать онлайн «Дэвид Балдаччи - Wish You Well» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2000, ISBN: 2000, Издательство: Oxmoor House, Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Wish You Well: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Wish You Well»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

Wish You Well — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Wish You Well», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Oz gaped at his ex–blood brother. “Why not?”

“Right chere’s good, Hell No. Come on now, Jeb.”

Hell No stopped the car. Directly in front of them was the bridge, although it was the puniest such one Lou had ever seen. It was a mere twenty feet of warped wooden planks laid over six-by-six tarred railroad ties, with an arch of rusted metal on either side to prevent one from plummeting all of five feet into what looked to be a creek full of more flat rock than water. Suicide by bridge jumping did not appear to be a realistic option here. And, judging from the shallow water, Lou did not hold out much hope for a lard-fried fish dinner, not that such a meal sounded particularly appealing to her anyway.

As Diamond pulled his gear from the back of the Hudson, Lou, who was a little sorry for what she had said, but more curious than sorry, leaned over the seat and whispered to him through the open rear window.

“Why do you call him Hell No?”

Her unexpected attention brought Diamond back to good spirits and he smiled at her. “ ’Cause that be his name,” he said in an inoffensive manner. “He live with Miss Louisa.”

“Where did he get that kind of a name?”

Diamond glanced toward the front seat and pretended to fiddle with something in his tackle box. In a low voice he said, “His daddy pass through these parts when Hell No ain’t no more’n a baby. Plunked him right on the dirt. Well, a body say to him, ‘You gonna come back, take that child?’ And he say, ‘Hell no.’ Now, Hell No, he never done nobody wrong his whole life. Ain’t many folk say that. And no rich ones.”

Diamond grabbed his tackle box and swung the pole to his shoulder. He walked to the bridge, whistling a tune, and Hell No drove the Hudson across, the structure groaning and complaining with each turn of the car wheels. Diamond waved and Oz returned it with his stained hand, hope welling back for maybe a friendship of enduring degree with Jimmy “Diamond” Skinner, crimson-crowned fisherboy of the mountain.

Lou simply stared at the front seat. At a man named Hell No.

CHAPTER SEVEN

The drop was a good three thousand feet if it was an inch. The Appalachians might pale in size if leveled against the upstart Rockies, but to the Cardinal children they seemed abundantly tall enough.

After leaving the small bridge and Diamond behind, the ninety-six horses of the Hudson’s engine had started to whine, and Hell No had dropped to a lower gear. The car’s protest was understandable, for now the uneven dirt road headed up at almost a forty-five-degree angle and wound around the mountain like a rattler’s coils. The road’s supposed twin lanes, by any reasonable measurement, were really only a single pregnant one. Fallen rock lay along the roadside, like solid tears from the mountain’s face.

Oz looked out only once at this potential drop to heaven, and then he chose to look no more. Lou stared off, their rise to the sky not really bothering her any.

Then, suddenly flying around a curve at them was a farm tractor, mostly rust and missing pieces and held together with coils of rusty wire and other assorted trash. It was almost too big for the narrow road all by itself, much less with a lumbering Hudson coming at it. Children were hanging and dangling every which way on the bulky equipment, as if it were a mobile jungle gym. One young boy about Lou’s age was actually suspended over nothing but air, hanging on only by his own ten fingers and God’s will, and he was laughing! The other children, a girl of about ten and a boy about Oz’s age, were clamped tight around whatever they could find to hold, their expressions seized with terror.

The man piloting this contraption was far more frightening even than the vision of out-of-control machinery holding flailing children hostage. A felt hat covered his head, years of sweat having leached to all points of the material. His beard was bristly rough, and his face was burnt dark and heavily wrinkled by the unforgiving sun. He seemed to be short, but his body was thick and muscular. His clothes, and those of the children, were almost rags.

The tractor was almost on top of the Hudson. Oz covered his eyes, too afraid even to attempt a scream. But Lou cried out as the tractor bore down on them.

Hell No, with an air of practiced calm, somehow drove the car out of the tractor’s path and stopped to let the other vehicle safely pass. So close were they to the edge that a full third of the Hudson’s tires were gripping nothing but the chilly brace of mountain air. Displaced rock and dirt dribbled over the side and were instantly scattered in the swirl of wind. For a moment Lou was certain they were going over, and she gripped Oz with all her strength, as though that would make a difference.

As the tractor roared by, the man glared at them all before settling on Hell No and shouting, “Stupid nig—”

The rest, thankfully, was covered by the whine of the tractor and the laughter and whoops of the suspended-in-air boy. Lou looked at Hell No, who didn’t flinch at any of this. Not the first time, she imagined—the near fatal collision and the awful name calling.

And then like a strike of hail in July, this rolling circus was gone. Hell No drove on.

As she got her nerves settled down, Lou could see loaded coal trucks far below them inching down one side of a road, while on the other side empty trucks flew hell-bent back up, like honeybees, to gorge some more. All around here the face of the mountains had been gashed open in places, exposing rock underneath, the topsoil and trees all gone. Lou watched as coal trolleys emerged from these wounds in the mountains, like drips of blackened blood, and the coal was tippled into the truck beds.

“Name’s Eugene.”

Lou and Oz both stared toward the front seat. The young man was looking at them in the mirror.

“Name’s Eugene,” he said again. “Diamond, he fergit sometime. But he a good boy. My frien’.”

“Hi, Eugene,” said Oz. And then Lou said hello too.

“Ain’t see folks much. Words ain’t come easy for me. I sorry for that.”

“That’s okay, Eugene,” said Lou. “Meeting strangers is hard.”

“Miss Louisa and me, we real glad you come. She a good woman. Take me in when I ain’t got no home. You lucky she your kin.”

“Well, that’s good because we haven’t been very lucky lately,” said Lou.

“She talk ’bout y’all much. And your daddy and momma. She care for your momma. Miss Louisa, she heal the sick.”

Oz looked at Lou with renewed hope, but she shook her head.

More miles went by, and then Eugene turned the car down a lane that wasn’t much more than twin ruts in the dirt spread over with still dormant grass and bracketed by thick wild brush. As they were obviously drawing near to their destination, Oz and Lou exchanged a glance. Excitement, nervousness, panic, and hope competed for space on the small landscapes of their faces.

The dirt lane nudged over to the north as it cleared a rise. Here the land splayed out into a broad valley of simple beauty. Green meadows were bracketed by vast forests of every wood the state boasted. Next to the meadows were cleared patchwork fields that yielded to split-rail corrals, weathered gray and wrapped with naked rambler rose vines. Anchoring the corrals was a large two-story plank barn, topped by a gambrel roof with rain hood, all covered by cedar shingles fashioned with froe and maul. It had large double doors at each end, with a set of hay doors above. A projecting timber was immediately above this portal and used to support the hay fork dangling from it. Three cows lay in the grass in one protected space, while a roan horse grazed alone in a small snake-rail corral. Lou counted a half dozen sheared sheep in another pen. And behind that was another fenced space where enormous hogs rolled in a wallow of mud, like giant babies at play. A pair of mules were doubletreed to a large wagon that sat by the barn, the sun reflecting off its tin-wrapped wooden wheels. Near the barn was a farmhouse of modest proportion.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Wish You Well»

Представляем Вашему вниманию похожие книги на «Wish You Well» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Дэвид Балдаччи - Перфектният удар
Дэвид Балдаччи
Дэвид Балдаччи - Абсолютна памет
Дэвид Балдаччи
Дэвид Балдаччи - Фикс
Дэвид Балдаччи
Дэвид Балдаччи - Ширината на света
Дэвид Балдаччи
Дэвид Балдаччи - One Summer
Дэвид Балдаччи
Дэвид Балдаччи - Чистая правда
Дэвид Балдаччи
Дэвид Балдаччи - Тотальный контроль
Дэвид Балдаччи
Дэвид Балдаччи - Верблюжий клуб
Дэвид Балдаччи
Дэвид Балдаччи - Предатели
Дэвид Балдаччи
Дэвид Балдаччи - Бягството
Дэвид Балдаччи
Отзывы о книге «Wish You Well»

Обсуждение, отзывы о книге «Wish You Well» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x