Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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After services they all headed outside. “My father’s a pastor in Massachusetts,” said Cotton, as they walked down the church steps. “And he’s also right partial to the fire and brimstone method of religion. One of his heroes was Cotton Mather, which is where I got my rather curious name. And I know that my father was greatly upset when I did not follow him on to the pulpit, but such is life. I had no great calling from the Lord, and didn’t want to do the ministry any disservice just to please my father. Now, I’m no expert on the subject, yet a body does get weary of being dragged through the holy briar patch only to have his pocket regularly picked by a pious hand.” Cotton smiled as he surveyed the folks gathering around the food. “But I guess it’s a fair price to pay to sample some of these good vittles.”

The food indeed was some of the best Lou and Oz had ever had: baked chicken, sugar-cured Virginia ham, collard greens and bacon, fluffy grits heaped with churned butter, fried crackling bread, vegetable casseroles, many-kind beans, and warm fruit pies—all no doubt created with the most sacred and closely guarded of family recipes. The children ate until they could eat no more, and then lay under a tree to rest.

Cotton was sitting on the church steps, working on a chicken leg and a cup of hot cider, and enjoying the peace of a good church supper, when the men approached. They were all farmers, with strong arms and blocky shoulders, a forward lean to all of them, their fingers curled tight, as though they were still working the hoe or scythe, toting buckets of water or pulling udder teats.

“Evening, Buford,” said Cotton, inclining his head at one of the men who stepped forward from the pack, felt hat in hand. Cotton knew Buford Rose to be a toiler in dirt and seed of long standing here, and a good, decent man. His farm was small, but he ran it efficiently. He was not so old as Louisa, but he had said so long to middle age years ago. He made no move to talk, his gaze fixed on his crumbling brogans. Cotton looked at the other men, most of whom he knew from helping them with some legal problem, usually to do with their deeds, wills, or land taxes. “Something on your minds?” he prompted.

Buford said, “Coal folk come by to see us all, Cotton. Talk ’bout the land. Selling it, that is.”

“Hear they’re offering good money,” said Cotton.

Buford glanced nervously at his companions, his fingers digging into his hat brim. “Well, they ain’t got that fer yet. See, thing is, they ain’t a’wanting to buy our land ’less Louisa sell. Say it got to do with how the gas lie and all. I ain’t unnerstand it none, but that what they say.”

“Good crops this year,” said Cotton. “Land generous to all. Maybe you don’t need to sell.”

“What ’bout next year?” said a man who was younger than Cotton but looked a good ten years older. He was a third-generation farmer up here, Cotton knew, and he didn’t look all that happy about it right now. “One good year ain’t make up fer three bad.”

“Why ain’t Louisa want’a sell, Cotton?” asked Buford. “She way older’n me even, and I done all worked out, and my boy he ain’t want to do this no more. And she got them chillin, and the sick woman care for. Ain’t make no sense to me she ain’t partial to sell.”

“This is her home, Buford. Just like it is yours. And it doesn’t have to make sense to us. It’s her wishes. We have to respect that.”

“But can’t you talk to her?”

“She’s made up her mind. I’m sorry.”

The men stared at him in silence, clearly not a single one of them pleased with this answer. Then they turned and walked away, leaving a very troubled Cotton Longfellow behind.

Oz had brought his ball and gloves to the church supper, and he threw with Lou and then with some of the other boys. The men gawked at his prowess and said Oz had an arm like they had never seen before. Then Lou happened upon a group of children talking about the death of Diamond Skinner.

“Stupid as a mule, getting hisself blowed up like that,” said one fat-cheeked boy Lou didn’t know.

“Going in a mine with dynamite lit,” said another. “Good Lord, what a fool.”

“Course, he never went to school,” said a girl with dark hair rolled in sausage curls who wore an expensive wide-brimmed hat with a ribbon around it and a frilly dress of similar cost. Lou knew her as Charlotte Ramsey, whose family didn’t farm but owned one of the smaller coal mines, and did well with it. “So poor thing probably didn’t know any better.”

After listening to this, Lou pushed her way into the group. She had grown taller in the time she had been living on the mountain, and she towered over all of them, though they were all close in age to her.

“He went in that mine to save his dog,” said Lou.

The fat-cheeked boy laughed. “Risk his life to save a hound. Boy was dumb.”

Lou’s fist shot out, and the boy was on the ground holding one of those fat cheeks that had just grown a little plumper. Lou stalked away and kept right on walking.

Oz saw what had happened and he collected his ball and gloves and caught up with her. He said nothing but walked silently beside her, letting her anger cool, surely nothing new for him. The wind was picking up and the clouds were rolling in as a storm front cleared the mountain tops.

“Are we walking all the way home, Lou?”

“You can go back and ride with Cotton and Eugene if you want.”

“You know, Lou, as smart as you are, you don’t have to keep hitting people. You can beat ’em with words.”

She glanced at him and couldn’t help but smile at his comment. “Since when did you get so mature?”

Oz thought about this for a few moments. “Since I turned eight.”

They walked on.

Oz had strung his gloves around his neck with a piece of twine, and he idly tossed the ball in the air and caught it behind his back. He tossed it again but did not catch it, and the ball dropped to the ground, forgotten.

George Davis had stepped from the woods quiet as a fog. For Lou, his nice clothes and clean face did nothing to soften the evil in the man. Oz was instantly cowed by him, but Lou said fiercely, “What do you want?”

“I know ’bout them gas people. Louisa gonna sell?”

“That’s her business.”

“My bizness! I bet I got me gas on my land too.”

“Then why don’t you sell your property?”

“Road to my place goes cross her land. They can’t git to me ’less she sell.”

“Well, that’s your problem,” said Lou, hiding her smile, for she was thinking that perhaps God had finally turned his attention to the man.

“You tell Louisa if she knowed what’s good for her she better sell. You tell her, she better damn well sell.”

“And you better get away from us.”

Davis raised his hand. “Smart-mouthed cuss!”

Quick as a snake, a hand grabbed Davis’s arm and stopped it in midair. Cotton stood there, holding on to that powerful arm and staring at the man.

Davis jerked his arm free and balled his fists. “You gonna get hurt now, lawyer.”

Davis threw a punch. And Cotton stopped the fist with his hand, and held on. And this time Davis couldn’t break the man’s grip, though he tried awfully hard.

When Cotton spoke, it was in a tone that was quiet and sent a delicious chill down Lou’s back. “I majored in American literature in college. But I was also captain of the boxing team. If you ever raise your hand to these children again, I’ll beat you within an inch of your life.”

Cotton let go of the fist and Davis stepped back, obviously intimidated by both the calm manner and strong hands of his opponent.

“Cotton, he wants Louisa to sell her property so he can too. He’s kind of insisting on it,” said Lou.

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