Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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“Sucked just ’bout all the wood we can from here,” one of the lumberjacks proudly explained. “Be heading out soon.” He didn’t seem bothered by this at all. Lou figured he was probably used to it. Conquer and move on, the only trace of their presence the butts of wood left behind.

On the trip home they tied Sue to the wagon and Lou and Oz rode in the back with Eugene. It had been a good day for everyone, but Oz was the happiest of them all, for he had “won” an official baseball from one of the camp boys by throwing it farther than any of them. He told them it was his proudest possession behind the graveyard rabbit’s foot Diamond Skinner had given him.

CHAPTER THIRTY-ONE

In reading to her mother, Lou chose not books, but rather Grit newspapers, and some copies of the Saturday Evening Post they had gotten from the lumber camp. Lou would stand against the wall of her mother’s room, the paper or magazine held in front of her, and read of the economy, world catastrophes, Hitler’s bludgeoning war across Europe, politics, the arts, movies, and the latest news of writing and writers, which made Lou realize how long it had been since she had actually read a book. School would start again very soon; even so, she had ridden Sue over to Big Spruce a few days before and borrowed some reading material for her and Oz from the “lending library,” with Estelle McCoy’s permission of course.

Louisa had taught Eugene to read when he was a child, and so Lou brought a book for him too. He was concerned he would find no time to read it, and yet he did, late at night under lamplight, his moistened thumb slowly turning the pages as he concentrated. Other times Lou helped him with his words as they worked the fields in preparation for the coming winter, or when milking the cows by kerosene lamp. Lou would take him through the Grit s and the Post s and Eugene particularly liked saying “Roooosevelt, President Roooosevelt,” a name that appeared often in the Grit pages. The cows looked at him strangely whenever he said “Roooosevelt,” as though they thought he was actually mooing at them in a peculiar way. And Lou couldn’t help but gape when Eugene asked her why somebody would name their child President.

“You ever think about living somewhere else?” Lou asked him one morning while they were milking.

He said, “Mountain all I seed, but I knowed they a lot mo’ to this world.”

“I could take you to the city one day. Buildings so tall you can’t walk up them. You ride in an elevator.” He looked at her curiously. “A little car that pulls you up and down,” she explained.

“Car? What, like’n the Hudson?”

“No, more like a little room you stand in.”

Eugene thought that interesting, but said he’d probably just stick to farming on the mountain. “Want’a get hitched, have me a family, raise the chillin good.”

“You’d make a good dad,” she said.

He grinned. “Well, you’d be a fine ma. How you is with your brother and all.”

Lou stared at him and said, “My mother was a great mom.” Lou tried to recall if she had ever actually told her mother that. Lou knew she had spent most of her adoration on her father. It was a very troubling thought to her, since it was now beyond remedy.

A week after her ride to the school library, Lou had just finished reading to Amanda, when she went out to the barn to be by herself. She climbed to the hayloft and sat in the opening of the double doors and looked across the valley to the mountains beyond. Pondering her mother’s depressing future, Lou finally turned her thoughts to the loss of Diamond. She had tried to put it out of her mind, but she realized she never really could.

Diamond’s funeral had been a strange yet heartfelt affair. People had emerged from slivers of farms and crevices of homesteads that Lou was unaware even existed, and all these people came to Louisa’s home by horse, ox, mule, foot, and tractor, and even one battered Packard with all its doors missing. Folks trooped through with plates of good food and jugs of cider. There were no formal preachers in attendance, but a number of folks stood and with shy voices offered comfort for the friends of the deceased. The cedar coffin sat in the front room, its lid securely nailed down, for no one had a desire to see what dynamite had done to Diamond Skinner.

Lou was not sure that all the older folks were really Diamond’s friends, yet she assumed they had been friends of his father. In fact she had heard one old gent by the name of Buford Rose, who had a head of thick white hair and few teeth, mutter about the blunt irony of both father and son having been done in by the damn mines.

They laid Diamond to rest next to the graves of his parents, their mounds long since pulled back into the earth. Various people read from the Bible and there were more than a few tears. Oz stood in the center of them all and boldly announced that his often-baptized friend was a lock for heaven. Louisa laid a bundle of dried wildflowers in the grave, stepped back, started to talk but then couldn’t.

Cotton offered up a fine eulogy to his young friend and recited a few examples from a storyteller he said he much admired: Jimmy “Diamond” Skinner. “In his own way,” said Cotton, “he would put to shame many of the finest taletellers of the day.”

Lou said a few quiet words, addressing them really to her friend in the box under the freshly turned dirt that smelled sweet yet sickened her. But he was not between those planks of cedar, Lou knew. He had gone on to a place higher even than the mountains. He was back with his father, and was seeing his mother for the very first time. He must surely be happy. Lou raised her hand to the sky and waved good-bye once again to a person who had come to mean so much to her, and who was now gone forever.

A few days after the burial, Lou and Oz had ventured to Diamond’s tree house and took an accounting of his belongings. Lou said Diamond would naturally want Oz to have the bird skeleton, the Civil War bullet, the flint arrowhead, and the crude telescope.

“But what do you get?” asked Oz, as he examined his inherited spoils.

Lou picked up the box and took out the lump of coal, the one allegedly containing the diamond. She would make it her mission to chip carefully away at it, for as long as it took, until the brilliant center was finally revealed, and then she would go and bury it with Diamond. When she noted the small piece of wood lying on the floor in the back of the tree house, she sensed what it was before ever she picked it up. It was a whittled piece, not yet finished. It was cut from hickory, shape of a heart, the letter L carved on one side, an almost finished D on the other. Diamond Skinner had known his letters. Lou pocketed the wood and coal, climbed down the tree, and didn’t stop running until she was back home.

They had, of course, adopted the loyal Jeb, and he seemed comfortable around them, though he would sometimes grow depressed and pine for his old master. Yet he too seemed to enjoy the trips Lou and Oz took to see Diamond’s grave, and the dog, in the mysterious way of the canine pet, would start to yip and do spins in the air when they drew near to it. Lou and Oz would spread fall leaves over the mound and sit and talk to Diamond and to each other and retell the funny things the boy had done or said, and there was no short supply of either. Then they would wipe their eyes and head home, sure in their hearts that his spirit was roaming freely on his beloved mountain, his hair just as stuck up, his smile just as wide, his feet just as bare. Diamond Skinner had had no material possessions to his name and yet had been the happiest creature Lou had ever met. He and God would no doubt get along famously.

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