Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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Louisa kept teaching the children things: She explained how blue lake beans have no strings, but pole beans, grown around the cornstalks, do, and they’ll choke you if you don’t first string them. And that they could raise most of their crop seed, except for oats, which required machinery to thresh them, machinery that simple mountain farmers would never have. And how to wash the clothes using the washboard and just enough soap made from lye and pig fat—but not too much—keeping the fire hot, rinsing the clothes properly, and adding bluing on the third rinse to get everything good and white. And then at night, by firelight, how to darn with needle and thread. Louisa even talked of when would be a good time for Lou and Oz to learn the fine arts of mule shoeing and quilting by frame.

Louisa also finally found time to teach Lou and Oz to ride Sue the mare. Eugene would hoist them, by turns, up on the mare, bareback, without even a blanket.

“Where’s the saddle?” Lou asked. “And the stirrups?”

“Your saddle’s your rump. A pair of strong legs your stirrups,” Louisa answered.

Lou sat up on Sue while Louisa stood beside the mare.

“Now, Lou, hold the reins in your right hand like I done showed you, like you mean it now!” said Louisa. “Sue’ll let you get by with some, but you got to let her know who’s boss.”

Lou flicked the reins, prodded the horse’s sides, generally kicked up a good row, and Sue remained absolutely motionless, as though she were sound asleep.

“Dumb horse,” Lou finally declared.

“Eugene,” Louisa called out to the field. “Come give me a boost up, please, honey.”

Eugene limped over and helped Louisa up on the horse, and she settled in behind Lou and took the reins.

“Now, the problem ain’t that Sue’s dumb, it’s that you ain’t speaking her way yet. Now, when you want Sue to go, you give her a nice punch in the middle and make a little chk-chk noise. To her that means go. When you want her to turn, you don’t jerk on the reins, you just glide them like. To stop, a little quick tug back.”

Lou did as Louisa had shown her, and Sue started moving. Lou glided the reins to the left and the horse actually went that way. She fast-tugged back on the reins and Sue came to a slow stop.

Lou broke into a big smile. “Hey, look at me. I’m riding.”

From Amanda’s bedroom window, Cotton leaned his head out and watched. Then he looked to the beautiful sky, and then over at Amanda in the bed.

A few minutes later, the front door opened and Cotton carried Amanda outside and put her in the rocking chair there, next to a screen of maypops that were in full bloom of leathery purple.

Oz, who was now up on Sue with his sister, looked over, saw his mother, and almost fell off the horse. “Hey, Mom, look at me. I’m a cowboy!” Louisa stood next to the horse, staring over at Amanda. Lou finally looked, but she didn’t seem very excited to see her mother outside. Cotton’s gaze went from daughter to mother, and even Cotton had to admit, the woman looked pitifully out of place in the sunshine, her eyes closed, the breeze not lifting her short hair, as though even the elements had abandoned her. He carried her back inside.

It was a bright summer’s morning a few days later, and Lou had just finished milking the cows and was coming out of the barn with full buckets in her arms. She stopped dead as she stared across at the fields. She ran so fast to the house that the milk splashed around her feet. She set the buckets on the porch and ran into the house, past Louisa and Eugene and down the hall yelling at the top of her lungs. She burst into her mother’s room, and there was Oz sitting next to her, brushing her hair.

Lou was breathless. “It’s working. It’s green. Everything. The crops are coming up. Oz, go see.” Oz raced out of the room so fast he forgot he only had on his underwear. Lou stood there in the middle of the room, her chest heaving, her smile wide. As her breathing calmed, Lou went over to her mother and sat down, took up a limp hand. “I just thought you’d like to know. See, we’ve been working really hard.” Lou sat there in silence for a minute more, and then put the hand down and left, her excitement spent.

In her bedroom that night, as on so many other evenings, Louisa worked the Singer pedal sewing machine she had bought for ten dollars on installment nine years back. She wouldn’t reveal to the children what she was making, and wouldn’t even let them guess. Yet Lou knew it must be something for her and Oz, which made her feel even guiltier about the fight with Billy Davis.

After supper the next evening, Oz went to see his mother, and Eugene went to work on some scythes in the corncrib. Lou washed the dishes, and then sat on the front porch next to Louisa. For a while, neither ventured to talk. Lou saw a pair of titmice fly out of the barn and land on the fence. Their gray plumage and pointed crests were glorious, but the girl wasn’t much interested.

“I’m sorry about the fighting,” Lou said quickly, and let out a relieved breath that her apology was finally done.

Louisa stared at the two mules in the pen. “Good to know,” she said, and then said no more. The sun was starting its fall and the sky was fairly clear, with not many clouds worth noting. A big crow was sky-surfing alone, catching one drift of wind and then another, like a lazily falling leaf.

Lou cupped some dirt and watched a battalion of ants trail across her hand. The honeysuckle vine was in full, scented morning glory, filling the air along with the fragrances of cinnamon rose and clove pinks, and the purple wall of maypops dutifully shaded the porch. Rambling rose had twisted itself around most of the fence posts and looked like bursts of still fire.

“George Davis is an awful man,” said Lou.

Louisa leaned her back against the porch railing. “Work his children like mules and treats his mules better’n his children.”

“Well, Billy didn’t have to be mean to me,” Lou said, and then grinned. “And it was funny to see him fall out of that tree when he saw the dead snake I put in his lunch pail.”

Louisa leaned forward and looked at her curiously. “You see anythin’ else in that pail?”

“Anything else? Like what?”

“Like food.”

Lou appeared confused. “No, the pail was empty.”

Louisa slowly nodded, settled back against the railing once more, and looked to the west, where the sun was commencing its creep behind the mountains, kindling the sky pink and red.

Louisa said, “You know what I find funny? That children believe they should be shamed ’cause their daddy don’t see fit to give them food. So shamed they’d haul an empty pail to school and pretend to eat, so’s nobody catch on they ain’t got nothing to eat. You find that funny?”

Lou shook her head, her gaze at her feet. “No.”

“I know I ain’t talked to you ’bout your daddy. But my heart goes out to you and Oz, and I love both of you even more, on ’count of I want to make up for that loss, even though I know I can’t.” She put a hand on Lou’s shoulder and turned the girl to her. “But you had a fine daddy. A man who loved you. And I know that makes it all the harder to get by, and that’s both a blessing and a curse that we all just got to bear in this life. But thing is, Billy Davis got to live with his daddy ever day. I’d ruther be in your shoes. And I know Billy Davis would. I pray for all them children ever day. And you should too.”

CHAPTER TWENTY-THREE

The grandmother clock had just struck midnight when the pebbles hit Lou’s window. The girl was in the middle of a dream that disintegrated under the sudden clatter. Lou stepped to the window and looked out, seeing nothing at first. Then she spotted her caller and opened the window.

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