Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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She went to the barn and milked the cows, carrying a full bucket into the kitchen and the rest to the springhouse, where she laid it in the cool stream of water. The air was already growing warmer.

Lou had the cookstove hot and the pan with lard fired up when her great-grandmother walked in. Louisa was fretting that she and Eugene had slept late. Then Louisa eyed the full buckets on the sink, and Lou told her she had already milked the cows. When she saw the rest of the work Lou had done, Louisa smiled appreciatively. “Next thing I know you’ll be running this place without me.”

“I doubt that will ever happen,” said the girl in a way that made Louisa stop smiling.

Cotton showed up unannounced a half hour later dressed in patched work pants, an old shirt, and worn brogans. He didn’t wear his wire-rim glasses, and his fedora had been replaced with a straw hat, which, Louisa said, was foresight on his part because it looked like the sun would burn a bright one today.

They all said their hellos to the man, though Lou had mumbled hers. He had come to read to her mother regularly, as promised, and Lou was resenting it more each time. However, Lou appreciated his gentle ways and courtly manners. It was a conflicted, troubling situation for the girl.

The temperature, though cold the night before, had not come close to freezing. Louisa didn’t have a thermometer, but, as she said, her bones were just as accurate as bottled mercury. The crops were going in, she declared to all. Late to plant often meant never to harvest.

They trucked over to the first field to be sown, a sloped rectangle of ten acres. The vigilant wind had chased the malingering gray clouds over the ridgeline, leaving the sky clear. The mountains, though, looked markedly flat this morning, as if they were props only. Louisa carefully passed out bags of seed corn from the season before, shelled and then kept in the corncrib over the winter. She instructed the troops carefully as to their usage. “Thirty bushels of corn an acre is what we want,” she said. “More, if we can.”

For a while things went all right. Oz walked his rows, meticulously counting out three seeds per hill as Louisa had told them. Lou, though, was letting herself become sloppy, dropping two at some places, four at others.

“Lou,” Louisa said sharply. “Three seeds per hill, girl!”

Lou stared at her. “Like it really makes a difference.”

Louisa rested fists on her haunches. “Difference twixt eating and not!”

Lou stood there for a moment and then started up again, at a clip of three seeds per hill about nine inches apart. Two hours later, with the five of them working steadily, only about half the field had been laid. Louisa had them spend another hour using hoes to hill the planted corn. Oz and Lou soon had purple blood blisters in the crooks of their hands, despite the gloves they wore. And Cotton too had done the same to his.

“Lawyering is poor preparation for honest work,” he explained, showing off his twin sore prizes.

Louisa’s and Eugene’s hands were so heavily callused that they wore no gloves at all, hilled twice as much as the others, and came away with palms barely reddened by the tools’ coarse handles.

With the last dropped seed hilled, Lou, far more bored than tired, sat on the ground, slapping her gloves against her leg. “Well, that was fun. What now?”

A curved stick appeared in front of her. “Before you get on to school, you and Oz gonna find some wayward cows.”

Lou looked up into Louisa’s face.

Lou and Oz tramped through the woods. Eugene had let the cows and the calf out to graze in the open field, and, as cows, like people, were wont to do, they were wandering the countryside looking for better prospects.

Lou smacked a lilac bush with the stick Louisa had given her to scare off snakes. She had not mentioned the threat of serpents to Oz, because she figured if he knew, she’d end up carrying her brother on her back. “I can’t believe we have to find some stupid cows,” she said angrily. “If they’re dumb enough to get lost, they should stay lost.”

They pushed through tangles of dogwood and mountain laurel. Oz swung on the lower branch of a scraggly pine, and then gave out a whistle as a cardinal flitted by, though most folks from the mountain would have certainly called it a redbird.

“Look, Lou, a cardinal, like us.”

Keeping an eye out more for birds than cows, they quickly saw many varieties, most of which they did not know. Hummingbirds twitted over beds of morning glories and wood violets; the children scared up a mess of field larks from thick ground-cover. A sparrow hawk let them know it was around, while a pack of nasty blue jays bothered everybody and everything. Wild, bushy rhododendrons were beginning to bloom in pink and red, as were the lavender-tipped white flowers of Virginia thyme. On the sides of steep slopes they could see trailing arbutus and wolfsbane among the stacked slate and other protrusions of rocks. The trees were in full, showy form, and the sky a cap of blue to finish it off. And here they were, hunting aimless bovines, thought Lou.

A cowbell clunked to the east of them.

Oz looked excited. “Louisa said to follow the bell the cows wear.”

Lou chased Oz through groves of beech, poplar, and basswood, the strong vines of wisteria clutching at them like irksome hands, their feet tripping over bumps of shallow roots clinging to uneven, shifting ground. They came to a small clearing ringed with hemlock and gum and heard the bell again, but saw no cows. A gold-finch darted past, startling them.

“Moo. Moooo!” came the voice, and the bell clunked.

The pair looked around in bewilderment until Lou glanced up in the crook of a maple and saw Diamond swinging the bell and speaking cow. He was barefoot, same clothes as always, cigarette behind his ear, hair reaching to the sky, as though a mischievous angel was tugging at the boy’s red mop.

“What are you doing?” Lou demanded angrily.

Diamond gracefully swung from branch to branch, dropped to the ground, and clunked the bell once more. Lou noted that he had used a piece of twine to tie the pocketknife she had given him to a loop on his overalls.

“Believing I were a cow.”

“That’s not funny,” Lou said. “We have to find them.”

“Shoot, that’s easy. Cows ain’t never really lost, they just mosey round till somebody come get ’em.” He whistled and Jeb broke through the tangle of brush to join them.

Diamond led them through a swath of hickory and ash; on the trunk of the latter a pair of squirrels were having an argument, apparently over some division of spoils. They all stopped and stared in reverence at a golden eagle perched on a limb of a ruler-straight eighty-foot poplar. In the next clearing, they saw the cows grazing in a natural pen of fallen trees.

“I knowed they was Miss Louisa’s right off. Figger you’d probably come traipsing through after ’em.”

With Diamond’s and Jeb’s help, they drove the cows back to their farm pen. Along the way, Diamond showed them how to hold on to the animals’ tails, let the cows pull them uphill, to make them pay back a little, he said, for wandering off. When they shut the corral gate, Lou said, “Diamond, tell me why you put horse manure in that man’s car.”

“Can’t tell you, ’cause I ain’t do it.”

“Diamond, come on. You as good as admitted you did to Cotton.”

“Got me oak ears, can’t hear nuthin’ you saying.”

A frustrated Lou drew circles in the dirt with her shoe. “Look, we have to get to school, Diamond. You want to come with us?”

“Don’t go to no school,” he said, slipping the unlit cigarette between his lips and becoming an instant adult.

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