Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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“ ’Cause the man who gimme it said it was. And he ain’t ask for not a durn thing. And man ain’t even know my name was Diamond. So there,” he added indignantly, seeing the disbelief on Lou’s features. He took the coal lump back from Oz. “I chip me off a little piece ever day. And one time I gonna tap it and there it’ll be, the biggest, purtiest diamond anybody’s ever saw.”

Oz eyed the rock with the reverence he usually reserved for grown-ups and church. “Then what will you do with it?”

Diamond shrugged. “Ain’t sure. Mebbe nothing. Mebbe keep it right up here. Mebbe give it to you. You like that?”

“If there is a diamond in there, you could sell it for a lot of money,” Lou pointed out.

Diamond rubbed at his nose. “Ain’t need no money. Got me all I need right here on this mountain.”

“Have you ever been off this mountain?” Lou asked.

He stared at her, obviously offended. “What, you think I’a hick or somethin’? Gone on down to McKenzie’s near the bridge lots of times. And over to Tremont.”

Lou looked out over the woods below. “How about Dickens? You ever been there?”

“Dickens?” Diamond almost fell out of the tree. “Take a day to walk it. ’Sides, why’d a body want’a go there?”

“Because it’s different than here. Because I’m tired of dirt and mules and manure and hauling water,” said Lou. She patted her pocket. “And because I’ve got twenty dollars I brought with me from New York that’s burning a hole in my pocket,” she added, staring at him.

This gigantic sum staggered Diamond, yet even he seemed to understand the possibilities. “Too fer to walk,” he said, fingering the coal lump, as though trying to hurry the diamond into hatching.

“Then we don’t walk,” replied Lou.

He glanced at her. “Tremont right closer.”

“No, Dickens. I want to go to Dickens.”

Oz said, “We could take a taxi.”

“If we get to the bridge at McKenzie’s,” Lou ventured, “then maybe we can hitch a ride to Dickens with somebody. How far is the bridge on foot?”

Diamond considered this. “Well, by road it a good four hour. Time git down there, got to come back. And that be a tiring way to spend a day off from farming.”

“What way is there other than the road?”

“You really want’a get on down there?” he said.

Lou took a deep breath. “I really want to, Diamond.”

“Well, then, we going. I knowed me a shortcut. Shoot, get us there quick as a sneeze.”

Since the mountains had been formed, water had continued eroding the soft limestone, carving thousand-foot-deep gullies between the harder rocks. The line of finger ridges marched next to the three of them as they walked along. The ravine they finally came to was wide and seemed impassable until Diamond led them over to the tree. The yellow poplars here grew to immense proportion, gauged by a caliper measured in feet instead of inches. Many were thicker than a man was tall, and rose up to a hundred and fifty feet in height. Fifteen thousand board feet of lumber could be gotten from a single poplar. A healthy specimen lay across this gap, forming a bridge.

“Going ’cross here cuts the trip way down,” Diamond said.

Oz looked over the edge, saw nothing but rock and water at the end of a long fall, and backed away like a spooked cow. Even Lou looked uncertain. But Diamond walked right up to the log.

“Ain’t no problem. Thick and wide. Shoot, walk ’cross with your eyes closed. Come on now.”

He made his way across, never once looking down. Jeb scooted easily after him. Diamond reached safe ground and looked back. “Come on now,” he said again.

Lou put one foot up on the poplar but didn’t take another step.

Diamond called out from across the chasm. “Just don’t look down. Easy.”

Lou turned to her brother. “You stay here, Oz. Let me make sure it’s okay.” Lou clenched her fists, stepped onto the log, and started across. She kept her eyes leveled on nothing but Diamond and soon joined him on the other side. They looked back at Oz. He made no move toward the log, his gaze fixed on the dirt.

“You go on ahead, Diamond. I’ll go back with him.”

“No, we ain’t gonna do that. You said you want’a go to town? Well, dang it, we going to town.”

“I’m not going without Oz.”

“Ain’t got to.”

Diamond jogged back across the poplar bridge after telling Jeb to stay put. He got Oz to climb on his back and Lou watched in admiration as Diamond carried him across.

“You sure are strong, Diamond,” said Oz as he gingerly slid down to the ground with a relieved breath.

“Shoot, that ain’t nuthin’. Bear chased me ’cross that tree one time and I had Jeb and a sack of flour on my back. And it were nighttime too. And the rain was pouring so hard God must’ve been bawling ’bout somethin’. Couldn’t see a durn thing. Why, I almost fell twice.”

“Well, good Lord,” said Oz.

Lou hid her smile well. “What happened to the bear?” she asked in seemingly honest excitement.

“Missed me and landed in the water, and that durn thing never bothered me no mo’.”

“Let’s go to town, Diamond,” she said, pulling on his arm, “before that bear comes back.”

They crossed one more bridge of sorts, a swinging one made from rope and cedar slats with holes bored in them so the hemp could be pulled through and then knotted. Diamond told them that pirates, colonial settlers, and later on, Confederate refugees had made the old bridge and added to it at various points in time. And Diamond said he knew where they were all buried, but had been sworn to secrecy by a person he wouldn’t name.

They made their way down slopes so steep they had to hang on to trees, vines, and each other to stop from tumbling down head-first. Lou stopped every once in a while to gaze out as she clutched a sapling for support. It was something to stand on steep ground and look out at land of even greater angles. When the land became flatter and Oz grew tired, Lou and Diamond took turns carrying him.

At the bottom of the mountain, they were confronted with another obstacle. The idling coal train was at least a hundred cars long, and it blocked the way as far as they could see in either direction. Unlike those of a passenger train, the coal train’s cars were too close together to step between. Diamond picked up a rock and hurled it at one of the cars. It struck right at the name emblazoned across it: Southern Valley Coal and Gas.

“Now what?” said Lou. “Climb over?” She looked at the fully loaded cars and the few handholds, and wondered how that would be possible.

“Shoot naw,” said Diamond. “Unner.” He stuck his hat in his pocket, dropped to his belly, and slid between the car wheels and under the train. Lou and Oz quickly followed, as did Jeb. They all emerged on the other side and dusted themselves off.

“Boy got hisself cut in half last year doing that very thing,” said Diamond. “Train start up when he were unner it. Now, I ain’t see it, but I hear it were surely not purty.”

“Why didn’t you tell us that before we crawled under the train?” demanded a stunned Lou.

“Well, if I’d done that, you ain’t never crawled unner, now would you?”

On the main road they caught a ride in a Ramsey Candy truck and each was given a Blue Banner chocolate bar by the chubby, uniformed driver. “Spread the word,” he told them. “Good stuff.”

“Sure will,” said Diamond as he bit into the candy. He chewed slowly, methodically, as though suddenly a connoisseur of fine chocolate testing a fresh batch. “You give me ’nuther one and I get the word out twice as fast, mister.”

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