Дэвид Балдаччи - Wish You Well

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Precocious 12-year-old Louisa Mae Cardinal lives in the hectic New York City of 1940 with her family. Then tragedy strikes--and Lou and her younger brother, Oz, must go with their invalid mother to live on their great- grandmother's farm in the Virginia mountains.
Suddenly Lou finds herself coming of age in a new landscape, making her first true friend, and experiencing adventures tragic, comic, and audacious. But the forces of greed and justice are about to clash over her new home . . . and as their struggle is played out in a crowded Virginia courtroom, it will determine the future of two children, an entire town, and the mountains they love.
### Amazon.com Review
David Baldacci has made a name for himself crafting big, burly legal thrillers with larger-than-life plots. However, *Wish You Well* , set in his native Virginia, is a tale of hope and wonder and "something of a miracle" just itching to happen. This shift from contentious urbanites to homespun hill families may come as a surprise to some of Baldacci's fans--but they can rest assured: the author's sense of pacing and exuberant prose have made the leap as well.
The year is 1940. After a car accident kills 12-year-old Lou's and 7-year-old Oz's father and leaves their mother Amanda in a catatonic trance, the children find themselves sent from New York City to their great-grandmother Louisa's farm in Virginia. Louisa's hardscrabble existence comes as a profound shock to precocious Lou and her shy brother. Still struggling to absorb their abandonment, they enter gamely into a life that tests them at every turn--and offers unimaginable rewards. For Lou, who dreams of following in her father's literary footsteps, the misty, craggy Appalachians and the equally rugged individuals who make the mountains their home quickly become invested with an almost mythic significance:
> They took metal cups from nails on the wall and dipped them in the water, and then sat outside and drank. Louisa picked up the green leaves of a mountain spurge growing next to the springhouse, which revealed beautiful purple blossoms completely hidden underneath. "One of God's little secrets," she explained. Lou sat there, cup cradled between her dimpled knees, watching and listening to her great-grandmother in the pleasant shade...
Baldacci switches deftly between lovingly detailed character description (an area in which his debt to Laura Ingalls Wilder and Harper Lee seems evident) and patient development of the novel's central plot. If that plot is a trifle transparent--no one will be surprised by Amanda's miraculous recovery or by the children's eventual battle with the nefarious forces of industry in an attempt to save their great-grandmother's farm--neither reader nor character is the worse for it. After all, nostalgia is about remembering things one already knows. *--Kelly Flynn*
### From Publishers Weekly
Baldacci is writing what? That waspish question buzzed around publishing circles when Warner announced that the bestselling author of The Simple Truth, Absolute Power and other turbo-thrillers—an author generally esteemed more for his plots than for his characters or prose—was trying his hand at mainstream fiction, with a mid-century period novel set in the rural South, no less. Shades of John Grisham and A Painted House. But guess what? Clearly inspired by his subject—his maternal ancestors, he reveals in a foreword, hail from the mountain area he writes about here with such strength—Baldacci triumphs with his best novel yet, an utterly captivating drama centered on the difficult adjustment to rural life faced by two children when their New York City existence shatters in an auto accident. That tragedy, which opens the book with a flourish, sees acclaimed but impecunious riter Jack Cardinal dead, his wife in a coma and their daughter, Lou, 12, and son, Oz, seven, forced to move to the southwestern Virginia farm of their aged great-grandmother, Louisa. Several questions propel the subsequent story with vigor. Will the siblings learn to accept, even to love, their new life? Will their mother regain consciousness? And—in a development that takes the narrative into familiar Baldacci territory for a gripping legal showdown—will Louisa lose her land to industrial interests? Baldacci exults in high melodrama here, and it doesn't always work: the death of one major character will wring tears from the stoniest eyes, but the reappearance of another, though equally hanky-friendly, is outright manipulative. Even so, what the novel offers above all is bone-deep emotional truth, as its myriad characters—each, except for one cartoonish villain, as real as readers' own kin—grapple not just with issues of life and death but with the sufferings and joys of daily existence in a setting detailed with finely attuned attention and a warm sense of wonder. This novel has a huge heart—and millions of readers are going to love it. Agent, Aaron Priest. 600,000 first printing; 3-city author tour; simultaneous Time Warner Audiobook; foreign rights sold in the U.K., Bulgaria, Italy, Germany, Denmark, Norway, Sweden, Holland, Turkey; world Spanish rights sold. (One-day laydown, Oct. 24)
Copyright 2000 Reed Business Information, Inc.

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Cotton heard a noise, glanced toward the window, and saw a glimpse of Lou right before she ducked down. Cotton silently read the last part of the letter and then decided to read it in a very loud voice. He would be speaking as much to the daughter, who the man knew lurked right outside the window, as to the mother lying in bed.

“And from watching you all those years conduct your life with honesty, dignity, and compassion, I know that there is nothing so powerful as the emboldened kindness of one human being reaching out to another, who is held only by despair. I think of you every day, Louisa, and so I will, as long as my heart continues to beat. With much love, Jack.”

Lou poked her head over the sill again. Inch by inch she turned until she was looking at her mother. But there was no change in the woman, none at all. Lou angrily pushed away from the window. Poor Diamond was teetering mightily now, for her shove against the windowsill had done his balancing efforts no kindness. Diamond finally lost the battle, and both he and Lou went tumbling over, their plummet ending in a series of grunts and groans as they sprawled on the ground.

Cotton rushed to the window in time to see the pair race around the house. He turned back to the woman in bed. “You really must come and join us, Miss Amanda,” he said, and then added quietly, as though afraid that anyone other than himself would hear, “for a lot of reasons.”

CHAPTER SEVENTEEN

The house was dark, the sky a mess of clouds that promised a good rain come morning. However, when skittish clouds and fragile currents bumped over high rock, the weather often changed quickly: snow became rain and clear became foul, and a body got wet or cold when he least expected to. The cows, hogs, and sheep were safely in the barn, for Old Mo, the mountain lion, had been seen around, and there had been talk of the Tyler farm losing a calf, and the Ramseys a pig. All those on the mountain handy with a shotgun or rifle were keeping their eyes peeled for the old scavenger.

Sam and Hit stood silently in their own corral. Old Mo would never prey on the pair. An ornery mule could kick just about anything to death in a matter of minutes.

The front door of the farmhouse opened. Oz made not a sound when he closed the door behind him. The boy was fully dressed and had his bear clutched tight. He looked around for a few seconds and then took off past the corral, cleared the fields, and plunged into the woods.

The night was a bucket of coal, the wind rattled tree limbs, the underbrush was thick with sounds of stealthy movement, and the tall grass seemed to clutch at Oz’s pant legs. The little boy was certain that regiments of hobgoblins were roaming nearby in full terrifying splendor, he their sole target on earth. Yet something inside Oz had clearly risen superior to these horrors, for he did not once think of turning back. Well, maybe once, he admitted to himself. Or perhaps twice.

He ran hard for a while, making his way over knolls, navigating crisscross gullies, and stumbling through the jumble of dense woods. He cleared one last grove of trees, stopped, stooped low, waited a bit, and then eased out into the meadow. Up ahead he saw what he had come for: the well. He took one last deep breath, gripped his bear, and boldly walked right up to it. But Oz was no fool, so just in case, he whispered, “It’s a wishing well, not a haunted well. It’s a wishing well, not a haunted well.”

He stopped and stared at the brick-and-mortar beast, then spit on one hand and rubbed it on his head for luck. He next looked at his beloved bear for a long time, and then laid it gently down against the base of the well and backed away.

“Good-bye, bear. I love you, but I’ve got to give you up. You understand.”

Now Oz was unsure of how to proceed. Finally, he crossed himself and put his hands together as though in prayer, figuring that would satisfy even the most demanding of spirits who granted wishes to little boys desperately in need of them. Staring at the sky he said, “I wish that my mother will wake up and love me again.” He paused and then added solemnly, “And Lou too.”

He stood there with the wind slicing into him and with peculiar sounds emerging from a thousand hidden crevices, all potent with evil, he was sure. And yet with all that, Oz was unafraid; he had done what he came to do.

He concluded with “Amen, Jesus.”

Moments after Oz turned and ran off, Lou stepped from the trees and looked after her little brother. She walked up to the well, reached down, and picked up his bear.

“Oz, you are so dumb.” But she didn’t have her heart in the insult, and her voice broke. And ironically it was iron-tough Lou and not open-souled Oz who knelt there on the damp ground and sobbed. Finally wiping her face on her sleeve, Lou rose and turned her back to the well. With Oz’s bear held tightly to her chest, she started to walk away. Something made her stop though—she wasn’t exactly sure what. But, yes, the fierce wind truly seemed to be blowing her backward, toward the thing Diamond Skinner had so foolishly called a wishing well. She turned and looked at it, and on a night when the moon seemed to have totally abandoned her and the well, the brick seemed to glow as though afire.

Lou wasted no time. She set the bear back down, reached in the pocket of her overalls, and pulled it out: the photo of her and her mother, still in the frame. Lou placed the precious photograph next to the beloved bear, stepped back, and taking a page from her brother’s book, clasped her hands together and looked to the sky. Unlike Oz, though, she did not bother to cross herself, or to speak loud and clear to that well or to the heavens above. Her mouth moved, but no words could be heard, as though her faith in what she was doing were lacking still.

Finished, she turned and ran after her brother, though she would be careful to keep her distance. She didn’t want Oz to know he’d been followed, even though she had come along only to watch over him. Behind her the bear and the photo lay forlornly against the brick, resembling nothing so much as a temporary shrine to the dead.

As Louisa had predicted, Lou and Hit finally reached middle ground. Louisa had proudly watched as Lou rose each time Hit knocked her down, the girl growing not more afraid through each tussle with the wily beast, but rather more determined. And smarter. Now plow, mule, and Lou moved with a fluid motion.

For his part Oz had become an expert at riding the big sled that Sam the mule dragged through the fields. Since Oz was lacking in girth, Eugene had piled rocks all around him. The big clods of dirt gave way and broke up under the constant dragging, and the sled eventually smoothed the field like icing on a cake. After weeks of work, sweat, and tired muscles, the four of them stood back and took stock of good ground that was ready now to accept seed.

Dr. Travis Barnes had come up from Dickens to check on Amanda. He was a burly man—red hammy face, short legs—with gray side whiskers, dressed all in black. To Lou, he looked more like an undertaker coming to bury a body than a man trained in preserving life. However, he turned out to be kindly, with a sense of humor designed to make them all comfortable in light of his bleak mission. Cotton and the children waited in the front room while Louisa stayed with Travis during his examination. He was shaking his head and clutching his black bag when he joined them in the front room. Louisa trailed him, trying to look cheerful. The doctor sat at the kitchen table and fingered the cup of coffee Louisa had poured. He stared into his cup for a bit, as though looking for some comforting words floating among the strains of beans and chicory root.

“Good news,” he began, “is that far as I can tell, your momma’s fine physically. Her injuries all healed up. She’s young and strong and can eat and drink, and so long as you keep exercising her arms and legs, the muscles won’t get too weak.” He paused and set his cup down. “But I’m afraid that’s also the bad news, for that means the problem lies here.” He touched his forehead. “And there’s not much we can do about that. Certainly beyond me. We can only hope and pray that she comes out of it one day.”

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