Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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That’s if you believe her explanation.

I didn’t. Not a word of it.

Apart from her obvious inconsistencies and inaccuracies—such as that Gabriel was not shot six times, but only five, one of the bullets being fired at the ceiling; nor was Alicia discovered tied to a chair, but standing in the middle of the room, having slashed her wrists. Alicia made no mention to me of the man’s untying her, nor did she explain why she hadn’t told the police this version of events from the start. No, I knew she was lying. I was annoyed that she had lied, badly and pointlessly, to my face. For a second I wondered if she was testing me, seeing whether I accepted the story? If so, I was determined to give nothing away.

I sat there in silence.

Unusually, Alicia spoke first. “I’m tired. I want to stop.”

I nodded. I couldn’t object.

“Let’s carry on tomorrow,” she said.

“Is there more to say?”

“Yes. One last thing.”

“Very well. Tomorrow.”

Yuri was waiting in the corridor. He escorted Alicia to her room, and I went up to my office.

As I have said, it’s been my practice for years to transcribe a session as soon as it’s ended. The ability to accurately record what has been said during the past fifty minutes is of paramount importance to a therapist—otherwise much detail is forgotten and the immediacy of the emotions lost.

I sat at my desk and wrote down, as fast as I could, everything that had transpired between us. The moment I finished, I marched through the corridors, clutching my pages of notes.

I knocked on Diomedes’s door. There was no response, so I knocked again. Still no answer. I opened the door a crack—and there was Diomedes, fast asleep on his narrow couch.

“Professor?” And again, louder: “Professor Diomedes?”

He woke with a start and sat up quickly. He blinked at me.

“What is it? What’s wrong?”

“I need to talk to you. Should I come back later?”

Diomedes frowned and shook his head. “I was having a brief siesta. I always do, after lunch. It helps me get through the afternoon. It becomes a necessity as you get older.” He yawned and stood up. “Come in, Theo. Sit down. By the looks of you, it’s important.”

“I think it is, yes.”

“Alicia?”

I nodded. I sat in front of the desk. He sat down behind it. His hair was sticking up to one side, and he still looked half-asleep.

“Are you sure I shouldn’t come back later?”

Diomedes shook his head. He poured himself a glass of water from a jug. “I’m awake now. Go on. What it is?”

“I’ve been with Alicia, talking.… I need some supervision.”

Diomedes nodded. He was looking more awake by the second, and more interested. “Go on.”

I started reading from my notes. I took him through the entire session. I repeated her words as accurately as I could and relayed the story she had told me: how the man who’d been spying on her broke into the house, took her prisoner, and shot and killed Gabriel.

When I finished, there was a long pause. Diomedes’s expression gave little away. He pulled a box of cigars out of his desk drawer. He took out a little silver guillotine. He popped the end of a cigar into it and sliced it off.

“Let’s start with the countertransference. Tell me about your emotional experience. Start at the beginning. As she was telling you her story, what kind of feelings were coming up?”

I thought about it for a moment. “I felt excited, I suppose.… And anxious. Afraid.”

“Afraid? Was it your fear, or hers?”

“Both, I imagine.”

“And what were you afraid of?”

“I’m not sure. Fear of failure, perhaps. I have a lot riding on this, as you know.”

Diomedes nodded. “What else?”

“Frustration too. I feel frustrated quite frequently during our sessions.”

“And angry?”

“Yes, I suppose so.”

“You feel like a frustrated father, dealing with a difficult child?”

“Yes. I want to help her—but I don’t know if she wants to be helped.”

He nodded. “Stay with the feeling of anger. Talk more about it. How does it manifest itself?”

I hesitated. “Well, I often leave the sessions with a splitting headache.”

Diomedes nodded. “Yes, exactly. It has to come out one way or another. ‘A trainee who is not anxious will be sick.’ Who was it who said that?”

“I don’t know.” I shrugged. “I’m sick and anxious.”

Diomedes smiled. “You’re also no longer a trainee—although those feelings never go away entirely.” He picked up his cigar. “Let’s go outside for a smoke.”

* * *

We went onto the fire escape. Diomedes puffed on his cigar for a moment, mulling things over. Eventually he reached a conclusion.

“She’s lying, you know.”

“You mean about the man killing Gabriel? I thought so too.”

“Not just that.”

“Then what?”

“All of it. The whole cock-and-bull story. I don’t believe a single word of it.”

I must have looked rather taken aback. I had suspected he’d disbelieve some elements of Alicia’s tale. I hadn’t expected him to reject the whole thing.

“You don’t believe in the man?”

“No, I don’t. I don’t believe he ever existed. It’s a fantasy. From start to finish.”

“What makes you so sure?”

Diomedes gave me a strange smile. “Call it my intuition. Years of professional experience with fantasists.” I tried to interrupt but he forestalled me with a wave of his hand. “Of course, I don’t expect you to agree, Theo. You’re in deep with Alicia, and your feelings are bound up with hers like a tangled ball of wool. That is the purpose of a supervision like this—to help you unpick the strands of wool—to see what is yours and what is hers. And once you gain some distance, and clarity, I suspect you will feel rather differently about your experience with Alicia Berenson.”

“I’m not sure what you mean.”

“Well, to be blunt, I fear she has been performing for you. Manipulating you. And it’s a performance that I believe has been tailored specifically to appeal to your chivalric … and, let’s say, romantic instincts. It was obvious to me from the start that you intended to rescue her. I’m quite sure it was obvious to Alicia too. Hence her seduction of you.”

“You sound like Christian. She hasn’t seduced me. I am perfectly capable of withstanding a patient’s sexual projections. Don’t underestimate me, Professor.”

“Don’t underestimate her . She’s giving an excellent performance.” Diomedes shook his head and peered up at the gray clouds. “The vulnerable woman under attack, alone, in need of protection. Alicia has cast herself as the victim and this mystery man as the villain. Whereas in fact Alicia and the man are one and the same. She killed Gabriel. She was guilty—and she is still refusing to accept that guilt. So she splits, dissociates, fantasizes—Alicia becomes the innocent victim and you are her protector. And by colluding with this fantasy you are allowing her to disown all responsibility.”

“I don’t agree with that. I don’t believe she is lying, consciously, anyway. At the very least, Alicia believes her story to be true.”

“Yes, she believes it. Alicia is under attack—but from her own psyche, not the outside world.”

I knew that wasn’t true, but there was no point in arguing further. I stubbed out my cigarette.

“How do you think I should proceed?”

“You must force her to confront the truth. Only then will she have a hope of recovery. You must refuse point-blank to accept her story. Challenge her. Demand she tell you the truth.”

“And do you think she will?”

He shrugged. “That”—he took a long drag on his cigar—“is anyone’s guess.”

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