Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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She sat opposite me and, unusually for her, looked straight at me and maintained eye contact throughout. She started speaking without being prompted; slowly, thoughtfully, choosing each phrase with care, as if cautiously applying brushstrokes to a canvas.

“I was alone that afternoon. I knew I had to paint, but it was so hot, I didn’t think I could face it. But I decided to try. So I took the little fan I’d bought down to the studio in the garden, and then…”

“And then?”

“My phone rang. It was Gabriel. He was calling to say he’d be back late from the shoot.”

“Did he normally do that? Call to say he’d be late?”

Alicia gave me an odd look, as if it struck her as a strange question. She shook her head. “No. Why?”

“I wondered if he might be calling for another reason. To see how you were feeling? Judging from your diary, it sounds like he was concerned about your mental state.”

“Oh.” Alicia pondered this, taken aback. She slowly nodded. “I see. Yes, yes, possibly…”

“I’m sorry—I interrupted you. Go on. What happened after the phone call?”

Alicia hesitated. “I saw him.”

“Him?”

“The man. I mean, I saw his reflection. Reflected in the window. He was inside—inside the studio. Standing right behind me.”

Alicia shut her eyes and sat quite still. There was a long pause.

I spoke gently. “Can you describe him? What did he look like?”

She opened her eyes and stared at me for a moment. “He was tall.… Strong. I couldn’t see his face—he had put on a mask, a black mask. But I could see his eyes—they were dark holes. No light in them at all.”

“What did you do when you saw him?”

“Nothing. I was so scared. I kept looking at him. He had a knife in his hand. I asked what he wanted. He didn’t speak. And I said I had money in the kitchen, in my bag. And he shook his head and said, ‘I don’t want money.’ And he laughed. A horrible laugh, like breaking glass. He held the knife up to my neck. The sharp end of the blade was against my throat, against my skin.… He told me to go with him into the house.”

Alicia shut her eyes as she remembered it. “He led me out of the studio, onto the lawn. We walked towards the house. I could see the gate to the street, just a few meters away—I was so close to it.… And something in me took over. It was—it was my only chance to escape. So I kicked him hard and broke away from him. And I ran. I ran for the gate.” Her eyes opened and she smiled at the memory. “For a few seconds, I was free.”

Her smile faded.

“Then—he jumped on me. On my back. We fell to the ground.… His hand was over my mouth, and I felt the cold blade against my throat. He said he’d kill me if I moved. We lay there for a few seconds, and I could feel his breath on my face. It stank. Then he pulled me up—and dragged me into the house.”

“And then? What happened?”

“He locked the door. And I was trapped.”

Alicia’s breathing was heavy and her cheeks were flushed. I was concerned she was becoming distressed, and I was wary of pushing her too hard.

“Do you need a break?”

She shook her head. “Let’s keep going. I’ve waited long enough to say this. I want to get it over with.”

“Are you sure? It might be a good idea to take a moment.”

She hesitated. “Can I have a cigarette?”

“A cigarette? I didn’t know you smoked.”

“I don’t. I—I used to. Can you give me one?”

“How do you know I smoke?”

“I can smell it on you.”

“Oh.” I smiled, feeling a little embarrassed. “Okay.” I stood up. “Let’s go outside.”

CHAPTER THIRTEEN

THE COURTYARD WAS POPULATED WITH PATIENTS. They were huddled about in their usual groups, gossiping, arguing, smoking; some were hugging themselves and stamping their feet to keep warm.

Alicia put a cigarette to her lips, holding it between her long thin fingers. I lit it for her. As the flame caught the tip of her cigarette, it crackled and glowed red. She inhaled deeply, her eyes on mine. She seemed almost amused.

“Aren’t you going to smoke? Or is that inappropriate? Sharing a cigarette with a patient?”

She’s making fun of me, I thought. But she was right to—no regulation prohibited a member of staff and a patient from having a cigarette together. But if staff smoked, they tended to do it covertly, sneaking to the fire escape at the back of the building. They certainly didn’t do it in front of the patients. To stand here in the courtyard and smoke with her did feel like a transgression. I was probably imagining it, but I felt we were being watched. I sensed Christian spying on us from the window. His words came back to me: “Borderlines are so seductive.” I looked into Alicia’s eyes. They weren’t seductive; they weren’t even friendly. A fierce mind was behind those eyes, a sharp intelligence that was only just waking up. She was a force to be reckoned with, Alicia Berenson. I understood that now.

Perhaps that’s why Christian had felt the need to sedate her. Was he scared of what she might do—what she might say? I felt a little scared of her myself; not scared, exactly—but alert, apprehensive. I knew I had to watch my step.

“Why not?” I said. “I’ll have one too.”

I put a cigarette in my mouth and lit it. We smoked in silence for a moment, maintaining eye contact, only inches from each other, until I felt a strange adolescent embarrassment and averted my gaze. I tried to cover it by gesturing at the courtyard.

“Shall we walk and talk?”

Alicia nodded. “Okay.”

We started walking around the wall, along the perimeter of the courtyard. The other patients watched us. I wondered what they were thinking. Alicia didn’t seem to care. She didn’t even seem to notice them. We walked in silence for a moment.

Eventually she said, “Do you want me to go on?”

“If you want to, yes … Are you ready?”

Alicia nodded. “Yes, I am.”

“What happened once you were inside the house?”

“The man said … he said he wanted a drink. So I gave him one of Gabriel’s beers. I don’t drink beer. I didn’t have anything else in the house.”

“And then?”

“He talked.”

“What about?”

“I don’t remember.”

“You don’t?”

“No.”

She lapsed into silence.

I waited as long as I could bear before prompting her, “Let’s keep going. You were in the kitchen. How were you feeling?”

“I don’t … I don’t remember feeling anything at all.”

I nodded. “That’s not uncommon in these situations. It’s not just a case of flight-or-fight responses. There’s a third, equally common response when we’re under attack—we freeze.”

“I didn’t freeze.”

“No?”

“No.” She shot me a fierce look. “I was preparing myself. I was getting ready … ready to fight. Ready to—kill him.”

“I see. And how did you intend to do that?”

“Gabriel’s gun. I knew I had to get to the gun.”

“It was in the kitchen? You had put it there? That’s what you wrote in the diary.”

Alicia nodded. “Yes, in the cupboard by the window.” She inhaled deeply and blew out a long line of smoke. “I told him I needed some water. I went to get a glass. I walked across the kitchen—it took forever to walk a few feet. Step by step, I reached the cupboard. My hand was shaking.… I opened it.…”

“And?”

“The cupboard was empty. The gun was gone. And then I heard him say, ‘The glasses are in the cupboard to your right.’ I turned around, and the gun was there—in his hand. He was pointing it at me, and laughing.”

“And then?”

“Then?”

“What were you thinking?”

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