Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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“Did—did you just … say something?”

Another silence. I must have been mistaken. I must have imagined it. But then … it happened again.

Alicia’s lips moved slowly, painfully; her voice cracked a little as it emerged, like a creaking gate that needed oiling.

“What…” she whispered. Then she stopped. And again: “What … what—”

For a moment we just stared at each other. My eyes slowly filled with tears—tears of disbelief, excitement, and gratitude.

“What do I want? I want you to keep talking.… Talk—talk to me, Alicia—”

Alicia stared at me. She was thinking about something. She came to a decision.

She slowly nodded. “Okay.”

CHAPTER TEN

“SHE SAID WHAT ?”

Professor Diomedes stared at me with a look of stunned amazement. We were outside, smoking. I could tell he was excited because he had dropped his cigar on the ground without even noticing. “She spoke? Alicia really spoke?”

“She did.”

“Incredible. So you were right. You were right. And I was wrong.”

“Not at all. It was wrong of me to see her without your permission, Professor. I’m sorry, I just had an instinct…”

Diomedes waved away my apology and finished my sentence for me. “You followed your gut. I would have done the same, Theo. Well done.”

I was unwilling to be too celebratory. “We mustn’t count our chickens yet. It’s a breakthrough, yes. But there’s no guarantee—she might revert or regress at any point.”

Diomedes nodded. “Quite right. We must organize a formal review and interview Alicia as soon as possible—get her in front of a panel—you and me and someone from the Trust—Julian will do, he’s harmless enough—”

“You’re going too fast. You’re not listening to me. That’s too soon. Anything like that will scare her. We need to move slowly.”

“Well, it’s important the Trust knows—”

“No, not yet. Maybe this was a one-off. Let’s wait. Let’s not make any announcements. Not just yet.”

Diomedes nodded, taking this in. His hand reached for my shoulder and gripped it. “Well done. I’m proud of you.”

I felt a small flicker of pride—a son congratulated by his father. I was conscious of my desire to please Diomedes, justify his faith in me and make him proud. I felt a little emotional. I lit a cigarette to disguise it. “What now?”

“Now you keep going. Keep working with Alicia.”

“And if Stephanie finds out?”

“Forget Stephanie—leave her to me. You focus on Alicia.”

And so I did.

* * *

During our next session, Alicia and I talked nonstop. Or rather, Alicia talked and I listened. Listening to Alicia was an unfamiliar and somewhat disconcerting experience, after so much silence. She spoke hesitantly at first, tentatively—trying to walk on legs that hadn’t been used in a while. She soon found her feet, picking up speed and agility, tripping through sentences as if she had never been silent, which in a way, she hadn’t.

When the session ended, I went to my office. I sat at the desk, transcribing what had been said while it was still fresh in my mind. I wrote down everything, word for word, capturing it as precisely and accurately as possible.

As you will see, it’s an incredible story—of that there is no doubt.

Whether you believe it or not is up to you.

CHAPTER ELEVEN

ALICIA SAT IN THE CHAIR opposite me in the therapy room.

“Before we begin, I have some questions for you. A few things I’d like to clarify…”

No reply. Alicia looked at me with that unreadable look of hers.

“Specifically, I want to understand your silence. I want to know why you refused to speak.”

Alicia seemed disappointed by the question. She turned and looked out the window.

We sat like that in silence for a minute or so. I tried to contain the suspense I was feeling. Had the breakthrough been temporary? Would we now go on as before? I couldn’t let that happen.

“Alicia. I know it’s difficult. But once you start talking to me, you’ll find it easier, I promise.”

No response.

“Try. Please. Don’t give up when you’ve made such progress. Keep going. Tell me … tell me why you wouldn’t speak.”

Alicia turned back and stared at me with a chilly gaze. She spoke in a low voice:

“Nothing … nothing to say.”

“I’m not sure I believe that. I think there was too much too say.”

A pause. A shrug. “Perhaps. Perhaps … you’re right.”

“Go on.”

She hesitated. “At first, when Gabriel … when he was dead—I couldn’t, I tried … but I couldn’t … talk. I opened my mouth—but no sound came out. Like in a dream … where you try to scream … but can’t.”

“You were in a state of shock. But over the next few days, you must have found your voice returning to you…?”

“By then … it seemed pointless. It was too late.”

“Too late? To speak in your defense?”

Alicia held me in her gaze, a cryptic smile on her lips. She didn’t speak.

“Tell me why you started talking again.”

“You know the answer.”

“Do I?”

“Because of you.”

“Me?” I looked at her with surprise.

“Because you came here.”

“And that made a difference?”

“All the difference—it made … all the difference.” Alicia lowered her voice and stared at me, unblinking. “I want you to understand—what happened to me. What it felt like. It’s important … you understand.”

“I want to understand. That’s why you gave me the diary, isn’t it? Because you want me to understand. It seems to me the people who mattered most to you didn’t believe your story about the man. Perhaps you’re wondering … if I believe you.”

“You believe me.” This was not a question but a simple statement of fact.

I nodded. “Yes, I believe you. So why don’t we start there? The last diary entry you wrote described the man breaking into the house. What happened then?”

“Nothing.”

“Nothing?”

She shook her head. “It wasn’t him.”

“It wasn’t? Then who was it?”

“It was Jean-Felix. He wanted—he had come to talk about the exhibition.”

“Judging by your diary, it doesn’t seem you were in the right state of mind for visitors.”

Alicia acknowledged this with a shrug.

“Did he stay long?”

“No. I asked him to leave. He didn’t want to—he was upset. He shouted at me a bit—but he went after a while.”

“And then? What happened after Jean-Felix left?”

Alicia shook her head. “I don’t want to talk about that.”

“No?”

“Not yet.”

Alicia’s eyes looked into mine for a moment. Then they darted to the window, considering the darkening sky beyond the bars. Something in the way she was tilting her head was almost coquettish, and the beginning of a smile was forming at the corner of her mouth. She’s enjoying this, I thought. Having me in her power.

“What do you want to talk about?” I asked.

“I don’t know. Nothing. I just want to talk.”

So we talked. We talked about Lydia and Paul, and about her mother, and the summer she died. We talked about Alicia’s childhood—and mine. I told her about my father, and growing up in that house; she seemed curious to know as much as possible about my past and what had shaped me and made me who I am.

I remember thinking, There’s no going back now. We were crashing through every last boundary between therapist and patient. Soon it would be impossible to tell who was who.

CHAPTER TWELVE

THE NEXT MORNING, we met again. Alicia seemed different that day somehow—more reserved, more guarded. I think it’s because she was preparing herself to talk about the day of Gabriel’s death.

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