Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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“That it had been my last chance to escape, and now—now he was going to kill me.”

“You believed he was going to kill you?”

“I knew he was.”

“But then why did he delay? Why not do it as soon as he broke into the house?”

Alicia didn’t answer. I glanced at her. To my surprise, a smile was on her lips.

“When I was young, Aunt Lydia had a kitten. A tabby cat. I didn’t like her much. She was wild, and she’d go for me sometimes with her claws. She was unkind—and cruel.”

“Don’t animals act out of instinct? Can they be cruel?”

Alicia looked at me intently. “They can be cruel. She was. She would bring in things from the field—mice or little birds she’d caught. And they were always half-alive. Wounded, but alive. She’d keep them like that and play with them.”

“I see. It sounds like you’re saying you were this man’s prey? That he was playing some kind of sadistic game with you. Is that right?”

Alicia dropped the end of her cigarette on the ground and stepped on it. “Give me another one.”

I handed her the pack. She took one and lit the cigarette herself. She smoked for a moment. “Gabriel was coming home at eight. Two more hours. I kept staring at the clock. ‘What’s the matter?’ he said. ‘Don’t you like spending time with me?’ And he stroked my skin with the gun, running it up and down my arm.” She shivered at the memory. “I said Gabriel was going to be home any minute. ‘And what then?’ he asked. ‘He’ll rescue you?’”

“And what did you say?”

“I didn’t say anything. I just kept staring at the clock … and then my phone rang. It was Gabriel. He told me to answer it. He held the gun against my head.”

“And? What did Gabriel say?”

“He said … he said the shoot was turning into a nightmare, so I should go ahead and eat without him. He wouldn’t get back until ten at the earliest. I hung up. ‘My husband is on his way home,’ I said. ‘He’ll be here in a few minutes. You should go, now, before he gets back.’ The man just laughed. ‘But I heard him say he won’t be back until ten,’ he said. ‘We’ve got hours to kill. Get me some rope,’ he said, ‘or tape or something. I want to tie you up.’

“I did as he asked. I knew it was hopeless now. I knew how it was going to end.”

Alicia stopped talking and looked at me. I could see the raw emotion in her eyes. I wondered if I was pushing her too hard.

“Maybe we should take a break.”

“No, I need to finish. I need to do this.”

She went on, speaking faster now. “I didn’t have any rope, so he took the wire I had for hanging canvases. He made me go in the living room. He pulled out one of the upright chairs from the dining table. He told me to sit down. He started wrapping the wire around my ankles, tying me to the chair. I could feel it cutting into me. ‘Please,’ I said, ‘please—’ But he didn’t listen. He tied my wrists behind my back. I was sure then that he was going to kill me. I wish … I wish he had .”

She spat this out. I was startled by her vehemence.

“Why do you wish that?”

“Because what he did was worse.”

For a second I thought Alicia was going to cry. I fought a sudden desire to hold her, take her in my arms, kiss her, reassure her, promise her she was safe. I restrained myself. I stubbed out my cigarette on the redbrick wall.

“I feel that you need to be taken care of. I find myself wanting to take care of you, Alicia.”

“No.” She shook her head firmly. “That’s not what I want from you.”

“What do you want?”

Alicia didn’t answer. She turned and walked back inside.

CHAPTER FOURTEEN

I TURNED ON THE LIGHT in the therapy room and shut the door. When I turned around, Alicia had already sat down—but not in her chair. She was sitting in my chair.

Normally I would have explored the meaning of this telling gesture with her. Now, however, I said nothing. If sitting in my chair signified she had the upper hand—well, she did. I was impatient to get to the end of her story, now that we were so close to it. So I just sat down and waited for her to speak. She half shut her eyes and was perfectly still.

Eventually she said, “I was tied to the chair, and every time I squirmed, the wire cut deeper into my legs, and they were bleeding. It was a relief to focus on the cutting instead of my thoughts. My thoughts were too scary.… I thought I would never see Gabriel again. I thought I was going to die.”

“What happened next?”

“We sat there for what seemed like forever. It’s funny. I’ve always thought of fear as a cold sensation, but it’s not—it burns like fire. It was so hot in that room, with the windows closed and the blinds drawn. Still, stifling, heavy air. Beads of sweat were dripping down my forehead and into my eyes, stinging them. I could smell the alcohol on him and the stink of his sweat while he drank and talked—he kept talking. I didn’t listen to a lot of it. I could hear a big fat fly, buzzing between the blind and the window—it was trapped and thudding against the glass, thud, thud, thud. He asked questions about me and Gabriel—how we met, how long we’d been together, if we were happy. I thought if I could keep him talking, I had a better chance of staying alive. So I answered his questions—about me, Gabriel, my work. I talked about whatever he wanted. Just to buy time. I kept focusing on the clock. Listening to it tick. And then suddenly it was ten o’clock.… And then … ten-thirty. And still Gabriel hadn’t come home.

“‘He’s late,’ he said. ‘Maybe he’s not coming.’

“‘He’s coming,’ I said.

“‘Well, it’s a good thing I’m here to keep you company.’

“And then the clock struck eleven, and I heard a car outside. The man went to the window and looked out. ‘Perfect timing,’ he said.”

* * *

What happened next—Alicia said—happened fast.

The man grabbed Alicia and swung her chair around, so she faced away from the door. He said he would shoot Gabriel in the head if she spoke one word or made a single sound. Then he disappeared. A moment later the lights fused and everything went dark. In the hallway, the front door opened and closed.

“Alicia?” Gabriel called out.

There was no reply, and he called her name again. He walked into the living room—and saw her by the fireplace, sitting with her back to him.

“Why are you sitting in the dark?” Gabriel asked. No reply. “Alicia?”

Alicia fought to remain silent—she wanted to cry out, but her eyes had become accustomed to the dark and she could see in front of her, in the corner of the room, the man’s gun glinting in the shadows. He was pointing it at Gabriel. Alicia kept silent for his sake.

“Alicia?” Gabriel walked toward her. “What’s wrong?”

Just as Gabriel reached out his hand to touch her, the man leaped from the darkness. Alicia screamed, but it was too late—and Gabriel was knocked to the floor; the man on top of him. The gun was raised like a hammer and brought down onto Gabriel’s head with a sickening thud—once, twice, three times—and he lay there, unconscious, bleeding. The man pulled him up and sat Gabriel on a chair. He tied him to it, using the wire. Gabriel stirred as he regained consciousness.

“What the fuck? What—”

The man raised the gun and aimed it at Gabriel. There was a gunshot. And another. And another. Alicia started screaming. The man kept firing. He shot Gabriel in the head six times. Then he tossed the gun to the floor.

He left without saying a word.

CHAPTER FIFTEEN

SO THERE YOU HAVE IT. Alicia Berenson didn’t kill her husband. A faceless intruder broke into their home and, in an apparently motiveless act of malice, shot Gabriel dead before vanishing into the night. Alicia was entirely innocent.

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