Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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“And in a way,” Indira said, “Alicia has begun to talk. She’s communicating through Theo—he is her advocate. It’s already happening.”

Diomedes nodded. He looked pensive for a moment. I knew what was on his mind—Alicia Berenson was a famous patient, and a powerful bargaining tool with the Trust. If we could make demonstrable progress with her, we’d have a much stronger hand in saving the Grove from closure.

“How long to see results?” Diomedes asked.

“I can’t answer that,” I said. “You know that as well as I do. It takes as long as it takes. Six months. A year. Probably longer—it could be years.”

“You have six weeks.”

Stephanie drew herself up and crossed her arms. “I am the manager of this unit, and I simply cannot allow—”

“I am clinical director of the Grove. This is my decision, not yours. I take full responsibility for any injuries incurred upon our long-suffering therapist here,” Diomedes said, winking at me.

Stephanie didn’t say anything further. She glared at Diomedes, then at me. She turned and walked out.

“Oh, dear,” Diomedes said. “You appear to have made an enemy of Stephanie. How unfortunate.” He shared a smile with Indira, then gave me a serious look. “Six weeks. Under my supervision. Understand?”

I agreed—I had no choice but to agree. “Six weeks.”

“Good.”

Christian stood up, visibly annoyed. “Alicia won’t talk in six weeks, or sixty years. You’re wasting your time.”

He walked out. I wondered why Christian was so positive I would fail.

But it made me even more determined to succeed.

CHAPTER SIX

I ARRIVED HOME, FEELING EXHAUSTED. Force of habit made me flick on the light in the hallway, even though the bulb had gone. We’d been meaning to replace it but kept forgetting.

I knew at once that Kathy wasn’t there. It was too quiet; she was incapable of quiet. She wasn’t noisy but her world was full of sound—talking on the phone, reciting lines, watching movies, singing, humming, listening to bands I’d never heard of. But now the flat was silent as a tomb. I called her name. Force of habit, again—or a guilty conscience, perhaps, wanting to make sure I was alone before I transgressed?

“Kathy?”

No reply.

I fumbled my way through the dark into the living room. I turned on the light.

The room leaped out at me in the way new furniture always does until you’re used to it: new chairs, new cushions; new colors, reds and yellows, where there once had been black and white. A vase of pink lilies—Kathy’s favorite flowers—was on the table; their strong musky scent made the air thick and hard to breathe.

What time was it? Eight-thirty. Where was she? Rehearsal? She was in a new production of Othello at the RSC, and it wasn’t going particularly well. Endless rehearsals had been taking their toll. She seemed visibly tired, pale, thinner than usual, fighting a cold. “I’m so fucking sick all the time,” she said. “I’m exhausted.”

It was true; she’d come back from rehearsal later and later each night, looking terrible; she’d yawn and stumble straight into bed. So she probably wouldn’t be home for a couple of hours at the earliest. I decided to risk it.

I took the jar of weed from its hiding place and started rolling a joint.

I’d been smoking marijuana since university. I first encountered it during my first term, alone and friendless at a fresher party, too paralyzed with fear to initiate a conversation with any of the good-looking and confident young people around me. I was planning my escape when the girl standing next to me offered me something. I thought it was a cigarette until I smelled the spicy, pungent, curling black smoke. Too shy to refuse, I accepted it and brought the joint to my lips. It was badly rolled and coming unstuck, unraveling at the end. The tip was wet and stained red from her lipstick. It tasted different from a cigarette; it was richer, rawer, more exotic. I swallowed down the thick smoke and tried not to cough. Initially all I felt was a little light on my feet. Like sex, clearly more fuss was made over marijuana than it merited. Then—a minute or so later—something happened. Something incredible. It was like being drenched in an enormous wave of well-being. I felt safe, relaxed, totally at ease, silly and unself-conscious.

That was it. Before long I was smoking weed every day. It became my best friend, my inspiration, my solace. An endless ritual of rolling, licking, lighting. I would get stoned just from the rustling of rolling papers and the anticipation of the warm, intoxicating high.

All kinds of theories have been put forward about the origins of addiction. It could be genetic; it could be chemical; it could be psychological. But marijuana was doing something much more than soothing me: crucially, it altered the way I experienced my emotions; it cradled me and held me safe like a well-loved child.

In other words, it contained me.

The psychoanalyst W. R. Bion came up with the term containment to describe a mother’s ability to manage her baby’s pain. Remember, babyhood is not a time of bliss; it’s one of terror. As babies we are trapped in a strange, alien world, unable to see properly, constantly surprised at our bodies, alarmed by hunger and wind and bowel movements, overwhelmed by our feelings. We are quite literally under attack. We need our mother to soothe our distress and make sense of our experience. As she does so, we slowly learn how to manage our physical and emotional states on our own. But our ability to contain ourselves directly depends on our mother’s ability to contain us—if she had never experienced containment by her own mother, how could she teach us what she did not know? Someone who has never learned to contain himself is plagued by anxious feelings for the rest of his life, feelings that Bion aptly titled nameless dread . Such a person endlessly seeks this unquenchable containment from external sources—he needs a drink or a joint to “take the edge off” this endless anxiety. Hence my addiction to marijuana.

I talked a lot about marijuana in therapy. I wrestled with the idea of giving it up and wondered why the prospect scared me so much. Ruth said that enforcement and constraint never produced anything good, and that, rather than force myself to live without weed, a better starting place might be to acknowledge that I was now dependent on it, and unwilling or unable to abandon it. Whatever marijuana did for me was still working, Ruth argued—until the day it would outlive its usefulness, when I would probably relinquish it with ease.

Ruth was right. When I met Kathy and fell in love, marijuana faded into the background. I was naturally high on love, with no need to artificially induce a good mood. It helped that Kathy didn’t smoke it. Stoners, in her opinion, were weak willed and lazy and lived in slow motion—you pricked them and six days later they’d say, “Ouch.” I stopped smoking weed the day Kathy moved into my flat. And—as Ruth had predicted—once I was secure and happy, the habit fell away from me quite naturally, like dry caked mud from a boot.

I might never have smoked it again if we hadn’t gone to a leaving party for Kathy’s friend Nicole, who was moving to New York. Kathy was monopolized by all her actor friends, and I found myself alone. A short, stubby man, wearing a pair of neon-pink glasses, nudged me and said, “Want some?” I was about to refuse the joint between his fingers, when something stopped me. I’m not sure what. A momentary whim? Or an unconscious attack on Kathy for forcing me to come to this horrible party and then abandoning me? I looked around, and she was nowhere to be seen. Fuck it, I thought. I brought the joint to my lips and inhaled.

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