Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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What should I do?

Confront her, of course. Tell her everything I had seen. She’d react by denying it—then, seeing it was hopeless, she would admit the truth and prostrate herself, stricken with remorse. She’d beg my forgiveness, wouldn’t she?

What if she didn’t? What if she scorned me? What if she laughed, turned on her heel, and left? What then?

Between the two of us, I had the most to lose, that was obvious. Kathy would survive—she was fond of saying she was tough as nails. She’d pick herself up, dust herself off, and forget all about me. But I wouldn’t forget about her. How could I? Without Kathy, I’d return to that empty, solitary existence I had endured before. I’d never meet anyone like her again, never have that same connection or experience that depth of feeling for another human being. She was the love of my life—she was my life—and I wasn’t ready to give her up. Not yet. Even though she had betrayed me, I still loved her.

Perhaps I was crazy, after all.

A solitary bird shrieked above my head, startling me. I stopped and looked around. I’d gone much farther than I thought. Shocked, I saw where my feet had carried me—I had walked to within a couple of streets of Ruth’s front door.

Without intending to, I had unconsciously made my way to my old therapist in a time of trouble, as I had done so many times in the past. It was a testament to how upset I was that I considered going up to her door and ringing the bell and asking for help.

And why not? I thought suddenly; yes, it was unprofessional and highly improper conduct, but I was desperate, and I needed help. Before I knew it, I was standing in front of Ruth’s green door, watching my hand reach up to the buzzer and press it.

It took her a few moments to answer it. A light went on the hallway, then she opened the door, keeping the chain on.

Ruth peered out through the crack. She looked older. She must be in her eighties now; smaller, frailer than I remembered, and slightly stooped. She was wearing a gray cardigan over a pale pink nightgown.

“Hello?” she said nervously. “Who’s there?

“Hello, Ruth.” I stepped into the light.

She recognized me and looked surprised. “Theo? What on earth—” Her eyes went from my face to the clumsy, improvised bandage around my finger, with blood seeping through it. “Are you all right?”

“Not really. May I come in? I—I need to talk to you.”

Ruth didn’t hesitate, only looked concerned. She nodded. “Of course. Come in.” She undid the chain and opened the door.

I stepped inside.

CHAPTER NINE

RUTH SHOWED ME INTO THE LIVING ROOM. “Would you like a cup of tea?”

The room was as it had always been, as I’d always remembered it—the rug, the heavy drapes, the silver clock ticking on the mantel, the armchair, the faded blue couch. I felt instantly reassured.

“To be honest, I could do with something stronger.”

Ruth shot me a brief, piercing glance, but didn’t comment. Nor did she refuse, as I half expected.

She poured me a glass of sherry and handed it to me. I sat on the couch. Force of habit made me sit where I had always done for therapy, on the far left side, resting my arm on the armrest. The fabric underneath my fingertips had been worn thin by the anxious rubbing of many patients, myself included.

I took a sip of sherry. It was warm, sweet, and little sickly, but I drank it down, conscious of Ruth watching me the whole time. Her gaze was obvious but not heavy or uncomfortable; in twenty years Ruth had never managed to make me feel uncomfortable. I didn’t speak again until I had finished the sherry and the glass was empty.

“It feels odd to be sitting here with a glass in my hand. I know you’re not in the habit of offering drinks to your patients.”

“You’re not my patient anymore. Just a friend—and by the look of you,” she added gently, “you need a friend right now.”

“Do I look that bad?”

“You do, I’m afraid. And it must be serious, or you wouldn’t come over uninvited like this. Certainly not at ten o’clock at night.”

“You’re right. I felt—I felt I had no choice.”

“What is it, Theo? What’s the matter?”

“I don’t how to tell you. I don’t know where to start.”

“How about the beginning?”

I nodded. I took a breath and began. I told her about everything that had happened; I told her about starting marijuana again, and how I had been smoking it secretly—and how it had led to my discovering Kathy’s emails and her affair. I spoke quickly, breathlessly, wanting to get it off my chest. I felt as if I were at confession.

Ruth listened without interruption until I had finished. It was hard to read her expression. Finally she said, “I am very sorry this happened, Theo. I know how much Kathy means to you. How much you love her.”

“Yes. I love—” I stopped, unable to say her name. There was a tremor in my voice. Ruth picked up on it and edged the box of tissues toward me. I used to get angry when she would do that in our sessions; I’d accuse her of trying to make me cry. She would generally succeed. But not tonight. Tonight my tears were frozen. A reservoir of ice.

I had been seeing Ruth for a long time before I met Kathy, and I continued therapy for the first three years of our relationship. I remember the advice Ruth gave me when Kathy and I first got together: “Choosing a lover is a lot like choosing a therapist. We need to ask ourselves, is this someone who will be honest with me, listen to criticism, admit making mistakes, and not promise the impossible?”

I told all this to Kathy at the time, and she suggested we make a pact. We swore never to lie to each other. Never pretend. Always be truthful.

“What happened?” I said. “What went wrong?”

Ruth hesitated before she spoke. What she said surprised me.

“I suspect you know the answer to that. If you would just admit it to yourself.”

“I don’t know.” I shook my head. “I don’t.”

I fell into indignant silence—yet I had a sudden image of Kathy writing all those emails, and how passionate they were, how charged, as if she was getting high from writing them, from the clandestine nature of her relationship with this man. She enjoyed lying and sneaking around: it was like acting, but offstage.

“I think she’s bored,” I said eventually.

“What makes you say that?”

“Because she needs excitement. Drama. She always has. She’s been complaining—for a while, I suppose—that we don’t have any fun anymore, that I’m always stressed, that I work too hard. We fought about it recently. She kept using the word fireworks .”

“Fireworks?”

“As in there aren’t any. Between us.”

“Ah. I see.” Ruth nodded. “We’ve talked about this before. Haven’t we?”

“About fireworks?”

“About love. About how we often mistake love for fireworks—for drama and dysfunction. But real love is very quiet, very still. It’s boring, if seen from the perspective of high drama. Love is deep and calm—and constant. I imagine you do give Kathy love—in the true sense of the word. Whether or not she is capable of giving it back to you is another question.”

I stared at the box of tissues on the table in front of me. I didn’t like where Ruth was going. I tried to deflect her.

“There are faults on both sides. I lied to her too. About the weed.”

Ruth smiled sadly. “I don’t know if persistent sexual and emotional betrayal with another human being is on the same level as getting stoned every now and then. I think it points to a very different kind of individual—someone who is able to lie repeatedly and lie well, who can betray their partner without feeling any remorse—”

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