Алекс Михаэлидес - The Silent Patient

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The Silent Patient: краткое содержание, описание и аннотация

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"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled."
**—A. J. Finn, #1 *New York Times* bestselling author of *The Woman in the Window***
**Promising to be *the* debut novel of the season *The Silent Patient* is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…**
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
**
### Review
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field."
**― *Publisher's Weekly* , starred review**
“ *The Silent Patient* sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.”
**―David Baldacci**
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.”
**―Lee Child**
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read."
**―Douglas Preston and Lincoln Child, #1 *New York Times* bestselling authors of the Pendergast series**
“Alex Michaelides has written one of the best psychological thrillers I have ever read. *The Silent Patient* is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.”
**―Blake Crouch, *New York Times* bestselling author of *Dark Matter***
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. *The Silent Patient* paints a picture, crawling into your soul in the very best way. Take a chance."
**―Brad Meltzer, author of *The Escape Artist** *
"Dark, edgy, and compulsively readable."
**―*Library Journal** *
" *The Silent Patient* isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers."
**―*Shelf Awareness** *
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat."
**―*Booklist** *
### About the Author
**Alex Michaelides** was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. *The Silent Patient* is his first novel.

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Silence.

“I think of myself as a relational therapist. Do you know what that means?”

Silence.

“It means I think Freud was wrong about a couple of things. I don’t believe a therapist can ever really be a blank slate, as he intended. We leak all kinds of information about ourselves unintentionally—by the color of my socks, or how I sit or the way I talk. Just by sitting here with you, I reveal a great deal about myself. Despite my best efforts at invisibility, I’m showing you who I am.”

Alicia looked up. She stared at me, her chin slightly tilted—was there a challenge in that look? At last I had her attention. I shifted in my seat.

“The point is, what can we do about this? We can ignore it and deny it and pretend this therapy is all about you. Or we can acknowledge that this is a two-way street and work with that. And then we can really start to get somewhere.”

I held up my hand. I nodded at my wedding ring.

“This ring tells you something, doesn’t it?”

Alicia’s eyes ever so slowly moved in the direction of the ring.

“It tells you I’m a married man. It tells you I have a wife. We’ve been married for nearly nine years.”

No response, yet she kept staring at the ring.

“You were married for about seven years, weren’t you?”

No reply.

“I love my wife very much. Did you love your husband?”

Alicia’s eyes moved. They darted up to my face. We stared at each other.

“Love includes all kinds of feelings, doesn’t it? Good and bad. I love my wife—her name is Kathy—but sometimes I get angry with her. Sometimes … I hate her .”

Alicia kept staring at me; I felt like a rabbit in the headlights, frozen, unable to look away or move. The attack alarm was on the table, within reach. I made a concerted effort not to look at it.

I knew I shouldn’t keep talking—that I should shut up—but I couldn’t stop myself. I went on compulsively:

“And when I say I hate her, I don’t mean all of me hates her. Just a part of me hates. It’s about holding on to both parts at the same time. Part of you loved Gabriel. Part of you hated him.”

Alicia shook her head—no. A brief movement, but definite. Finally—a response. I felt a sudden thrill. I should have stopped there, but I didn’t.

“Part of you hated him,” I said again more firmly.

Another shake of the head. Her eyes burned through me. She’s getting angry, I thought.

“It’s true, Alicia. Or you wouldn’t have killed him.”

Alicia suddenly jumped up. I thought she was about to leap on me. My body tensed in anticipation. But instead she turned and marched to the door. She hammered on it with her fists.

There was the sound of a key turning—and Yuri threw open the door. He looked relieved not to find Alicia strangling me on the floor. She pushed past him and ran into the corridor.

“Steady on, slow down, honey.” He glanced back at me. “Everything okay? What happened?”

I didn’t reply. Yuri gave me a funny look and left. I was alone.

Idiot, I thought to myself. You idiot. What was I doing? I’d pushed her too far, too hard, too soon. It was horribly unprofessional, not to mention totally fucking inept. It revealed far more about my state of mind than hers.

But that’s what Alicia did for you. Her silence was like a mirror—reflecting yourself back at you.

And it was often an ugly sight.

CHAPTER EIGHT

YOU DON’T NEED TO BE A PSYCHOTHERAPIST to suspect that Kathy had left her laptop open because—unconsciously, at least—she wanted me to find out about her infidelity.

Well, now I had found out. Now I knew.

I hadn’t spoken to her since the other night, feigning sleep when she got back, and leaving the flat in the morning before she woke up. I was avoiding her—avoiding myself. I was in shock. I knew I had to take a look at myself—or risk losing myself. Get a grip, I muttered under my breath as I rolled a joint. I smoked it out of the window, and then, suitably stoned, I poured a glass of wine in the kitchen.

The glass slipped out of my grasp as I picked it up. I tried to catch it as it fell, but only succeeded in thrusting my hand into a shard of glass as it smashed on the table, slicing a chunk of flesh from my finger.

Suddenly blood was everywhere: blood trickling down my arm, blood on broken glass, blood mingling with white wine on the table. I struggled to tear off some kitchen paper and bound my finger tight to stem the flow. I held my hand above my head, watching blood stream down my arm in tiny diverging rivulets, mimicking the pattern of veins beneath my skin.

I thought of Kathy.

It was Kathy I would reach for in a moment of crisis—when I needed sympathy or reassurance or someone to kiss it better. I wanted her to look after me. I thought about calling her, but even as I had this thought, I imagined a door closing fast, slamming shut, locking her out of reach. Kathy was gone—I had lost her. I wanted to cry, but couldn’t—I was blocked up inside, packed with mud and shit.

“Fuck,” I kept repeating to myself, “fuck.”

I became conscious of the clock ticking. It seemed louder now somehow. I tried to focus on it and anchor my spinning thoughts: tick, tick, tick—but the chorus of voices in my head grew louder and wouldn’t be silenced. She was bound to be unfaithful, I thought, this had to happen, it was inevitable—I was never good enough for her, I was useless, ugly, worthless, nothing—she was bound to tire of me eventually—I didn’t deserve her, I didn’t deserve anything—it went on and on, one horrible thought after another punching me.

How little I knew her. Those emails demonstrated I’d been living with a stranger. Now I saw the truth. Kathy hadn’t saved me—she wasn’t capable of saving anyone. She was no heroine to be admired—just a frightened, fucked-up girl, a cheating liar. This whole mythology of us that I had built up, our hopes and dreams, likes and dislikes, our plans for the future; a life that had seemed so secure, so sturdy, now collapsed in seconds—like a house of cards in a gust of wind.

My mind went to that cold room at college, all those years ago—tearing open packets of paracetamol with clumsy, numb fingers. The same numbness overtook me now, that same desire to curl up and die. I thought of my mother. Could I call her? Turn to her in my moment of desperation and need? I imagined her answering the phone, her voice shaky; just how shaky depended on my father’s mood, and if she’d been drinking. She might listen sympathetically to me, but her mind would be elsewhere, one eye on my dad and his temper. How could she help me? How can one drowning rat save another?

I had to get out. I couldn’t breathe in here, in this flat with these stinking lilies. I needed some air. I needed to breathe.

I left the flat. I dug my hands in my pockets and kept my head low. I pounded the streets, walking fast, going nowhere. In my mind I kept going back over our relationship, scene by scene, remembering it, examining it, turning it over, looking for clues. I remembered unresolved fights, unexplained absences, and frequent lateness. But I also remembered small acts of kindness—affectionate notes she’d leave for me in unexpected places, moments of sweetness and apparently genuine love. How was this possible? Had she been acting the whole time? Had she ever loved me?

I remembered the flicker of doubt I’d had upon meeting her friends. They were all actors; loud, narcissistic, preening, endlessly talking about themselves and people I didn’t know. Suddenly I was transported back to school, hovering alone on the fringes of the playground, watching the other kids play. I convinced myself Kathy wasn’t like them at all—but clearly she was. If had I encountered them that first night at the bar when I met her, would they have put me off her? I doubt it. Nothing could have prevented our union: from the moment I saw Kathy, my fate was written.

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